Hong Kong has returned for 25 years, "the style is still romantic" still "

Since 1997, there must be a "Pearl of the East" on the day of the return anniversary of Hong Kong.

This song was created by Luo Dayou in 1986. At that time, the "Sino -British Joint Statement" confirmed that the news of Hong Kong's return has been two years. Luo Dayou made music in Hong Kong, who "love at first sight". When he saw a bustling night view every night, he felt that there was a kind of power to support this. City. If China is a dragon, then Hong Kong is the "Dragon Ball" of this dragon. "To enter the body of the dragon, it must pass this position. Hong Kong is like a conversion station, sells Chinese things to the West, and puts Western things in the West. Transformed into Chinese people can digest. "

He created a Hong Kong praise, the Cantonese version of "The Pearl of the East". In 1991, Luo Dayou filled the Mandarin version for this song. If the Cantonese version is a praise for Hong Kong, "the beads of the East, survive the exercise, how many changes to the traversal traversal", the Mandarin version is more like the attachment to Hong Kong in the Mainland. Is the style romantic still? "

Returning to the concert in 1997, Andy Lau and Na Ying performed "The Pearl of the East" together. On the north and south of the Xiangjiang River on both sides of the Xiangjiang River, countless people sang this song with tears.

This song is extraordinarily emotional, thinking of "the bead of the East, hug me", hoping that the sea tide can "accompany me to bless you", and I can "warm your desolate chest". Return to this node, just sing the feelings of countless people's hearts.

Since then, the "Oriental Pearl" has become an indispensable symbol to celebrate when returning. Around the commemorative day of this year, when the official media reported on Weibo that Hong Kong content would bring the topic of "Oriental Pearl". "Pearl of the East" also rushed to the first Weibo searches on the same day. Netizens shared their Hong Kong memories under the topic, and those days affected by Hong Kong films, Hong Kong dramas, and Hong Kong music.

The same singing, Hong Kong behind has gone through Qianfan. As a microcosm of Hong Kong culture, a song affects a generation. In the past 25 years, why is it not a seed in Hong Kong's entertainment industry. It has been buried in the cultural and entertainment industry in the Mainland and the cultural self -confidence of the Chinese people, which has become an important projection.

Na Ying Andy Lau sings "Oriental Pearl" again

Hong Kong is a port formed by Xiangjiang's entry into the sea. Nowadays, the night scene of the port is still prosperous, and this Xiangjiang water has already turned over the mountains, and the whole body of the ancient dragon is flowing.

Xiangjiang enters the sea

In 1986, Luo Dayou wrote "The Pearl of the Orient", Chen Shaobao, then the president of Xinyi Bao, was also thinking. When Hong Kong discussed and returned, paying attention to the changes in the Mainland, how to do something related to the Mainland in music, "can create creation It is the best in a mainland star. "

Faye Wong entered his vision. In 1987, Faye Wong, who had just settled in Hong Kong, won the bronze award in the "Asia -Pacific Golden Zitty Contest". Xinyi Bao immediately signed a contract with her and gave her a name "Wang Jingwen" with "Hong Kong flavor". The name of the name Hong Kong is also Hong Kong flavor. Clothing is close to the female singer image popular at that time: long hair, exquisite makeup, singing bitter songs that are suitable for karaoke and cover up from Japanese songs.

In 1992, a grieving love song "Evil Woman" made "Wang Jingwen" popular.

"Women who are easily injured" MV

Mainland female singers became popular under the packaging of Hong Kong Records, but the record industry in the Mainland was just prototype. At that time, the Guangdong Record Company inspired by Hong Kong to Beijing's birthplace in Beijing, the popular science "singer can sign a contract to the company".

What happened in the return first was a business flow like "Wang Jingwen", and the Mainland looked curious about Hong Kong's mature entertainment industry.

