20 years of dialogue and watching the ancient pottery, he hopes to "break the circle" to join hands with young people

Henan Radio and Television Rong Media reporter Chen Lin/Wen Elephant Journalist Li Yalin/Picture/Picture

【Editor's Note】

Walking in Henan and reading China.

In Henan, in Luoyang, there are many intangible cultural heritage (referred to as non -heritage). These excellent traditional culture not only constitute the profound cultural connotation of the Chinese nation, but also carry the cultural origin and internal cultural genes of the Chinese nation. Non -heritage, born in farming civilization. With the rapid progress of urbanization, some non -heritage is losing the space for inheritance.

What are the status quo of these non -heritage in the process of irreversible urbanization? How do they cope and adapt to this process? In the inevitable trend of urbanization, these non -survivors will naturally become urban people. How to survive and develop non -heritage in the city, how can non -survivors perfectly integrate with the city, take root, and rejuvenate a new life?

To this end, Elephant News and the Protection Association of the Intangible Cultural Heritage Protection of Luoyang City, sorted out the non -survivors of Luoyang, and launched a series of reports "Luoyang Story · Urban Anti -Book", revealing the current situation of urban non -survivors, difficulties, and opportunities. Focusing on the future inheritance and promotion, it is a non -heritage sound and a continuity of culture.

【Core Tips】

Entering the studio in Dongcun, Baima Town, Luoyang City, Dong Qiangfeng, a representative inheritor of the city -level intangible cultural heritage of ancient pottery production skills, is making a Han Dynasty rap figurine. In the summer season, the outdoor temperature of Luoyang was as high as 40 degrees. Dong Qiangfeng's studio not only did not have air -conditioning and fan, but the doors and windows were closed. Former device, you need to be calm and focused. The environment of winter cold and summer will force Dong Qiangfeng to enter a state of tension, and he will make better creative inspiration.

"It's not a copy, a good work must have the mark of the times."

The earliest pottery can be traced back to the Neolithic era, about 20,000 years ago. During the Tang Dynasty, many pottery people gathered near Luoyang Baima Temple, stone beasts on eaves, roofs, and jewelry in funerals were their main works. During the Ming Dynasty, society gradually stabilized, and the development of pottery began to revive, and it continued to this day.

Dong Qiangfeng was born in a family of ancient pottery. He was the nineteenth generation of the family. When he was a child, Dong Qiangfeng liked to pick up a variety of broken pots in the surrounding ground. People ask and learn, and the seeds they love gradually take root in their hearts.

In 2004, 21 -year -old Dong Qiangfeng really embarked on the road of making ancient pottery. Nowadays, not only the works of Dong Qiangfeng can be seen in major domestic museums, he also has many works on overseas. If tourists visit the Sichuan Museum, Liangzhu Museum and other museums, there are some pottery marked with "replica" may come from Dong Qiangfeng's hands. Since these cultural relics themselves are no longer suitable for continuing exhibition, Dong Qiangfeng's copy will continue to replace cultural relics to continue exhibition. For foreign customers, I hope that Dong Qiangfeng will copy the items of the establishment of the picture they designed.

It is a copy, but it is not a simple "copy". On the premise of ensuring the overall appearance of the cultural relics, Dong Qiang summit will improve the "small flaws" of the ancients. For example, the horse warriors in the Northern Wei Dynasty should be "fierce", because the war is constantly suffering from people's suffocation; the pottery figurines of the Song Dynasty should be melancholy, because the ruler's oppression of the people is very heavy. "The process of making each work is to find yourself. During this period, it gave the work the characteristics of the times." Dong Qiangfeng said that pottery production should combine the historical background and social folk customs at that time, so that the works made can have spirit.

Attract more young people to join, let the production of ancient pottery make the machine

Along the way, Dong Qiangfeng had traveled on the way to the production of ancient pottery for nearly 20 years, and has endured the test of time. In the process of inheritance, Dong Qiangfeng found that more and more young people's understanding of pottery flowed to the surface, and it was difficult to calm down when truly learning this skill.

In order to better inherit the production skills of ancient pottery, Dong Qiangfeng is a guest professor at Luoyang Vocational and Technical College, helps students improve pottery skills, give them practical opportunities, and donate their works to Luoyang Huimin Middle School, Luoyang City 54th Middle School The exhibition hall allows more students to understand the development of pottery and the history of the time. "I hope that all sectors of society will support the non -heritage campus, so that the popularity of non -heritage will start from the doll." Dong Qiangfeng said that he hopes to laid the seeds that love ceramics in the hearts of more children through his own efforts, and at the same time attracting it to attract To endure hardships, young people who can calm down to feel the charm of ceramics have joined the non -genetic inheritance of ancient pottery production skills.

"I want to make pottery more in line with the aesthetics of modern young people through my own innovation, and walk into millions of households." Dong Qiangfeng said that he is trying to combine pottery with modern decoration to design pottery that is more suitable for current life. At the same time, more combined with local characteristics, innovate the works of Longmen Grottoes, White Horse Temple, Guanlin and other related elements, so that the production of ancient pottery will be rejuvenated.

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