Lao Zhao: How do people's collections enter the state -owned museum?

The secret color lotus of the Northern Song Kiln Salon Tale Zhou Xiao Gangzheng

"Five Hou 鲭 -Zhejiang Folk Collection Boutique Entering the 10th Anniversary Exhibition of the Museum" exhibits (Zhejiang Folk Collection Enter the Museum Series)

(On April 12, the "Qian Sheng's Clearance -Ancient Chinese Buddhist Statue Selection Exhibition" opened at the Zhejiang Western Lake Art Museum. 120 pieces (groups) introduced the main Buddhist statues to the door, so that the public understands the Chinese Buddhist statues through exhibitions. For the formation of spontaneous organization, nearly 120 members of the Zhejiang Museum extracted their members to collect Chinese Buddhist statues, and were designed and produced by Zhejiang professionals to be dedicated to everyone. The folk collection of the Zhejiang Museum enters another wonderful pen into the museum series.

Earlier, the "Lan Room Chief -Special Exhibition of Literary Press in the Literature Press" at the Shanghai Han Tianheng Art Museum in January 2017 also came to an end. Things — Special Exhibition of Literary Press in the Dynasties "is an important exhibition of Han Tianheng Art Museum in 2017. It was personally curated by Mr. Han Tianheng to convene ten famous maritime collectors to prepare for more than 3 months and bring together nearly 600 exhibits; follow China Three Three Thousands The history of civilization for many years is mainly based on artifacts. It systematically presents the exquisiteness and exquisite life of ancient intellectuals, showing the cultivation and cultivation of literati and Mo Ke. This is one of the series of exhibitions for the planning and organization of civil collection forces in Han Tianheng Art Museum.

The folk collection enters the museum in the ascendant, but at the same time, the unaccompanied voice of various national treasures to help the museum is endless. As a result, we specially compiled the following articles, which is a article published in 2015, but the ideas and views discussed in it still have the significance of reference today and sort out the exchanges for everyone. )

Han Tianheng Art Museum "Lan Mo Fang -Special Exhibition of Literary Shopping Forms" exhibits

The prosperous collection is logical. Under the aura of investment amplified, in the carnival of the media, the popularity of the whole people has finally become a daily social ecology. In recent years, with the twists and turns of the art investment market, the art market has entered the overall consolidation stage, and the speculative bubble has gradually broken. From another aspect, folk collection has also gained an opportunity. People can consolidate the foundation of collecting culture in the direction of knowledge, education, and cultivation.

Through years of accumulation, many folk collectors have formed the basic context of their own collections, academic research and literature. Among the folk collectors, there are a few who can open an independent museum after all. Therefore, from this perspective, it is indeed a dream of folk collectors in the hearts of folk collectors.

From the perspective of state -owned museums, the museum has no lack of professional appraisal capabilities, at least there is no lack of appeal to organize professional experts. However, in the views of folk collection groups, these national teams used to lack the motivation to interact with private collection in the past. At least it is not enough. However, the state -owned museum has important resources and platforms.

Shaoxing Museum introduces Liu Yonggao's ancient golden bronze Buddha statues exhibition products

On the other hand, the booming folk collection also requires professional norms, professional guidance and professional management. CCTV has also reported on the problem of fakes in folk museums. In recent years, the "National Treasure Gang" and the news of the museums and the museums have entered the museum. It is also continuously seeing the media. The state -owned museum introduces private collections. Without a professional management process, it is very easy to give the raccoon opportunities to save the body, and it is also easy to breed power to find rent.

The folk collection wants to come up hard, but the state -owned museum generally lacks the body. The museum wants to introduce folk exhibitions and it is easy to cause "right and wrong". At the same time, as a third party bystander, many of them cannot rely on their own professional capabilities. How can this bureau break this bureau? This article interviews several domestic museum professionals for useful discussions.