Before shooting the 86th version of "Journey to the West", the director Yang Jie didn't know how to make Feitian's action scene. She and her husband went to the Hong Kong crew to visit the class and saw the martial arts drama of the actors in Jin Yong's drama. After knowing half the solution, they thought about it with the crew colleagues for a long time, thinking that she should be able to use the steel wire to do the actor.

Just like this elusive drama, at that time, Hong Kong at that time, with mature cultural products such as Hong Kong films, Hong Kong dramas, Hong Kong music, built a mysterious, a mysterious, in the 1980s and 1990s. Fascinating far.

Hong Kong films have been fired in the video hall of the country, and went to a small, dark space to watch the swords and swords on the screen. The children are long and have a youthful memory of the generation of people.

The sixth -generation director's representative Jia Zhangke's youth often spent in the video hall. He believes that Hong Kong films have brought him "old news and new knowledge", "make up for the lack of knowledge structure of a generation of Chinese audiences, and let the audience understand the traditional folk society while understanding the world and entertainment." In Jia Zhangke's movies, Ye Qianwen's songs will always appear, such as "Light Drunk Life" in "Twenty -Four Cities", and "Treasure" in "The Old Man of the Mountains and Rivers".

With the start of the entertainment industry in the Mainland, when Hong Kong entertainment products gradually influenced the "Jia Zhangke" of the "Jia Zhangke" as an important content creator in the future, there are more and more "Wang Jingwen" -style cooperation. Try to establish a good cooperation with Hong Kong's mature industries.

In 1995, the CCTV version of "Water Margin", which was preparing, thought of Hong Kong's realistic, not martial arts -style action to find Yuan Heping. The producer Zhang Jizhong's "three care of the cottage" became a cooperation, and Yuan Jiaban participated in 15 months of shooting throughout the process.

Zhang Jizhong later recalled that the participation of Yuan Jiaban played the role of the Huangpu Military Academy in the Chinese martial arts drama. "All martial arts and action guidance participated in" Water Margin "are the backbone of the martial arts drama today." After the return, the co -production projects of the two places gradually increased. The founder of the Tang Dynasty Film and Television Cai Yinong returned to this year and organized the "Beijing Hong Kong Love Line" in the co -production film project. Directed by Hong Kong director Li Guoli, starring Wu Qianlian and Li Yapeng, combined with the background of the return of Hong Kong, talking about men and women in Beijing and Hong Kong. Life, personality and cultural differences.

After the "Beijing -Hong Kong Love Line" was released, Cai Yinong and Li Guoli jointly established a Tang movie. The company cooperated with Taiwan TV and Singapore's publishers to launch costume projects such as "The Fish Beauty of the Legend of Heaven and Earth", "The Lotus Lantern of the World", and "The World of the World". These projects have Hong Kong actors and behind -the -scenes production teams.

These dramas were broadcast on multiple rounds of mainland television, winning many places of viewing championship (at that time the ratings were still statistics in the division), becoming a generation of costume dramas for a generation of young people, and Tang people also made a lot of money.

Due to the large number of shooting projects, Li Guoli shouted his apprentice Lin Yufen during TVB, and established cooperation with directors Wu Jinyuan and Liang Shengquan from Hong Kong to bring TVB experience to Hengdian. TVB. "Lin Yufen mentioned in the interview.

The commercialization process of mainland films was also pressed by Hong Kong filmmakers.

In 2000, Zhang Yimou began to prepare "Literary Kung Fu" "Heroes", with a budget of about tens of millions of yuan. He found Jiang Zhiqiang, a famous Hong Kong filmmaker, and wanted him to introduce an action director. Jiang Zhiqiang suddenly asked Zhang Yimou one day, "Do you want Jet Li to play? Maggie Cheung? Liang Chaowei?" Zhang Yimou said of course, but the investment suddenly went up tens of millions, and Jiang Zhiqiang answered. It doesn't matter, the market is good now.

