Hero Fei Lishe ① 20 years of conversation with the soil to watch the ancient pottery, he hopes that the non -heritage "breaks the circle" to hold hands with young people

Henan Radio and Television Rong Media reporter Chen Lin/Wen Elephant Journalist Li Yalin/Picture/Picture

【Editor's Note】

The important birthplace of Huaxia Civilization, Luoyang, the ancient capital of the Thirteen Dynasties, has passed for thousands of years, and has a wealth of intangible cultural heritage (referred to as non -heritage). The artists inherited from generation to generation, in the endless fireworks, have given these outstanding traditional cultures of the times.

Inheritance requires ingenuity to adhere to, and he also looks forward to more "ferry people", condenses youthful power, and makes these cultural herds bloom more gorgeous glory. How to make non -heritage protection with urbanization? How to give birth to the "non -heritage economy" in hand? How can the real dilemma of inheritance and the reality of the culture break the situation? Non -heritage+cultural and creative, non -heritage+tourism, non -heritage+research ... Now the Heilo non -ritual scattered in urban streets and villages, and also strives to innovate in the market tide to make non -heritage "live". of!

Non -heritage was at the time! According to the "Master Plan of the Heluo Cultural Ecological Reserve (2021-2035)", three years later, Luoyang will initially build a national Heilo Cultural Ecological Reserve. Among them, the representative inheritance of the key material cultural heritage, the representative inheritance of the intangible cultural heritage, and the relevant material cultural heritage, cultural space, natural ecological environment and the cultural atmosphere and knowledge system.

The founding of the national -level cultural and ecological reserve of Luoyang is the heavy responsibility given by the Provincial Party Committee and the Provincial Government, and it is also an important part of Luoyang's "Fourteenth Five -Year Plan" plan. Elephant News Unite Luoyang Intangible Cultural Heritage Protection Association and Luoyang Green Capital, approached the Kurosu non -survivors, experienced the charm of non -heritage cultural charm, told the story of the technical inheritance, and used the drums and call for the cultural ecological protection of Heluo.

【Core Tips】

Entering the studio in Dongcun, Baima Town, Luoyang City, Dong Qiangfeng, a representative inheritor of the city -level intangible cultural heritage of ancient pottery production skills, is making a Han Dynasty rap figurine. In the summer season, the outdoor temperature of Luoyang was as high as 40 degrees. Dong Qiangfeng's studio not only did not have air -conditioning and fan, but the doors and windows were closed. Former device, you need to be calm and focused. The environment of winter cold and summer will force Dong Qiangfeng to enter a state of tension, and he will make better creative inspiration.

"It's not a copy, a good work must have the mark of the times."

The earliest pottery can be traced back to the Neolithic era, about 20,000 years ago. During the Tang Dynasty, many pottery people gathered near Luoyang Baima Temple, stone beasts on eaves, roofs, and jewelry in funerals were their main works. During the Ming Dynasty, society gradually stabilized, and the development of pottery began to revive, and it continued to this day.

Dong Qiangfeng was born in a family of ancient pottery. He was the nineteenth generation of the family. When he was a child, Dong Qiangfeng liked to pick up a variety of broken pots in the surrounding ground. People ask and learn, and the seeds they love gradually take root in their hearts.

In 2004, 21 -year -old Dong Qiangfeng really embarked on the road of making ancient pottery. Nowadays, not only the works of Dong Qiangfeng can be seen in major domestic museums, he also has many works on overseas. If tourists visit the Sichuan Museum, Liangzhu Museum and other museums, there are some pottery marked with "replica" may come from Dong Qiangfeng's hands. Since these cultural relics themselves are no longer suitable for continuing exhibition, Dong Qiangfeng's copy will continue to replace cultural relics to continue exhibition. For foreign customers, I hope that Dong Qiangfeng will copy the items of the establishment of the picture they designed.

It is a copy, but it is not a simple "copy". On the premise of ensuring the overall appearance of the cultural relics, Dong Qiang summit will improve the "small flaws" of the ancients. For example, the horse warriors in the Northern Wei Dynasty should be "fierce", because the war is constantly suffering from people's suffocation; the pottery figurines of the Song Dynasty should be melancholy, because the ruler's oppression of the people is very heavy. "The process of making each work is to find yourself. During this period, it gave the work the characteristics of the times." Dong Qiangfeng said that pottery production should combine the historical background and social folk customs at that time, so that the works made can have spirit.

Attract more young people to join, let the production of ancient pottery make the machine

Along the way, Dong Qiangfeng had traveled on the way to the production of ancient pottery for nearly 20 years, and has endured the test of time. In the process of inheritance, Dong Qiangfeng found that more and more young people's understanding of pottery flowed to the surface, and it was difficult to calm down when truly learning this skill.

In order to better inherit the production skills of ancient pottery, Dong Qiangfeng is a guest professor at Luoyang Vocational and Technical College, helps students improve pottery skills, give them practical opportunities, and donate their works to Luoyang Huimin Middle School, Luoyang City 54th Middle School The exhibition hall allows more students to understand the development of pottery and the history of the time. "I hope that all sectors of society will support the non -heritage campus, so that the popularity of non -heritage will start from the doll." Dong Qiangfeng said that he hopes to laid the seeds that love ceramics in the hearts of more children through his own efforts, and at the same time attracting it to attract To endure hardships, young people who can calm down to feel the charm of ceramics have joined the non -genetic inheritance of ancient pottery production skills.

"I want to make pottery more in line with the aesthetics of modern young people through my own innovation, and walk into millions of households." Dong Qiangfeng said that he is trying to combine pottery with modern decoration to design pottery that is more suitable for current life. At the same time, more combined with local characteristics, innovate the works of Longmen Grottoes, White Horse Temple, Guanlin and other related elements, so that the production of ancient pottery will be rejuvenated.

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