The situation is stronger than people: the change of concept is the biggest pusher of the museum open

Zhejiang Museum Researcher Zhong Fengwen

The concept of the state -owned museum is gradually formed. From the perspective of cultural relics protection, the national resource guardians who "naturally exist" to the media of culture and art, the transformation of this concept has contributed to the museum's free opening of the public. Through the annual assessment of the museum's annual operation, funding has completely changed the service posture of the state -owned museums. The state -owned museums have become vivid and close to the people. They also began to learn to use various methods to get close to the public and young people.

The Warring States Three Sacrifice God Beast Tong Ding height 7.5 cm, two ears width 8.6 cm Sun Haifang Collection

"Five Hou 鲭 -Zhejiang Folk Collection Boutique Entering the 10th Anniversary Exhibition of the Museum" (Zhejiang Folk Collection Enter the Museum Series)

首都博物馆在官网上开设了“民间收藏/私人藏品栏目”，正面介绍北京的民间收藏家与私人博物馆；福建省博物院院长吴志跃在接受媒体采访时说，福建博物院通过无线电波、网络、报纸、 Magazine and other media set up "Paper Museum, Air Museum, and Online Museum", which broke the "Wall of the Museum". "Museum" program "; in 2014, the Museum of Shunde District was brewing the cultural antibody custody method to provide free custody of private collections that meet the conditions of the collection; the museum began to provide social services, and the number of non -public collection exhibitions introduced by the state -owned museum also increased year by year. Zhong Fengwen, a researcher at the Zhejiang Museum, said that in the past, there were also folk collection exhibitions from the National Museum, but it was generally sporadic. Baiyuyu Liang Tong Tong is 24 width and 10 cm high

"Jade 江 -Zhejiang Cixi Xu's Tibetan Emperor Song Xiu Niusi and Ancient Jade Care" exhibition (Zhejiang folk collection enters the museum series)

The author also found a lot in public information. For example, in August 2005, the Chongqing Plastic Culture Museum sent 150 plaques to the Huguang Hall to display, reaching the first cooperation between Chongqing State -owned Museum and folk cultural relics; in 2007, Suzhou, Suzhou, Suzhou The museum hosts "There is a treasure in the Shengshi Jiangnan family -Suzhou Folk Collection Zhenpin Special Exhibition"; since 2007, the Museum of the Ningxia Hui Autonomous Region has hosted the "Song, Liao, Xixia, Jin, Yuan Porcelain Exhibition" Waiting for Ningxia's first folk collecting cultural relics series exhibition, two civil collection exhibition halls are also set up in the new museum, which means that this activity can be held for a long time;

In December 2009, the first boutique exhibition in Heilongjiang Province was launched at the Heilongjiang Provincial Museum. In 6 days, more than 20,000 visitors, with an average daily visitors reached more than 4,000; in 2010, Wuxi Museum introduced the "jade of jade for the first time. Hai Mingzhu -the ancient Chinese jade boutique exhibition "; in 2010, the" Tianyi Pavilion Museum Folk Collection Series Exhibition "produced by Zhejiang Tianyi Pavilion Museum, which is a state -owned museum, won the best service award for the annual Zhejiang Exhibition Exhibition Boutique Project; In May 2010, "The History of the People's Ordinary Nothing -'Old Old Items Exhibition of Tianjin" and "Ninth Folk Collection Exhibition of Tianjin" and "yesterday" and "Tianjin" were launched at the Tianjin Museum in May 2012; During the exhibition of the Grand Exhibition at the Guangxi Museum; during the trial opening of the Liaoning Provincial Museum on May 16, 2015, the "Liaoning River -Liaoning Folk Embroidery Exhibition" began at the same time, and so on.