In this way, the "Hero" budget mentioned 260 million yuan, and Hong Kong action director Cheng Xiaodong and photography guidance Du Kefeng also joined. In the end, "Hero" was sold to the world under the release of Jiang Zhiqiang, and harvested nearly 1.4 billion yuan of global box office, and there were 250 million in the Mainland alone.

At the same time, it was Zhou Xingchi's "Journey to the West" who was held to the altar by young people.

Around 1997, the film that was defeated in the mainland's box office and was criticized as "cultural garbage" was popular on the Tsinghua University Forum. "I used to have a sincere love in front of me. I didn't cherish it. I regret it when I lost it." The lines were extracted to the forum, which caused a sensation in the Beijing university circle. In 2000, Renmin University of China who will graduate will be used collectively to watch "Journey to the West" collectively as the graduation ceremony.

In 2001, the "China Reading News" explained the popularity of "Journey to the West": "Students are influenced by teachers in middle school and have a certain language model. After entering college So this language lack of this language. They are anxious to find a language that can express themselves and express the new life of the university ... The ridiculous language of "Journey to the West" is at this time with the students. "

Not only "Journey to the West", Zhou Xingchi's films have a long history of influence on the "stalk" culture in the Mainland. Until now, the lines in Zhou Xingchi's movie "I all want" "who else!" "Washing land" is still popular network term. It is no exaggeration to say that Zhou Xingchi has affected the expression of young netizens in more than ten years around 2000.

The times have changed. In 1994, in 1994, the box office of "Journey to the West", "Wang Jingwen" removed the name of this Hong Kong flavor, replaced it back to Faye Wong, and published several albums involved in mainland practitioners. In 1997, she announced that she would no longer launch a Cantonese album. However, when the CCTV Spring Festival Gala, when she and Na Ying chorus "Meeting 98", there was still a parentheses behind the name, remark Hong Kong.

From Faye Wong to Wang Jingwen to return to Faye Wong, it took off the taste of Hong Kong and continued the taste of Hong Kong. This is also the microcosm of the capital and production power to the mainland after the return of Hong Kong: Hong Kong taste seems to have stepped back, but it has penetrated all aspects of the mainland entertainment products, and has a profound impact in the future.

North

"You must sing, this song will definitely be very popular in the Mandarin circle!"

When preparing the new album "Black and White Gray", the relevant person in charge of Emperor Entertainment advised Eason Chan to join the "Ten Years" in the album. "The result is really red!" Eason Chan was still an incredible expression in an interview.

Eason Chan entered the Mainland in 2003 with "Ten Years". This song can be shortlisted for the "Global Chinese Golden Melody Awards most widely" until 2018.

"If those two words are not trembling"

In the same year, the singer Rong Zuer, who belonged to Emperor Entertainment, also became popular in the Mainland with the Mandarin song "Girls with Wings" and performed this song on the 2005 CCTV Spring Festival Gala.

But this year is by no means a good year for the entertainment industry in Hong Kong.

On April 1st, Leslie Cheung died from the 24th floor of the Dongfang Wenhua Hotel in Hong Kong at the age of 46. 8 months later, he also called the female singer of "two kings and one queen" with Leslie Cheung and Tan Yonglin. He died of illness. Gao Xiaosong once said: "It seems like the death of a era, because their time was the most sincere when Hong Kong was the most sincere time, and she was sincere in doing things and singing."

As if this sentence confirmed, the Hong Kong record industry fell to freezing two years later. The total sales of physical records released in Hong Kong this year are only about 2 million. At that time, many singers' albums alone in Hong Kong can exceed 200,000.

"In fact, Hong Kong singers need the opportunity to perform and send films in the Mainland." Li Keqin admitted in an interview. Under the trend of the Hong Kong record industry, the development of the mainland market has become the choice of more singers. Li Keqin and TWINS and other front -line singers all released Mandarin songs in 2005. Among them, "Moscow No Tears" is still a hot song of KTV.

