Han Chunyin, "Master" of Tao: Entering the kiln, the bake is out of Wancai, every time the kiln opens the kiln, it is like opening a blind box

Green pottery and succulent combination into a perfect picture

Cover Journalist Xi Qinling Zhouyi

What kind of chemical reactions can mud + mineral + flames?

In Huili City, Liangshan Prefecture, this is a provincial non -heritage project -green glaze ceramic production skills. Under the high temperature of 1260 ° C, after the minerals are melted, the pottery flows along the pottery, and the kiln becomes a ever -changing pattern.

After the ignition starts, the kiln changes at high temperature. However, it is not controlled by human thinking. Even if the pottery that is processed at the beginning is exactly the same, there may be different results. It may be beautiful, it is a boutique work; it may become a pile of waste residue.

It will be so amazing that it will be so amazing.

After the 80s, the "Master" of the Tao, Han Chunyin, a master of arts and crafts in Sichuan Province, and the inheritor green pottery of the Provincial Non -Heritage Association said that due to the natural mineral factors of the entire handmade, the success of the green pottery is extremely low. There are surprises and scared.

Han Chunyin is guiding his inheritor

Division

"Hanmen" three generations of two masters

The green pottery is a kind of non -heritage salvaged in the history of history. Although it has a history of thousands of years, it has gone through the process of becoming a "abandoned child."

Before 1952, the production of green pottery was mainly based on family workshops. There were 48 households and 127 people engaged in the ceramic industry in the county. There were 12 types of ceramic kiln. Yunnan Yuanmou, Yongren, Luquan and other counties.

It is the native of Han Chunyin's family who "salvage" the green pottery and give it new vitality.

Han Chunyin said that he grew up playing with mud.

He still remembers that when he was five or six years old, he pushed a jack on the old kiln at home. His father roared at him: "You have broken 300 yuan." He was so frightened that he didn't dare to come out. Their family can be described as a green pottery family. In the last three generations, Grandpa Han Zhengxue is a well -known local pottery craftsman. He has served as the director of the workshop of Huili Fine Arts Factory. Skills representative inheritance, master of arts and crafts in Sichuan Province.

One "door" out of the two generations of masters, relying on feelings and inheritance to make the green pottery "excellent life", and in the process of the integration of non -heritage and tourism, it has glowed with vitality.

Han Chunyin

This year, at the twelfth party congress of the province, the Provincial Party Committee clearly requested Liangshan to "make a good plan for resource energy, characteristic agriculture, and cultural tourism. Cultural tourism is the unique advantage of Liangshan. This big article tour, accelerate the construction of the Sichuan Museum's settlement and other projects, build the Sichuan Literature and Art Middle Center, and build a new era of cultural strong states.

The development direction has been clear, and Han Chunyin, who has built a folk museum, has more reason to believe that the next step will be a new style of green pottery.

Han Chunyin's work (pictures of Han Chunyin)

unique

After the 80s, the determination to inherit

Although he grew up playing with mud, in fact, his family did not want to let Han Chunyin do this line. "For a long time, the days of green pottery are not good." Han Chunyin said that in 1994, the collective enterprise Sichuan Huiyi Glaze Factory, which is mainly based on the green pottery, was unsolved and sold to his father. Six years later, it will also be disintegrated and cut off.

In order not to take this old road, he was studying the management of business enterprises at the university. After graduating, I have been walking outside for more than a year, running through business, selling insurance, and the same days, like green pottery, is not very good.

When the green pottery was under the sun, the protection of non -heritage in my country began in full swing. According to the article "Historical Evolution of the Protection of Chinese Cultural Heritage Protection Policy", on September 14, 2006, the protection of national intangible cultural heritage protection, a national intangible cultural heritage protection, approved by the Office of the Central Institution The center was established at the Chinese Academy of Arts. On December 16, 2009, the General Office of the State Council issued the "Notice on Strengthening the National Special Funding and Management of Special Funding and Management of the Central Subsidy for the Protection of National Intangible Cultural Heritage"; on June 1, 2011, the "Intangible Cultural Heritage Law of the People's Republic of China" The formal implementation has laid an institutional guarantee for the legislative protection of intangible cultural heritage.