Ming Junyu "Eighteen Luohan pattern ivory pen holders high 14.8 cm of Xu Qi Ming Tibetan

"Five Hou 鲭 -Zhejiang Folk Collection Boutique Entering the 10th Anniversary Exhibition of the Museum" (Zhejiang Folk Collection Enter the Museum Series)

Is it a uniform measure for the introduction of a non -governmental collection exhibition of the state -owned museum? Shen Yiping, assistant to the director of the Shaoxing Museum, denied this in an interview with the author. It is announced that "Article 3 Museums should adhere to the direction of serving the people, the direction of socialism, and the principles close to reality, close to life, and close to the masses, and enrich the spiritual and cultural life of the people", "Article 34 Museum According to their own characteristics and conditions, we should use modern information technology to carry out various forms of social education and service activities to participate in community cultural construction and foreign cultural exchanges and cooperation. Combined with the development of derivative products and enhance museum development capabilities. " This is to first have a guiding framework from the legal and strategic level, but how to do it, the situation and motivation of each museum are different.

Qing Qianlong green pine carving pattern 觥 觥 清 清 清 清 清 清

"Five Hou 鲭 -Zhejiang Folk Collection Boutique Entering the 10th Anniversary Exhibition of the Museum" (Zhejiang Folk Collection Enter the Museum Series)

When the author went to the Shaoxing Museum, the Liu Yongjin bronze statue collection exhibition was exhibited. Liu Yong's high -ancient gold and bronze statues were known in the industry. It was also an unexpected surprise to be exhibited in the state -owned museum. Between the museum and the folk private collectors, it was originally the relationship between water and milk blending. Many of the collections of the state -owned museum were donated or provided by private collectors. The private collections in the history of the current state -owned museum collection were formed. Chen Yijun once said that Shangbo has more than 10,000 grades and more than 800,000 reference products. More than 90 % of these collectibles were collected from the folk after 1949. The important part was collectors at home and abroad and descendants. Donated. It can be seen from the origin of folk collection and state -owned museums.

Qing Qianlong Golden Glazed Porcelain Falun 28 cm bottom mold printed "Daqing Qianlong Year System" three -line scriptbook

"Royal Porcelain Resia -Tuhuo Zai Tibetan Guanyao Porcelain Exhibition" exhibits (Zhejiang folk collection enters the museum series)

Shen Yiping said that although the Shaoxing Museum does not have business assessment content in the introduction of civil collection exhibitions, the State Administration of Cultural Heritage has requirements for the museum system and requires museums to reveal things as local regional culture and promote it. The responsibilities of our museums, we want to launch good collectors and launch good collections. "In the past two years, the private collection of cultural relics into the museum is particularly enthusiastic. She attributed such cooperation to the progress of the museum concept in recent years. Rhino horn carving the Dragon Cup (Wu Dazheng Old Tibetan) The feet engraved "Xu Qi Ming Tibetan"

"Five Hou 鲭 -Zhejiang Folk Collection Boutique Entering the 10th Anniversary Exhibition of the Museum" exhibits (Zhejiang Folk Collection Enter the Museum Series)

Compared with the sporadic introduction of folk collection exhibitions across the country, the Zhejiang Museum takes the introduction of folk collection exhibitions as an important strategy for museums. It systematically provides a professional stage for folk collections and has become a model for the introduction of civil collections across the country.

Zhong Fengwen, a researcher at the Zhejiang Provincial Museum, who is responsible for the specific operation, faces the author, such as several Zhen Zhen counting the thirteen folk collection exhibitions introduced by Zhejiang Bo to this day. This exhibition is already fourteen next year. "This number does show the values ​​and temperament of Zhejiang Bo for the state -owned museums such as Zhejiang Bo. In the face of the author's interview, Zhong Fengwen is also frank, which also has a process of understanding and decision -making.

As early as 2004, the Zhejiang Provincial Museum participated in the province's obligation to tour the Jianbao activity. The event has been done for two consecutive years, involving cities and counties in Zhejiang. "Contact information and records", in 2006, "Porcelain Code -Xu Long Group's Cost in the Famous Porcelain Exhibition" (Zhejiang folk collection entered the museum series first exhibition) kicked off the curtain, causing a warm response.