For Hong Kong singers, at this time, there is another important "song show" in the Mainland: "The same song" hosted by CCTV, at 7:30 every Friday, at the same time, at the same time, the ratings are the first in the ratings. Forms are equivalent to many singers' platter concerts.

Many Hong Kong singers have expanded the reputation of the Mainland because of the repeated "Songs" in "The same song", such as Chen Huixian's "Thousands of Songs", Chen Huilin's "Not as dancing", Cecilia Cheung's "Star Wishes" and so on.

Hong Kong singers have launched the Mandarin version and frequently went to the Mainland to "play songs". Behind it is the change in the operating ideas of Hong Kong singers.

Emperor Entertainment established a branch in Beijing in 2006, responsible for the artists' various matters in the Mainland. They may also feel the crisis behind the changes: the first "Super Girl" runner -up king of the first session of the "Super Girls" was signed in the early years, but there was no water.

The trajectory of Hong Kong singers has a little reunion with Hong Kong directors in those years. The "Arrangement of the Mainland and Hong Kong on Establishing Closer Economic and Trade Relations" was officially signed in 2003, stipulating that Hong Kong production films will no longer be restricted by importing large -scale imports. Hong Kong and Mainland co -production films can be promoted and screened as mainland movies.

Hong Kong filmmakers started to find opportunities north. The three mature types of action scenes, comedy, and costume shows have become the primary choice for co -production.

Huayi Brothers cooperated with Zhou Xingchi "Kung Fu" to win the "Star Girl" Huang Shengyi in the mainland; collaborated with Jackie Chan "Baby Program", mainland actors Gao Yuanyuan and Chen Baoguo were one of the starring actors; Xu Ke and mainland producer Ma Zhongjun collaborated on "Seven Swords ", There are TV drama and movie versions ... In the nearly ten years since 2003, co -production can often occupy half of the TOP10 in the Mainland box office ranking.

Huang Shengyi "Kung Fu"

"The cooperation between Hong Kong and the Mainland is getting closer, and the mainland's policy of film is becoming more and more loose, especially for the development of Hong Kong films. I am also the beneficiary. . "Zhou Xingchi said in an interview in 2007.

In this year, Hong Kong's local films are the lowest tide since the 1980s in terms of production or box office.

The seeds of the Hong Kong TV drama guide the sovereign are also time to harvest.

Tang people won the copyright of "The Legend of the Sword" in 2003. The former TVB editor Deng Zishan expanded the character line and changed the overall script style from the martial arts to Xian Xia. Li Guoli took Liang Shengquan and Wu Jinyuan to start shooting.

In January 2005, the play was officially broadcast, first setting a ratings of 11.3 % in local stations. After the first round of star broadcast, the average ratings of 3.8 %, up to 4.9 %. Broadcasting on Guizhou Satellite TV gold file.

This is the first fairy drama in the Mainland. Until now, it is also known as the "Domestic First Fairy Drama". The long -lasting popularity of "The Legend of the Sword" has made the Hong Kong TV drama director stand firm in the field of Xianxia drama. In the 10 years, the domestic Xianxia world has even expanded the scope to the entire costume drama, which is difficult to leave. Hong Kong director-

He has arranged Li Guoli, Liang Shengquan, Wu Jinyuan, Lin Yufen many times, and can make up the list of fairy drama directors such as "Flying Flying Flying", "Fairy Sword and Wonderful Biography 3", "Xuanyuan Sword"; The play record of the play, the "Myth", which brings over 100 million advertising revenue to CCTV, is also directed by Hong Kong director Jiang Jiajun.

As the Hong Kong film director has the advantages of types, Hong Kong TV drama directors have always have a tradition of deconstructing history with legend and drama.

Hong Kong director Wang Jing settled in Beijing in 2004 and received the first co -production drama project "World First", which was first invested by Yang Dengkui, the eight major TV presidents of Taiwan, and served as three positions: production, script, and producer. This drama also invited Cheng Xiaodong to guide the action of "Heroes", let the drama step on the golden intersection of the movie and the drama, creating an excellent martial arts texture.

