The master of Hangzhou Arts and Crafts brought out another 14 apprentice to donate to the museum to their respective works

Le Dao's legacy, ingenious souls, and continuing the intangible cultural heritage with superb skills, light up a immortal lamp with sincere emotions.

On July 12, the second round of the second round of the full -time teacher's graduation and the third round of worshiping ceremony of the "Fire Inheritance in Human Fire -Arts and Crafts Master" project was held at the Hangzhou Arts and Crafts Museum.

At the ceremony, the 14th apprentices in the second round of projects were successfully completed while donating their works to Hangzhou Arts and Crafts Museum. After the third round of the project apprentice completed the ceremony, he accepted the tool gift package given by the master, which means that the arts and crafts were inherited and endless.

In 2012, Hangzhou was awarded the "Crafts and Folk Art Capital" by the United Nations Education Organization in 2012, and then launched the "Salary Fire inheritance -'' Arts and Crafts Master with Apprentice Learning Art '" project. , Xiling Yinshe and other ten "Capital and Folk Art Capital" inheritance bases were awarded five master studios such as Zheng Shengning and Jinjiahong as the "Fire Inheritance Plan for Capital and Folk Art Capital".

Since 2012, the project has been held for two rounds. From 2012 to 2017, the first round of projects were from five national arts and crafts masters, Xiaoshan Laisha, Zhao Xixiang, machine embroidery Wang Wenying, Ceramics Xixi Gui, hand embroidered Chen Shuiqin, and copper carving Zhu Bingren. Dedication.

From 2019 to 2021, the second round of the project was made by five provincial arts and crafts masters -woodcarving Zheng Shengning, Ceramics Guo Yi, hand embroidered Jinjiahong, Fan Yiyi Sun Yaqing, and copper carving Zhu Junzheng. In three years, he has carefully cultivated 14 new generation of inheritors, and has held 4 short -term transmission classes in hand embroidery, ceramics, woodcarvings and copper carvings, and recruited 100 students.

Jin Jiahong, a master of arts and crafts in Zhejiang Province, said: "For the study of Hangzhou hand embroidery, three years are actually very tense. There are different skills to learn every stage. Basically, we will get along every day. Hand embroidery is inherited, and I also hope that my students can shine in the future and have their own very valuable works. "

The project actively promotes, on the one hand, it has created a new model for the creative transformation and innovative development of traditional techniques in the field of arts and crafts in Hangzhou, and opened a new path for actively exploring the culture of common prosperity; on the other hand The construction of the arts and crafts talents has created a good atmosphere for the cultivation and development of young craftsmen in the new era.

Wang Jian, a bronze carving skill student in the second round of "salary inheritance -'arts and crafts masters with apprenticeships" project: "In more than three years, I have gained a lot of more and more from the aspects of culture and skills. There are new breakthroughs. What impressed me the most was that Mr. Zhu Junzheng asked us to learn to feel, feel culture, experience skills, tools, and feel ourselves. " Wang Jian has a deeper understanding of inheritance in the three -year academic art. He believes that in the new generation of non -heritage inheritance, we must continue to innovate, do not blindly copy the predecessor's stuff, and leave our future generations to leave our contemporary culture brand.

Tao Li is full of fragrance.

According to statistics, one of the 38 apprentices in the first two rounds of projects has produced 1 master of ceramics art, 11 masters of Hangzhou Arts and Crafts, 7 district -level non -genetic inheritors, 16 arts and craftsmen, 6 assistant craftsmen Artists, a master of folk crafts in Hangzhou, and 4 Hangzhou folk craftsmen have won nearly 200 arts and crafts awards.

In order to accelerate the construction of the "Capital of Crafts and Folk Art" and the construction of historical and cultural cities, promote the development of the classic industries of Hangzhou, and promote the inheritance and innovation development of the craftsmanship and the folk art industry.

The third round of the "Arts and Crafts Master with Apprenticeship and Art" project was launched this year. The selection of five masters to teach art in three years. Among them, the two techniques of hand embroidery and fan art were continued. The master of arts and crafts, Jin Jiahong and Sun Yaqing, continued to teach art; at the same time, the three techniques of chicken bloodstone carving, the Southern Song Dynasty Kiln porcelain, and jade carving were climaxed by the Chinese arts and crafts master Qian Qian.

The climax of Chinese arts and crafts Master Qian said: "My request to choose a student is to have a certain foundation, but the most important thing is to love. I like all the source of all motivation. The direction of the chicken bloodstone has contributed to your own power. "

The Southern Song Dynasty Kiln Porcelain is a very important part of the culture of the Southern Song Dynasty. Jin Guorong, a master of arts and crafts in Zhejiang Province, believes that the Southern Song Dynasty Kiln joined the third round of "Arts and Crafts Masters with Apprentice to Learning Arts" project is a very good opportunity for technical heritage. Let more people have the opportunity to understand the deep charm of the official kiln in the Southern Song Dynasty.

The third round passed the written test and interview, and the final 15 people were selected. Different from the first two rounds, the project will be promoted simultaneously with the two major sections of "three years"+"social heritage". "platform.

On the basis of the short-term transmission classes in the past, "social heritage" has added a variety of forms such as lectures, tour exhibitions, and rural heritage. Regional construction of social inheritance workstations and carrying out technical exchanges.

The third round of the post -90s jade carving student Ni Miao Miao said: "I used to learn sculpture crystal, but I have a strong interest in jade carving. I am very lucky to learn from Teacher Weng Zhuhong.Knowledge, pioneering vision. "In the third round of the Southern Song Dynasty Kiln Skills Student Ling Zhengshan, Ling Zhengshan also looked forward to the future learning. In his heart, the Southern Song government kiln best represented the "Song" culture of Hangzhou.People understand Song Yun's charm.

The "Master of Arts and Crafts and Crafts with Apprenticeships" project is based on government support, relying on master inheritors, and museum services.Hangzhou traditional craftsmanship inheritance of innovative talent team construction, promoting the innovation and development of craftsmanship and folk art industry, has become a boutique project for talent training in the arts and crafts industry.

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