In 2011, Xu Qiming became the first folk collector to run a private show at the National Museum. Of the 136 (group) cultural relics exhibited by the National Museum's "Ancient Porcelain Art Exhibition of China", nearly 100 (group) from Xu Qiming's private collection, 70%of them are national first -class cultural relics, more than 90%of foreign auctions from foreign auctions In the competition, the collections displayed were all palace porcelain treasures of the heyday of the past, representing the artistic achievements of various stages in the development of Chinese porcelain.

The white jade carving carving is 5.7 in diameter, 2 cm thick

"Jade 江 -Zhejiang Cixi Xu's Tibetan Emperor Song Xiu Ni Ni and Ancient Jade Care" (Zhejiang Folk Collection Entering the Museum Series)

Mr. Geng Baochang, the Academy of Palace Museum of the Palace Museum of Beijing, couldn't help feeling that the exhibition of Guobo was a grand event. "(This time) is first -class ceramic art treasures. The gift from the people to the people of the capital. "In order to meet the needs of the audience, the National Expo will issue a limited number of daily visits from 8,000 to 12,000 from 5.1. Even so, you still need to make an appointment one day in advance. However, less than two hours after the appointment is opened, all visits are reserved.

Zhong Fengwen said with this emotion: "The grade of the exhibition depends on the collection. If the exhibition must be grade, you must rely on the collector!" Its collections can be exhibited in the National -level Museum of Zhejiang Bo, which is also very good for collected collectors. For small collectors, it is overjoyed.

"Jade 江 -Zhejiang Cixi Xu's Tibetan Emperor Song Xiu Niusi and Ancient Jade Care" exhibition (Zhejiang folk collection enters the museum series)

Zhong Fengwen said that the real turning point is the third exhibition of the Zhejiang folk collection into the museum series in September 2010: "Jade 蕤 -Zhejiang Cixi Xu's Emperor Song Xiu Ni Shi and Ancient Jade Treasure Exhibition", "From this exhibition At the beginning, I began to focus on the introduction of the business of operating civil collection exhibitions. In order to allow me to do this work better, the leader transferred me to the mission department, "Zhong Fengwen said with emotion." I have contacted the collector Xu Guowen several times. At first he called and said that there were a lot of jade articles. I said you took some photos to see, but after all, the photos were not accurate enough. Later, when you saw the real thing, you knew that it was completely town to the exhibition. "

"Jade 江 -Zhejiang Cixi Xu's Tibetan Emperor Song Xiu Niusi and Ancient Jade Care" exhibition (Zhejiang folk collection enters the museum series)

"At that time, this exhibition was displayed in a small exhibition hall in our museum, but it caused a great sensation. It exceeded 200,000 viewers a month. Of course, there are also exhibitions for the seven -day holiday of the National Day. The messages I prepared were also written, and I wrote the bottom of the book. "

The publishing album also has a great impact, and many overseas collectors have come to ask for books. It was the previous accumulation, and the huge positive effects and influence of this exhibition made Zhejiang Bo leadership further see the significance of introducing folk collection.

The white jade lotus pattern is high -footed water bowl with 12.3 % in a row

"Jade 江 -Zhejiang Cixi Xu's Tibetan Emperor Song Xiu Niusi and Ancient Jade Care" exhibition (Zhejiang folk collection enters the museum series)

Zhejiang is a very popular treasure land. In 2002, West Lake was open for free, and the nationwide important attractions were free of charge. It is the tone of Zhejiang's cultural operation. "It has contributed that we have made great efforts to make the folk collection exhibition into a series. This jade exhibition is indispensable, because everyone's response is very good. The cultural products are given to the society, and at the same time, the collector's collections reach cultural sharing. The latter is also important between the two. Because just to provide cultural exhibitions to the society, it can also be resolved by lending. "Jade 江 -Zhejiang Cixi Xu's Tibetan Emperor Song Xiu Niusi and Ancient Jade Care" exhibition (Zhejiang folk collection enters the museum series)

Zhong Fengwen said: "Our folk collection has already formed a brand and influence. More collectors want to participate in the exhibition, but some collections are not available, and the museum is declined." The state -owned museum is introduced in the introduction of civil collections. Indeed, there is a current situation of the quality of the grass -roots museum exhibitions. Zhong Fengwen said well, "The key depends on what your motivation is."