To this day, some netizens still miss "World First" from time to time. In the film, Grandpa Cao and Duan Tianya fought in the film, leaving a famous stalk "Cao Gonggong's retreat, Chinese martial arts films for 20 years."

"World First"

Hong Kong film and television people slowly stand in the Mainland, but Hong Kong's music industry needs to introduce "living water" from the Mainland. Just let Hong Kong singers release Mandarin songs, it is not enough to attract the attention of this vast market fans. Starming logic in the Mainland has changed completely. By 2009, the album released by the draft singer occupied half of the new list. This year, Zhou Bichang signed the Hong Kong gold medal at a high price of an eight -digit amount, becoming the first mainland female singer signed by the company. The gold medal was hit with a grand signing ceremony in Hong Kong, and announced that Zhou Bichang would be built as the first mainland female singer in the Mainland, Hong Kong, and Taiwan in recent years.

In order to broaden the mainland market, the gold medal style also needs the "Super Girl" runner -up Zhou Bichang in 2005. Zhou Bichang also lived up to expectations and swept the 2009 Hong Kong music scene awards ceremony. Two years later, her album sales continued to sell the championship, and the endorsement amount reached 7 digits, which made a lot of revenue for the gold medal.

confluence

In 2011, the average runner -up of the TV drama of Satellite TV was Yang Mi, who starred in the costume drama "Gong Suo Xinyu" by Yu Zheng as a screenwriter and producer.

It is not difficult to find out that he is a very "Hong Kong flavor" director. In the early years, the teacher from the Hong Kong director Li Huimin, although he was unhappy soon, but Yu Zheng had learned the classic formula of the Hong Kong costume drama: history can be unresolved, the service can be as beautiful as possible, the lines and feelings can be fully modernized, the plot rhythm can be fully modernized, the story rhythm can be Fast, at the same time, there must be criticism of the feudal system.

After Yu Zheng turned into a producer, he also cooperated with Hong Kong directors before 2018. The directors of "Gong Lock Heart Jade", "Palace Lock Bead Curtain" and "Legend of Lu Zhen" are Li Huizhu, and "Locking Qiu Qiu" and "Beauty Mind" are Wu Jinyuan.

"Gong Suo Xinyu" became popular. It was when the 85th flower was brewing the traffic: the TV station was still a strong channel, the video website had the signs of burning money to buy copyright, the volume of social media was flourishing, and the volume of young people was doubled.

The context of 85 flowers, and even several traffic niche's "savings" traffic is basically closely related to Hong Kong directors. Li Guoli seemed to be a trunk. Everyone then split on this basis and gradually extended-

It is the "Legend of the Sword of the Sword and Sword" by Li Guoli with Lin Yufen and Liang Shengquan. "Palace Lock Heart Jade" (Li Huizhu) allows Yang Mi to take another level, "Gu Jian Qi Tan" (Liang Shengquan) has won two major traffic of Li Yifeng and Chen Weiting; Liu Shishi is "Step by Step" (Li Guoli), and Tang Yan The same benefit of "Xuanyuan Sword of the Sky" (Li Guoli, Liang Shengquan); Zhao Liying went through "The Legend of Lu Zhen" (Li Huizhu), "Legend of Fish Fish" (Wu Jinyuan), and "Flower Thousand Bone" (Lin Yufen).

Later, several works that consolidated the status of traffic are also inseparable from these directors. For example, Lin Yufen filmed "Three Miles and Ten Miles of Peach Blossoms" (starring Yang Mi), "Drunk Linglong" (starring Liu Shishi), Wu Jinyuan filmed "Chu Qiao Biography" (starring Zhao Liying), and Li Huizhu filmed "Splendid Weiyang" (starring Tang Yan).