When Han Jinfu saw the next spring of Green Pottery, Han Chunyin arranged for Han Chunyin to go to Sichuan Academy of Fine Arts. From Professor Tang Ying, he systematically learned the cultural and artistic knowledge related to pottery.

Han Chunyin's work (pictures of Han Chunyin)

Professor Tang Ying told him that the biggest difference between Green Pottery and Jingdezhen porcelain is that it is unpredictable that it will be unpredictable because it is unpredictable.

"This unique charm makes me fascinated." Han Chunyin said that he hoped that every piece of work he made is unparalleled.

During the study, Han Chunyin was always troubled by the question of "whether the green ceramics should be used with different minerals, and after high temperature firing, whether the product is environmentally friendly", the question is troubled. In order to solve the confusion, he secretly took away the green pottery from his home to Chengdu, and asked a professional institution to test it.

"I thought it could be detected according to a X -ray or drilling a hole. As a result, the other party said that it would be broken." Han Chunyin said that this request made him very tangled. After all, there were a few old objects that were passed down from grandfather. In the end, he reluctantly convinced himself and chose a destructive test. "What is most satisfied with me is that the results show that the new and old green pottery meets environmental protection requirements." He said, this also strengthened his determination to inherit. Han Chunyin's work (pictures of Han Chunyin)

Father and son join forces

"Live" the non -heritage resources of "sleeping"

In 2011, 25 -year -old Han Chunyin returned to his hometown and joined forces with his father to start a business.

During the cooperation, the concept of the post -80s and the post -50s collided. His father hopes to take the traditional route to produce routine green pottery products such as kimchi bean, flower pots, and earthen bowls; and he hopes to use the artistic effect of kiln change, production of art, or more added tea sets, vases, etc.

In the end, the father and son reconciled, took the road of non -heritage + tourism, and "lived" the "sleeping" non -heritage resources.

The dance figurines in the Green Pottery Museum

Han Chunyin introduced that the production of green pottery was divided into 8 major links and 72 small processes. "The hardest to burn is the kiln to change the mountain color." He added that due to the large impurities in the natural minerals used, the chemical reactions were ever -changing at high temperature. Therefore, he could not estimate what the picture of each work came out. It is not possible to estimate how the success rate of the finished product is.

This uncertainty makes each kiln full of variables. The saddest thing is that after opening the kiln door, it was found that the green pottery of a whole kiln failed.

"Enter the kiln color, the bakery is out of the color", "three points depend on people, the seven points rely on the kiln to change", which made him awe of this profession.

Han Chunyin's work (pictures of Han Chunyin)

How much is successful? Han Chunyin said that a master like him can also ensure that at most to ensure that the kiln can only reach about 10%of the finished product rate.

"Every time the kiln opens a blind box, there are surprises and frightening." He said that now, he has long been refined into steel, and even if it fails, he will not be "frightened".

The biggest surprise to him was the work created by his and his father, "Kiln Change Mountain Cai Lian Tibetan", and won the gold award at the 6th Sichuan Provincial Arts and Crafts Exhibition. Someone was willing to invest 400,000 yuan to buy, and was rejected by his father. Today, this work is placed on the wooden table of receiving guests, becoming the treasure of the town shop.

Huili Green Pottery Old Kiln

In recent years, Han Chunyin relied on green pottery, established the Green Pottery Cultural Industry Park, created a national 3A tourist attraction, and also opened teahouses and homestays. In the Han Dynasty), the Green Pottery Research Institute, systematically developed, produced, displayed, and inherited the production skills of green pottery.

For the inheritance of non -heritage, Han Chunyin said that he was willing to break the portal and accept the disciples who love the world in the world. At present, the two college student inheritors followed his pace closely, worshiped him as a teacher, and inherited this millennium skill.

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