Chen Hao, the curator of Zhejiang Museum, said: "Now the characteristics of folk collection are large number of people, wide door categories, and high quality, so that precious folk collections enter the museum, not only encourage and affirmation of folk collectors, but also allow the public to share the public The precious cultural heritage left by these ancestors ".

"Jade 江 -Zhejiang Cixi Xu's Tibetan Emperor Song Xiu Niusi and Ancient Jade Care" exhibition (Zhejiang folk collection enters the museum series)

Appraisal: Introducing the pain of folk exhibitions

The introduction of folk collection exhibitions, the state -owned museum is not without this desire, but once it involves the choice of specific exhibitions, the selection, screening, and appraisal of exhibits will fall into a habitual contradiction, including the following levels: First, the museum, the museum museum We must have sufficient motivation and willingness, and treat private collections with a sincere and equal attitude. In terms of Zhejiang Bo, it seems that it is not enough. Compared with some resource museums, there are still some limitations in the collection of collections, but the cultural consumption needs of people in Zhejiang and the surrounding people are very strong. What do you take to meet them? Intersection

Shaoxing Museum

This may be one of the causes of Zhejiang Bo's efforts to set up a civil collection exhibition platform. With such a mentality, you can put down your body, put down the state -owned museum with your body, and enthusiastically want to do exhibitions at the state -owned museum and share it with more people to share with more people. The folk collectors of the collection are justified.

Shaoxing Museum introduces Liu Yonggao's ancient golden bronze Buddha statues exhibition products

Shen Yiping, the assistant director of the Shaoxing Museum, also believes that the collection of Shaoxing Museum is limited, but the local collection of Shaoxing is full of wind, the folk wealth, and many collectors with a weight. Shen Yiping said: "Many collectors have better things than in our museum. We must seriously go to the work of collectors and respect their opinions."

Shaoxing Museum introduces Liu Yonggao's ancient golden bronze Buddha statues exhibition products

Shaoxing Museum introduces Liu Yonggao's ancient golden bronze Buddha statues exhibition products

Secondly, the appraisal experts in the museum have no shortage of talents with good theoretical practice, but experts at the general level are still theoretical research and archeological research, and may not have market experience; Relying on the museum's appraisal force, it may not be able to sing the national museum for a long time to introduce this drama. Many museums are worried about it, and it is not unreasonable to be afraid of provoking the right and wrong of the people.

Shaoxing Museum introduces Liu Yonggao's ancient golden bronze Buddha statues exhibition products

As we all know, folk collection itself is very complicated, mixed with fish and dragons, and some of the collections of some folk collectors may not be too strong. There are also rigids in folk museums. Because antiquities collection identification is mainly visually inspecting, it is supplemented as supplemented and cannot be converted into system science that can be data that can be data that can be data -based. Basis, at the same time, the insiders' grasp of objects cannot be conveyed to the bystanders and general society in a way that the public can understand, which also increases the ability of the pupae to entangle the skin and entanglement, which has formed a great chaos and trouble to the correct orientation of public opinion. Essence

Shaoxing Museum introduces Liu Yonggao's ancient golden bronze Buddha statues exhibition products

The state -owned museum has also occurred in folk collective donations, private collections, and crickets in the private collection exhibition. At this time, the path of each state -owned museum is different. In addition to willingness, there are institutional construction and methodology.