It is not difficult to see that before 2010, the source of the Xianxia drama IP of Hong Kong was mainly from Taiwan. After 2010, "Step by Step" and "Flower Thousand Bone" are already successful IPs in Jinjiang.com. However, the beginning of the Jinjiang website was deeply nourished by Hong Kong and Taiwan literature and film and television. For example, "Zhen Huan Biography" was inspired by "Golden Branch".

At this node, the culture of Hong Kong, the Mainland, and Taiwan has formed a closed loop, and it has become a virtuous circulation system after digestion.

The cooperation between Hong Kong directors and the Mainland is not a candid. Qi Qiyi, the producer of "Golden Branch", came to the Mainland since 2012, but has been "not acceptable to soil and water" for several years. He said that there are few actors than directors in Hong Kong, but the mainland often has the situation where the actor dominates the whole drama. Even if the play can start, it is determined by the actor. "This is a big joke."

The film director also has a long stones to explore the road. When he first arrived in the Mainland, Chen Kexin conforms to the "Investment" and "Martial Arts" shot in accordance with the cosmetic movie trend. He was good at the theme of realism. He had a joke. He just came to the Mainland to make a movie. No one wanted to make a 10 million movie, but many people lined up with one hundred million to ask him to shoot a blockbuster.

Filtering according to the situation in the Mainland is also a common action. After Peng Haoxiang's first "Zhi Ming and Chun Jiao" became popular in the Mainland in 2010, the sequel "Chun Jiao and Zhiming" began to enter the mainland market. Two Cantonese versions with tiny adjustments. In the movie, the mainland versions use WeChat, and the Facebook appears on the mobile phone screen of Hong Kong.

Institute ofstreaming the road in 2013, the iconic incident was the release of Chen Kexin's "Chinese Partner" in this year.

The film was shot based on New Oriental entrepreneurship, and it harvested over 500 million box office in the Mainland. The show returned to the real subject of Chen Kexin when he was in Hong Kong. He also used this as a watershed. He no longer wanted to integrate the elements of Hong Kong and the Mainland.

At once 80%of the movies were Bona of Hong Kong films, and in 2014, they found the way to Hong Kong director+main theme. Since then, the two main melody blockbuster box office rising: In 2014, Xu Ke's "Wisdom to take the Weigo Mountain "Breaking 800 million," Mekong Action "directed by Lin Chaoxian in 2016 broke 1.1 billion.

"Finding Hong Kong directors to shoot the main theme is actually the choice of the Mainland." Hong Kong film researcher Wei Junzi said that after the commercialization of the mainland film market, the main theme film must also keep up with the trend of the times, and the types have become the road of necessity. "Mainland directors have not been trained by type, but Hong Kong directors are very experienced in this regard." That was also the era when hot money poured into the entertainment industry, and media became the concept of hot capital market. The Huayi Brothers, who was the earliest cooperation with Hong Kong directors, was listed in the morning in the morning; and later cooperated with Xu Ke, and later produced "Flower Thousand Bone" Ciwen Media, "Palace Lock Heart Jade" and "Gu Jian Qi Tan" behind the company Huan Rui Century has also been listed one after another.

The episode needs to be traffic, and the movie needs the box office. These are the capital of listing. Hong Kong director's ability is completely played.

The influx of capital, the stars made a thousand profits, the traffic gameplay ... With the joint efforts of the multi -party, the "blockbuster" era in the Mainland came. The scale of TV dramas has exceeded 100 million yuan, and the box office of the movie has exceeded 1 billion, and even outdoor reality shows can have 100 million investment promotion.

Hong Kong singers also have to touch the fiery atmosphere of this stone.

Before 2014, Deng Ziqi was a new -generation female singer in Hong Kong: After 3 years of debut, he became the first post -90s Chinese female singer to sing in the Hong Kong Stadium. But the popularity in the Mainland is still very small.

In 2014, she participated in the music competition variety show "I am a singer second season". The stunning performance in the show successfully helped her open the mainland market, and the appearance fee increased by 25 times.

Deng Ziqi's popularity has shifted from record logic to variety logic.

