Art | The "Overseas Chinese Class" three changes and three performances, creating boutiques and climbing peaks

On the evening of July 16, the National Art Fund's 2020 large -scale stage drama and work rolling project opera "Overseas Chinese Class" won a lottery at the Beijing Tianqiao Art Center. This local drama that talks about southern Fujian, takes the world memory list "overseas Chinese approval" as a carrier, focuses on the history of blood and tears and difficult entrepreneurship of the overseas Chinese in southern Fujian, and presents the deep family feelings and tenacity of overseas Chinese and Chinese. On the stage, tell the Chinese story with the unique art of Fujian and promote the Chinese spirit.

In 2019, the Gezi Drama "Overseas Chinese Class" was selected into the key drama of the Fujian Stage Art Boutique Project. In the same year, he won the 16th China Drama Festival Excellent Award and "National Art Fund 2019 Stage Art Creation Funding Project"; 2020 was selected as culture The opening of the Drama (Kunshan) Ceremony of the Division of the Ministry of Tourism. In the same year, it was again selected as "the National Art Fund's 2020 large -scale stage drama and work rolling funding project". The performance of the Jinjing Report is the "Overseas Chinese Class" of the "Overseas Chinese Class" of the "Overseas Chinese Art Fund in 2020." After careful modification and polishing, three changes and three performances, they were inspected by the capital experts and audiences. Continuously perform and make "Overseas Chinese Class" into a profound thought, exquisite art, and excellent production.

The opera "Overseas Chinese Class" was deceived to Nanyang for love with Huang Rixing, a puppet player Huang Rixing. Hua Gong Axiang escorted Huang Rixing to escape the gold mine with his own life. Each overseas Chinese who passed on his hand is the hometown of his hometown. The play intertwined the fate of the individual and the fate of the overseas Chinese, and intertwined the delicate individual emotions and the strong group of groups, destroying the tears. The play not only has a strong dramatic nature, the storyline is ups and downs, the character's emotional changes are strong, but also very poetic. The screenwriter will use the topic of the topic and the broad and general historical process of the actual significance, and use several groups of relatively concentrated character relationships -Huang Rixing and Ruyi, A Xiang and Ya Xiang, Huang Rixing and Akun are full of deep emotional encounters. The dramatic expression allowed Guangyuan's history and rich communities to have a carrying focus. This focus is presented on the stage, coupled with the uniqueness of the art expression of the opera, the stage of the play not only shows the characteristics of the drama, but also highlight the appearance of the emotions and the infectiousness of the drama.

"Overseas Chinese" is the first project in Fujian to be selected as the World Literature Heritage. In 2013, the "Overseas Chinese Classification File" was jointly recommended by Fujian and Guangdong provinces and declared by the National Archives Bureau. The concerted "overseas Chinese batch" culture of the opera "Overseas Chinese" has seized an international subject matter. The uniqueness of its subject matter is a major gain on the drama stage. Transformation and presentation are the represented by the creation of human civilization.

The opera "Overseas Chinese Class" is not simply telling the social phenomenon that happened in Chinese history, but through these phenomena and characters discovering the Chinese historical fate and the spiritual style of the Chinese, as well as the practical significance that history brings us today. Looking back at history from a contemporary perspective, he strives to dig deep into the depths of the nation's memory, making it a work that is heavy and smooth, and can give future generations a work that can be deeply revealed.

The opera is known for its singing and sorrows of the bumps of music in the process of historical development. Music design Jiang Songming's theme tone of the music theme from the traditional song "Big Crying" of the opera drama contains the hardships of the survival of the overseas Chinese of Xianananyang, the impermanence of destiny, the struggle of the individual, and the sadness of the struggle. He broke the convention and used the unique musical instrument "Duck Flute" of the opera as the main musical instrument of the whole drama. Under the premise of adhering to the characteristics of Gezi Drama, the symphony matching method is integrated into the creation of opera music, and a variety of changes to the singing board type have expanded the music function of the song of the song, which enhances the expressiveness of the aria. The music of the whole drama is like the music of the whole play. The magnificent momentum of the opera.

The opera "Overseas Chinese Class" was performed by the Xiamen Opera Study Center. The artist and the director of the Xiamen Opera Research Center, the director of the Xiamen Opera Study Center, Zeng Xuewen, the winner of the Cao Yu script award, and Han Jianying, the winner of the Mandarin -Chinese Director Award. Jiang Songming, the winner of the Mandarin Music Design Award, Ren Music Design, Huang Yongzhang, a winner of many Wenhua Dance Design Awards, Ren Wumei Design, Zhuang Hairong, the winner of the Chinese Art Festival Performance Award, Su Yanrong Chen Zhiming, national first -level actor Zeng Baozhu and other senior actors have served as the main role. At the same time, a group of outstanding young actors participated in it, and the lineup was strong.

The exhibition was hosted by the Propaganda Department of the Fujian Provincial Party Committee of the Communist Party of China, the Fujian Provincial Department of Culture and Tourism, and was hosted by the Propaganda Department of the Xiamen Municipal Party Committee, the Communist Party of China, Xiamen Municipal Party Committee, Xiamen Cultural and Tourism Bureau, and Xiamen City.

(The picture is provided by Xiamen Opera Study Center)

Responsible editor: Yang Zisi

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