So, how did the Zhejiang Bo do with a big step? Zhong Fengwen, a researcher at the Zhejiang Museum, was a acquirer of the state -owned cultural relic store before. He was a member of the Zhejiang Cultural Relics Appraisal Committee. Through the photos, through the field inspection of the collection, preliminary judgment, "For valuable special exhibits, we generally organize the three -person appraisal team. The members are members of the Zhejiang Cultural Relics Appraisal Committee, and they must be an expert in the direction of the topic. Fill in the information list on the spot. Since the members themselves are inside, the source of the information is also very reliable, rich and professional, and avoids a lot of useless work. "

Shaoxing Museum introduces Liu Yonggao's ancient golden bronze Buddha statues exhibition products

Assistant Shen Yiping, the director of the Shaoxing Museum, said that when the introduction of a folk collection exhibition, she also encountered the same confusion. She also believed that the introduction of private exhibitions of the state -owned museum must be cautious. The core is authenticity. I introduced a folk woodcarving statue collection exhibition. The collector is Wu Xiaogang, the moderator of the Yachang Collection Forum. Museum, "when she said these, it seemed very natural, but in the eyes of the author, there was a new feeling. The leaders of the state -owned museum also knew the names and bottoms of the online collectors. The seemingly gap of the state -owned point is easily melted. Wu Xiaogang's collections are selected from "Wanfo Chao Zongyuanyuan Long: Wanyuantang Wood Carving Tibetan Selection" (Wu Xiaogang edited Xiling Yinshe Press)

Only with the willingness of seeking sages can we overcome the layers of resistance and reach the other shore. Shen Yiping is not a collector or insiders in the circle, but she also feels more and more of her own people. This is something interesting.

She introduced that when the introduction of Wu Xiaogang's exhibition, the Shaoxing Museum organized the museum's appraisal committee at that time, and after reading the real thing, it felt good to form decisions. The Provincial Cultural Relics Appraisal Center conducted a professional identification. Make it, "Shen Yiping finally said:" State -owned museums are a bit taboo to do exhibitions for private collectors. This is understandable, but in any case, we still feel that it cannot affect the development of the museum. The development is more important than worrying. "

Wu Xiaogang's collection of "Zhejiang Pictorial" was taken during an interview

In the state -owned museum, there is a special example: Han Tianheng Art Museum. Since Mr. Han Tianheng himself is a collection of connoistes, Han Tianheng's son of Han Tianheng, Han Tianheng, is also a collection expert for many years, which is well -known in the industry. He has lived in the atmosphere of Chonggu, ancient, and ancient times in Shuxiangmen. In 1999, he went to Japan to learn calligraphy, and he was a teacher from the Japanese book Taoist Takagi. What surprised him was that at that time, Japanese cultural relics could be found everywhere at the time. For him who loved antiques, he entered a treasure trove. He discussed with his father and began to buy things in Japan with his own eyes. Therefore, the Han Tianheng Art Museum has become a natural bridge between the state -owned museum and the folk collectors, because Han Hui itself is a folk collector.

Folk and State: There is no natural gap

Han Tianheng Art Museum of Art, Xiling Yinshe member Han Huizhi

In fact, whether it is state -owned, folk, whether it is an expert with identity, or an unlimble master, today when the conceptual changes and constant reforms are reforming and perfect, they are all transformed by each other. There are no natural gaps. The more professional magazines, the appearance of the public media, so as to obtain the only identity in the past;

In the process of competing for resources with state -owned museums, folk collection has continued to grow, so that in several areas, it has obtained the possibility of being comparable to and surpassing the state -owned museum.

Han Tianheng Art Museum

The experts of the museum do not eat fireworks on earth. Once they want to participate in the market behavior of the collection and understand the real collection ecology, they must be accumulated from the Internet, the folk, and from the people, and from the industry.

State -owned museums, do not seize the opportunities of the times, and control the core elements of the Internet era "the ability to realize their value", then the change of the value weight weight of the museum in the future is just around the corner. In the era of game rules, the museum, are you ready for museums?

