Focus on double -one -in -class 丨 Starting from the "China as a method", define the research direction of cross -cultural art history

The "double first -class" academic research column focuses on the "double first -class" construction of the Central Academy of Fine Arts. It is hoped that the majority of teachers and students will take positive attention, suggestions and suggestions, and jointly promote the "double first -class" construction process.

We look forward to "sparks of thoughts", "Practice", "Practice of Perspectives".

In order to face the global trend of thought and serve the soft power of the national culture, the Central Academy of Fine Arts established the history of cross -cultural art as a key area for the construction of art disciplines in the "double first -class" construction. Starting from the perspective of cross -cultural art, the history of cross -cultural art, exploring the cultural context of art, the generation mechanism of patterns, and interaction between different cultural and artistic interaction, and tracking the historical construction process of the community of human destiny. This is a field of research, and it is also a stage starting from the perspective of China and involving the history of global art.

In the 1990s, the Department of Fine Arts of the Central Academy of Fine Arts opened the "Sino -foreign Fine Art Exchange" course in undergraduate teaching. In 2009, the course was adjusted to "cross -cultural art history" and was officially included in the world art history teaching system. In terms of teaching methods, "cross -cultural art history" integrates the view and method of "cross -cultural" and "globalization", encourages students to look at classic works in traditional art history with new eyes, and re -sort out the development of Chinese and foreign art history. Since 2009, it has continued to launch a "cross -cultural art history" course for Shuo and Scholars, and in -depth analysis of research cases of cross -cultural art history.

In the scientific research system, the history of cross -cultural art from the Central Academy of Fine Arts starts from the "China as a method", pays attention to the cross -cultural art phenomenon centered on China, explores new research methods and paths, and gradually constructs a world art history of a Chinese perspective. The research system provides more systematic and in -depth academic achievements for cultural heritage. In recent years, under the leadership of Dean Li Jun of the School of Humanities, the young teachers and doctoral students of the Central Academy of Fine Arts, such as Zheng Yiman, Liu Shuang, Pan Sangrou, etc., have gradually formed a cross -cultural art history team with a master and doctoral student. Far in the distant place to find the hometown -the cross -cultural exchanges between China and Italy in the 16th and 16th centuries (edited by Li Jun, 2018), "Cross -Culture Art History: On Image and its Return" (Li Jun, 2019), "2019)," 2019), "2019)," Cross -cultural Art History Year Lesson I: Two Lords of a Story "(edited by Li Jun, 2019)," Cross -Cultural Art History Year II: The Birth of Europa "(edited by Li Jun, 2020)," Cross -Cultural Fine Arts History III: The image of the ancient history "(edited by Li Jun, 2021)," Sales and Makeup: Chinese Tablet Glass Painting in the 18th and 19th centuries "(Liu Xiyan, Zheng Yi's editor, 2021) and so on. Some research results with the history of global art such as Shao Yiyang "Contemporary Art under Global Vision" (2019), Wang Yun's "Holy Topic Clothing -Half Eviliated Save" (2020), Wu Xueshan "Called him to call him him For the saints: the spread and deformation of the Matteo -Ricci portrait in Europe (2018), etc., also supplemented with the history of cross -cultural art, which enriched and improved the world art history research of the Central Academy of Fine Arts.

Li Jun's "Cross -Culture Art History: On Images and its Return", Peking University Press, 2019

"Cross -Cultural Art History Yearbook" collection journal

Since 2018, the cross -cultural art history team of the School of Humanities has planned a series of exhibitions to further expand and extend the results of academic research, showing a feast of "Visual Cross -Cultural Art History": "Find in the most distant places to find the most distant place Hometown -Cross -Cultural Exchanges between China and Italy in the 16th century "(curator Li Jun, Hunan Provincial Museum, January 27 to April 30, 2018)," No question West East: from the Silk Road to "Renaissance" (curator Li Jun, National Museum of China, June 9th to August 19th, 2018), "Still Watching Makeup: Chinese Tablet Glass Painting in the 18th to 19th century" (academic adviser Li Jun, strategy, strategy The exhibit Liu Xiyan, the exhibition consultant Zheng Yi, the Central Academy of Fine Arts Museum, November 2020).

"Looking for the Hometown in the Far Farly -the 16th -16th century China and Italy's Cross -Cultural Exchange" exhibition poster

"Looking for the Hometown in the Far Farly -the 16th -16th century China and Italy's Cross -Cultural Exchange" exhibition site

"No Question West: From the Silk Road to the Renaissance" exhibition poster

"Study Make Makeup: Chinese Tablet Glass Painting in the 18th to 19th Century" virtual exhibition hall

Symposium on "Chinese Tablet Glass Painting in the 18th and 19th centuries" seminar poster

In terms of international exchanges in the field of cross -cultural art history, it is represented by the 2019 International Academic Symposium "Ming and Qing Dynasties: Ming and Qing China and World Art". The seminar invited experts and scholars at home and abroad to share the latest achievements in the Ming and Qing art research, uphold the concept of "China as a method", observe the art phenomenon of the world from the perspective of Ming and Qing Dynasties. Change and achieve great success.

"Ming and Qing Dynasties: Ming and Qing Dynasties and World Art" conference poster

"Ming and Qing Dynasties: Ming and Qing Dynasties: Chinese and World Art" round table meeting scene

Recently, following Professor Li Jun's monograph "Cross -Culture Art History: Image and its Retrophy" and editor -in -chief "Cross -Cultural Art History Year 1: Two Tips of Story" won the 2021 China Publishing Government Award Nomination Award and SecondAfter the 19th "Taurus Cup" Art Book Prize, Professor Li Jun's graduate course "Cross -Culture Art History" hosted by Professor Li Jun won the second prize of the Beijing Education and Teaching Achievement Award in 2021.In order to promote academic research to the society and serve people, the public account of the "Cross -cultural Art History" was officially launched on April 21, 2022. It regularly releases academic information such as lectures and conferences on cross -cultural related lectures and conferences.To build an academic exchange platform for the public, from the college's small classroom to a wider social aesthetic education class.

In terms of teaching, scientific research, social practice, etc., the construction of cross -cultural art history of the Central Academy of Fine Arts has been promoted in an orderly manner, which contributes to the construction of world -class disciplines with cultural heights, academic depth, and breadth.

School of Humanities / Wen Tu

Editor -in -law 丨 Wu Qiong

Edit 丨 He Yifan

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