Chen Shaobao, who holds the red Faye Wong, has talked about the changes in the Hong Kong music market after Deng Ziqi became popular: "The former Hong Kong singers accumulated a certain reputation in the local area, and then slowly radiated the influence to the Mainland, but now do so It's difficult. Like Deng Ziqi, she made her debut in Hong Kong for many years, but she really became famous this time "I am a singer 2". So I often told newcomers that we must pay attention to the mainland market and participate in the mainland variety shows. "

Since then, a series of reality shows have begun to find Hong Kong artists. Zhang Zhilin, Yuan Yongyi, and Cai Shaofen and Zhang Jin showed affection in the real show. Wu Zhenyu took the child to "Where's Dad".

Under the capital boom, the combination of the Mainland and Hong Kong is becoming more and more obvious. The combination of flow is not only to find your own grammar, but also a combination: arch the flow to the highest point.

Rush

5.68 billion officials, the top of the mainland film and television box office — In 2017, "Wolf Warrior 2" broke the record one after another, and eventually reached an unprecedented box office height.

Although there is no participation of Hong Kong directors, "Wolf Warrior" still has traces of Hong Kong movies. The director, screenwriter, and starring of this series are an actor under the Hong Kong film and television system. In 1996, he starred in the film "Kung Fu Boys in Love" directed by Yuan Heping, and later starred in a large number of Hong Kong martial arts dramas and police bandits.

Film scholar Dai Jinhua believes that "Wolf Warrior 2" can be regarded as a certain form of Hong Kong films in the heyday. "Or you can see it from another perspective. What you get is the satisfaction of muscle, not the mind or spiritual or identity. "

The well -known American film scholar David Podville's evaluation of Hong Kong films is "all over the fire, so crazy." Liang Wendao once analyzed in the podcasts that it was not scarcely manufactured in the most entertaining way: the gun war drama in "The True of the Man" is extremely unresolved, but it looks like "cool" -tm. Hong Kong dramas that do not pay attention to history and are better at interpretation and deconstruction.

All in all, the personal heroism of Leng Feng, the protagonist of "War Wolf 2", has been criticized, but this is indeed a successful "cool film". The exploration of the main theme type is still continuing. In 2021, it broke the record again, becoming the No. 1 "Changjin Lake" in the mainland film history box office, and it is also a phased result.

This war film co -directed by Chen Kaige, Xu Ke, and Lin Chaoxian has a big scene that is difficult to reach in the past.

Hong Kong's past golden police bandits have also flourished in the Mainland. The "Bomb Demolition Expert" was filmed in the third part, and the "Anti -Corruption Storm" was filmed in the fifth part. Box office champion.

Nicholas Tse

Police films are also the "Hong Kong flavor" of streaming media platforms for Hong Kong dramas. After 2016, the mainland video platform entered the era of homemade dramas. Hong Kong dramas were one of the chips for users. The big investment in the Mainland has also allowed Hong Kong police bandit dramas that could only be put in in the past. The action scenes were greatly upgraded. Shooting in many places overseas.

But does the upgrade of police bandit dramas inevitably represent the upgrade of Hong Kong taste? Some audiences who understand Cantonese and familiar with Hong Kong dramas have found the clue: Cantonese in Hong Kong dramas seems to be in the grammar of Mandarin. Compared with the past old Hong Kong dramas, there are many Cantonese slang.

A producer who participated in Hong Kong's Hong Kong drama told the poisonous eyes that the Hong Kong drama needs to consider the mainland audience. The platform is responsible for the co -production film and cannot understand Cantonese slang, so he will make suggestions for modification.

