[History and Culture] Chengdu Shujin Weaving Embroidery Museum: Tibetan Shudi Splendid Military Milk History

Chengdu Shujin Weaving Embroidery Museum

Tibetan Shudi Splendid Masterpiece History

"Shu" is "mulberry", which is a silkworm; Shu land is one of the birthplaces of Chinese silk culture. Here, the oldest and one of the four famous brocade of China and one of the four famous embroidery were born with the oldest and one of the four famous brocade in China. Shujin and Shu embroidery have been more than thousands of years. In the long years, the gorgeous pattern was under the pattern of Shu Jin and Shu embroidery. It also allowed Shu Jin and Shu embroidery to witness the rise and fall of the generation dynasty, and witnessed the development of Chinese civilization. The Shujin and Shu embroidery, which carries the heavy history, is fortunate to hide in the alert, so that we can taste the history that spans the thousands of years.

Shujin weaving embroidery museum

The Chengdu Shujin Weaving Embroidery Museum (Shujiang Jinyuan), located on the banks of Huanhua Creek. It was formerly known as Chengdu Shujin Factory with more than half a century. Research, protection and replication of ancient Shu Jin. There are large -scale Shujin weaving workshops in the museum, and many Shujin Xiaohualou wooden weaving machines are handmade Shujin. Within more than 3,000 square meters, Shujin and Shu embroidery boutique are colorful, and the splendid patterns of the past generations are full.

There are two intangible cultural heritage of the Shujin weaving embroidery museum, namely Shu embroidery and Shu Jin. Although they all use silk as raw materials, they have two different techniques. Shu embroidery is a kind of embroidery technique that users need to embroidery on the weaving fabrics through a needle -piercing leader, and Shujin is a colorful moisture fabric formed by different patterns formed by the weft silk thread through the weft wire.

The Shujin Weaving Embroidery Museum mainly displays Shujin and Shu embroidery works (imitation)

Spring and Autumn and Warring States

Embroidery during the Spring and Autumn Period and the Warring States Period, the embroidery unearthed from the tomb of the Chu of the Warring States Period is the most representative: the main body is commonly used for multi -line embroidery coverage, and the patterns are more dynamic dragon flying phoenix, shuttled in Liuyun, branches, and romantic colors. The sense of rhythm, as if brought people back to the war age of the swords and swords and heroes.

Han Dynasty

In the Han Dynasty, embroidery was widely used in clothing, decoration, and daily necessities from professional production to clothing, decoration, and daily necessities. The patterns are commonly used with cloud patterns and curly grasses. The style is fine and continuous, and its sense of floating is unique to the Han Dynasty embroidery.

In the Han Dynasty, fairy thoughts were very popular, and the cloud patterns that were linked to the fairy were favored by people; and the rolled grass patterns may reflect the trend of the unity of the Han Dynasty and the national integration.

Three Kingdoms, Two Jin, Northern and Northern Dynasties

During the Jin and Northern and Southern Dynasties of the Three Kingdoms, it was the most frequent period of regime in Chinese history. It was also a period of national integration of national integration. At this time, the characteristics of Shu Jin also changed: During the Northern and Southern Dynasties, most of the Shujin patterns were symmetrical, animals or lying or standing. It was serene and static. The flowering line turns to the weft of the latitude line.

The embroidery of the Wei, Jin, and Northern and Southern Dynasties is also unique: in the context of national integration and Chinese and Western exchanges, embroidery develops. In addition to the ninjutsu and flower and bird patterns, the subject matter also involves Buddha statues and Buddhist supplies.

Sui and Tang Dynasties

The prosperity of society and economy often makes Shu Jinshu embroidery better development. The Sui and Tang dynasties are examples. The Sui and Tang dynasties were the heyday of the feudal society in China, and it was also the heyday of the development of Shujinshu embroidery.

The pattern pattern of Shujin in the Sui and Tang dynasties has both the symmetrical birds and beasts in various groups, but also the composition context that reflects the traditional characteristics and rules of Chinese. The structure -oriented diversified organizational structure, Shujin weaving is more delicate and the color is richer.

Since the Western Han Dynasty, Zhang Jian has twice shifted to the Western Regions, promoting cultural exchanges between China and the West and the development of silk trade. Driven by trade, the Shujin manufacturing skills of the Sui and Tang dynasties transitioned from multi -comprehensive flowers to bouquets of flowers, and Shu Jin gradually developed from Jingjin to Weijin. This historic transformation breaks through the limitations of Shujin color matching and pattern size.

In addition, Shu Jin has continuously absorbed the weaving skills of Persia and the Western Regions and the style of Central Asia and West Asia, and its patterns are more diverse.

During this period, Shu Jin was graceful and compatible with compatibility. The style was very characteristic: "Lingyang public" shows the style of the Tang Dynasty civilization and openness, and represents the highest level of the brocade of the Tang Dynasty.

Lingyang

Song and Yuan Dynasties

In Chengdu, the Song Dynasty in the hometown of Shujin, there have been transshipment Sijinyuan and Chama Sijinyuan to produce all kinds of Huajin. Chengdu, Suzhou, and Hangzhou became important bases for the three major silk weaving industries in my country at that time. During the two Song Dynasty, Shujin weaving technology transformed from latitude Jin to latitude, and the tissue of flowers, land, and latitude was transformed. About 13th century, weird brocade gradually became unwilling, and gradually replaced by weft floating flowers. Shu Jin weaving still used a comprehensive blooming machine.

In the first 80 years of the Yuan Dynasty, the political situation was relatively stable. Sichuan mainly developed farm and mulberry. Chengdu set up "Transfer Si Jinyuan" and "Chengdu Yijin Bureau", but the production scale was far less than before. After the style of the inheritance of the Song Dynasty, the decoration of the Song Dynasty was also incorporated into the characteristics of the Mongolian and nomadic peoples. The "Chang'an Bamboo" and "World Music", which are popular in the country, are known as "the ten brocade of Yizhou".

Ming and Qing Dynasties

There are many unprecedented embroidery in the Ming and Qing Dynasties, and the style is very different, and it has entered a very prosperous period. Due to the development of foreign trade and business, embroidery characteristics are more obvious. Embroidery in various places has its own characteristics in terms of raw materials, acupuncture, subject matter, and color. In the middle and late period of the Qing Dynasty, the four systems of Shu, Su, Xiang, and Guangdong appeared in the embroidery art scene. Its influence of each other had their own local characteristics. Ming and Qing fabric

Qing · Dragon robe (imitation)

Ming Dynasty intersection top (imitation)

Modern

In addition to the ancient imitation products of the Shujin weaving embroidery museum (Shujiang Jinyuan), there are also Shujinshu embroidery boutiques of the Republic of China in modern times.

Beauty of modern Shu embroidery

The most remarkable is the large Shujin weaving workshop and the wooden weaving machine of the Qing Dynasty. Until now, it can still perform Shujin's production operation, which is really amazing.

Xiaohua Tower Wooden Machinery in the Qing Dynasty

All kinds of weaving

Visiting the Shujin Weaving Museum, it seems to have viewed the history of Chinese civilization for thousands of years. Even across the display cabinet, it seems to be able to touch the exquisite Shujin and Shu embroidery, and the patterns left by the years.

"If you wave embroidery, you have no schedule." After two thousand years of inheritance, after the storm, the legend of Shu Jin and Shu embroidery will continue to continue, and it will definitely create a glory.

Source: Sichuan Provincial Local House Work Office

Supply: Local Chronicle Office of Qingyang District, Chengdu

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