Han Tianheng Art Museum, a state -owned art museum with a folk collection temperament, has the need to pay special attention. In 2013, the Han Tianheng family donated 1136 cultural relics and artworks to the country, and established the Han Tianheng Art Museum in Jiading, Shanghai. Among them, there were more than 700 paintings and calligraphy prints of ancient famous artists such as the Tang Dynasty, Wen Zhengming, Zhu Zhishan, Dong Qichang, Wu Changshuo, and 290 books, paintings, and prints created by their own creations.

Han Tianheng Art Museum "Lan Mo Fang -Special Exhibition of Literary Shopping Forms" exhibits

"Han Tianheng Art Museum has its special characteristics", Han Hui, the artistic director of Han Tianheng Art Museum, said to the author: "Han Tianheng Art Museum was donated by the family of four Han Tianheng family (Han Tianheng couple and children). Unlike other art museums and museums named after personal names, four donors are unlike other art museums and museums named after their personal names. The donor is guiding the art museum itself. "

Han Tianheng Art Museum "Lan Mo Fang -Special Exhibition of Literary Shopping Forms" exhibits

The Han Tianheng Art Museum is a public cultural facility invested by the government and named after Mr. Han's name. As a public institution, there are certain restrictions on financial investment. According to Zhu Jian, deputy minister of the Propaganda Department of Shanghai Jiading District, the Jiading District Government has invested over 100 million yuan in the Han Tianheng Art Museum, and all the managers in the museum are recruited by the district government.

As a result, as a donor, the Han family did not operate naturally with the family. Instead, in the management structure appointed by the government, she participated in management. Daughter is the director of the information department. Mr. Han Tianheng has no position in the art museum. However, Teacher Han's academic accomplishments have obvious guidance ability in art. Han Tianheng Art Museum introduced the scene of folk collection exhibitions

In the grasp of the exhibition selection, Teacher Han played a dominant role. In December 2013, the Korean Pavilion held the first folk collection special exhibition "Chenghuai Guan Road-Special Exhibition of Cultural Relics of Literature and Cultural Relics". It is believed that "incense exhibition, including the martial arts exhibition immediately held in December, it looks like a relatively niche collection category. It is not mainstream in cultural relics and artworks. For example, 'Chenghuang Viewing Dao-Special Exhibition of Cultural Relics of Scholars and Cultural Relics in the past, if it was not a Korean museum exhibition, it would be difficult for collectors to exhibit in the state-owned museum system, "but he also said." The incense exhibition was done in the industry at that time. The first fragrance collection exhibition, the Tianjin Museum and the Shandong Museum also made similar exhibitions. " This reflects the "leading" role emphasized by Han Hui.

The problem is that the size is relative. When the big museum chooses the theme of the exhibition, there may be more choices, and there are more considerations in the communication effect. Independence value, the collection of collections and categories has no size, is the carrier of the traditional cultural essence. The objects of the exhibition are also inward and outside the branch. It is the leader of the opinions in the line.

Han Tianheng Art Museum "Lan Mo Fang -Special Exhibition of Literary Press" event

"Chenghuai Guan Dao-Special Exhibition of Cultural Relics of Scholars in the past" is different from the special exhibitions of other museums exhibited in other museums. A collective debut. It fully reflects the degree of familiarity with the weightlifting of folk collection resources.

Although the Han Tianheng Art Museum is a district -level museum, compared with other state -owned museums, there is still a distance. However, the size of the museum is not all in inventory and academic research, and it is necessary to open up the barriers of the spread of academic resources to spread academic resources of civil collections and state -owned exhibitions, lead the times, grasp the situation of society, and guide the direction of folk collection. "We do communication work for traditional culture, stimulate some hotspots, or potential hotspots, we go to do this," Han Hui said.