Entering the category of the auction, there are platforms to derive user preferences based on big data (CP line, human settings, actor preferences). At the same time, after avoiding risks, the Hong Kong drama becomes regular, but it lacks some "overfire" and "crazy". Instead, in the type of niche themes, you can see the unlimited personality, such as "Jinxia Building" with the theme of the monster, and the "Sigh Bridge" filmed by the multi -faceted "Luo Shengmen". Interestingly, Yu Zheng, who was deeply influenced by the Hong Kong film and television industry industry, was popular in Hong Kong. "Yanxi Raiders" is the 2018 TVB viewing champion. Although "Shang Food" in 2022 is only the eighth in this year, it is still the popularity of the schedule when it was broadcast. Several Hong Kong drama practitioners have experienced the experience of poisonous eyes in the drama.

Just as a generation of Mainland costume dramas in the Hong Kong martial arts drama in the past, the narrative methods of mainland drama today have also affected Hong Kong dramas. A Hong Kong director told the poisonous eyes that they would watch these dramas of "Hidden Corner" and "Beginning", "Analysis of hidden points of human nature, and the brain hole of time cycle, are very exciting."

After more than 20 years of integration, the culture of Hong Kong and the Mainland has shaped each other.

The changes in TVB over the years are the most typical examples. Since the Chinese culture has become the biggest director of TVB in 2015, the cooperation between TVB and the Mainland has continued. Its co -production project is completed under the bridge between Chinese culture and mainland video platforms. Du Zhike, then the general manager of TVB, mentioned the most ideal co -production project: Li Guoli's "Beijing Hong Kong Love Line", a real story of the two places.

Zeng Zhiwei and Wang Zulan, who served as the executive executive of TVB in 2021, brought back to TVB back to the big data system used by mainland video platforms and mature mainland variety models. TVB also started the draft "The Legend of Dreams", and now the Yan Mingzhang on the stage of "The Endless" is the champion of the show.

Recording the story of poverty alleviation in China, the TVB documentary "Infinite Road" with a 9.5 Douban score was broadcast at this stage. "I hope young people in Hong Kong who have not been to the Mainland will really understand the Mainland." Zhong Yanjia, who has directed "Lanling King" and "Choosing Heaven" in the Mainland for more than ten years. Director, his important task is to create opportunities for newcomers, screenwriters, and actors in the Taiwan to participate in different types and scale production experience.

The story of "Beijing and Hong Kong Love Line" may also be possible to land. Luo Yongxian, the director of "White Strong Man 2", once mentioned the story he wanted to try in the future: the story that happened in the Greater Bay Area Hospital. The place where the two places are connected to the two places, there are natural collisions, blending, and explorations. It is a good story material.

The upcoming Hong Kong Lein's "The Sound Everbright" is the 25th anniversary of the return of Hong Kong's return to the 25th anniversary of the return of Hong Kong in TVB and Hunan Satellite TV. It is a fresh attempt, allowing singers in the Mainland and Hong Kong to sing Hong Kong music together. At the moment when the mainland draft is difficult to host, can the draft show organized by TVB be broadcast in the Mainland to gain greater influence?

At the end of the 10th issue of "Sound", "The Pearl of the East" once again sounded, and the singing lineup across the line and offline, not just the resident singer of the show: Na Ying and Tan Yonglin on the big screen opened. Teacher Lin Zixiang and Ye Qianwen followed the singer, and the singers stood among the audience, and the audience chorus came one after another. On the screen, there are TVB actors Chen Hao, Ma Dezhong and other chorus.

At the celebration conference of the Hong Kong Special Administrative Region 25 years ago, Lin Zixiang and Ye Qianwen also sang "The Pearl of the East" on the stage. At the same time, there were four heavenly kings, Tan Yonglin and Faye Wong. At that time, the lyrics of "The Pearl of the Orient" were modified, such as the question "Oriental Pearl, my lover, is your style romantic?" Brilliant. "

Twenty -five years later, on the stage of "Everbright", Lin Zixiang and Ye Qianwen led the stars and sang "The Pearl of the East" again. It is still the original version of the emotional and 缱绻. "Is your style romantic?"

From changes to constant, some things have clearly changed. This Xiangjiang water is all the way north, completing the flow, and the future will also rush forward.

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