Industry | Write academic research on the fields of the field

Author:Cultural Tourism China Time:2022.07.16

College students participating in the work camp inspect in Bicheng Village

From June 30th to July 12th, the "Rural Symbolic and Social Design Work Camp" hosted by the Third University Student Design Exhibition Organizing Committee of the Zijin Award and the Xuanhan Cultural Creative Development Promotion Association Xuanhan Innovation Practice Base (Huatian International Rural Maker Camp), a post -doctoral post -doctoral post -doctoral post -doctoral post -doctoral and post -doctoral cultural industry in Xuanhan County.

The work camp is guided by the Peking University Cultural Industry Research Institute, which aims to create an exclusive design plan based on the field survey data and build an exclusive design plan around the Bailima Hua Field Rural Aesthetic Space Exhibition, forming a public space for the Bailima Field Construction Society International Venture Camp. Creative transformation allows cultural and creative forces to empower rural revitalization.

Action on the countryside

Rural symbiotic and social design work camps invited experts and scholars from well -known institutions such as Peking University, Tsinghua University, Renmin University of China, and Sichuan Academy of Fine Arts, as well as design professionals such as contemporary artists, curators, and other design circles. Academic committees in multiple fields. The academic committee is mainly responsible for grasping the academic direction of the work camp, evaluating the design results of students, etc., to ensure the professionalism and authority of the work camp.

Discussion plan in Huatian International Village Maker Camp

This working camp is carried out by online lectures and offline practice. A total of 21 young students from famous universities such as Peking University, Central Academy of Fine Arts, Beijing University of Science and Technology, Central Conservatory of Music, Shenzhen University, and Shenzhen University participated. Peking University's cultural industry Xiang Yong, Dean and Professor of the Institute, Wang Tianxiang, Executive Deputy Dean and Professor of the Academy of Arts and Rural Research Institute of Sichuan Academy of Fine Arts, Chen Guodong, founder of unnamed creation club, and the executive secretary of the Rural Cultural and Creative Branch of the Chinese Cultural Industry Association Chang Huang Binbin, Yao Xiaogang, an architectural designer of Huatian International Village Capital Camp, shared his practical experience and research experience in the field of rural innovation through the online theme lectures, and provided work camp students with a wide range of case reference and clear work ideas.

During the event, the students of the working camp carried out a 7 -day rural art practice in the Huatian International Village Village in Baicheng Village, Dazhou City, Sichuan Province. Students are divided into 5 groups, using "local examinations" as practical methods, conducting field tests through field observation method, tracking observation method, semi -structured interview method, etc., and The tutors of the academic committee reported on the research results and design ideas online, and shared the creative imagination and artistic thinking obtained in the village's style of collecting style. After that, each group set out from their unique focus on local creation.

Participate in the work camp college students field research

The rural art practice results are rich in results. Students from work camps start from the real needs of the villagers, and use creative management, art empowerment, life aesthetic thinking, through wall painting, installation design, workshop aesthetic education, video creation, etc. The artistic method has left precious cultural and creative works for Baima Bicheng Village, realizing the further transformation of rural landscape space, and has made positive contributions to helping the local rural cultural revitalization work.

(The picture is provided by Peking University Cultural Industry Research Institute)

Responsible editor: Gou Xiaoqing

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