Liu Yong's golden bronze Buddha statue exhibition is very successful in Shaoxing, attracting many audiences. Citizens have spare time and convenience. There are many places where they can choose. Why do they choose to come to the museum? This is the core of the matter. "There are not only local audiences, but also many foreign audiences. Collectors in Hubei, Hunan, and Beijing all called. They all wanted to discuss with Teacher Liu Yong on the spot. Because of Luyuan, I hope that the exhibition can be extended. There is a schedule in our museum. We have been postponed now. We posted a lot of WeChat ourselves, and Yachang also helped me send more than 2,000. " The author also deeply felt Liu Yongzhan's network effect, and realized the lively scene of WeChat and evaluation of WeChat inside the collection circle.

Zhejiang Bo Zhongfengwen also introduced an interesting thing, "Jade 蕤 -The Emperor Song Xiu Niusi and the Ancient Jade Care of the Zhejiang Cixi Xu Shi Tibetan Emperor Song Xiu Niwa". About ten pieces, "Our Museum looked at it and said," Good things, try to take more exhibits as possible, so later added more than 20 exhibits. " When the Wenzhou exhibition was exhibited in Wenzhou, the dean of the Fujian Museum felt good and wanted to introduce Dao Fujian. Later, it did introduce it. The invitation to cut the ribbon to the opening ceremony of the three exhibitions, including the jade exhibition, he went to see the jade exhibition before cutting the ribbon, which was very enjoyable. "

These all show that for the majority of social levels, they eagerly want to obtain product services for spiritual culture. We don't provide too much, but less. At the same time, as a judgment of the exciting level of objects, there are invisible standards. Therefore, the introduction of folk collection exhibitions from the introduction of the state -owned museum is not too much, but not enough. At the same time, through integrating the identification resources in the industry It is also possible to build a set of scientific processes as much as possible.

Zhong Fengwen said: "We are selective in the introduction of folk collection exhibitions, and the categories exhibited in the year are as diverse. This year, porcelain is made, and porcelain will not be made next year. In March 2012, we made the "Ancient Mirror Ace -the Collection Exhibition of the Chinese Copper Mirror Research Association". At that time, the good mirrors across the country were concentrated here, and more than 500 primary selections were selected. Because of the large amount, I did it with two exhibition halls. "

"Some cultural relics workers have been studying for thirty or forty years. After watching the exhibition, I didn't see so many good mirrors at one time. Many of them were broken when I saw it. Exquisite, head mold production, that wonderful level, without the organization exhibition of the museum, such on -site learning opportunities will be lost. "

Regarding whether there is a fee for the introduction of civil exhibitions proposed by the author, and whether there are incentive mechanisms in the museum, Zhejiang Bo Zhong Fengwen said that folk exhibitions do not charge, but supporting books, collectors paying fees, and venue production includes the opening ceremony. The production is the money from the museum. Shen Yiping, the Shaoxing Museum, said that good exhibitions are to be introduced. If the exhibition is good, the money is made, and if the exhibits do not meet the requirements, they will not do more money; Han Tianheng Art Museum Han Hui said that the introduction Free, insurance premiums are still posted. In fact, the folk collection has formed its own order. Everyone speaks. What is lacking is only a good platform. Because the credible state -owned museum and traditional media resources are monopoly resources, it has formed a contradiction.

A good mechanism can help us coordinate and integrate these contradictions. According to statistics, the audience has nearly 50,000 people within eight months after the opening of the Han Tianheng Art Museum. Five temporary exhibitions were held, 16 art lectures, and published "Selected Collection" and "Selected Arts Selection of Han Tianheng Art". In addition, Mr. Han also donated more than 14,000 art books to the art museum. This reflects the vitality of the artistic power of non -official colors under the state -owned system.

Zhong Fengwen finally said: "The cultural relics system in Zhejiang Province, most experts can keep it and do not do things against money." This is another level of thinking other than a good mechanism.

Han Tianheng Art Museum "Lan Mo Fang -Special Exhibition of Literary Shopping Forms" exhibits

This article has been authorized by the author

This article was published in the November 2015 issue of "Favorite/Auction" magazine

The author has changed slightly.

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