[Good product Shandong] Culture "two innovations" look at Shandong | One knife and a moment contains Huazhang, one stone and one party see Qiankun

Editor's note: Culture is the soul of a country and a nation. The culture of upward is the spiritual leadership of our grassroots work. In recent years, Shandong, a large cultural province, has been committed to the construction of "virtue Shandong". It has stood at the forefront of the times in promoting the creative transformation and innovative development of the excellent traditional culture of China, and promoted the double harvest of the province's material civilization and spiritual civilization. The theme reporting activity of the "Two Innocers" of the "Two Innocence" of the excellent traditional culture of Shandong Province, which was jointly initiated by the Nishan World Confucian Center and the China Internet News Center (China Net), will penetrate from all parts of Shandong and show the huge changes brought by the construction of "virtue Shandong". Improve the soft power of urban culture.

书 is one of the traditional writing and painting appliances in my country. It plays an important role in spreading culture and art. Therefore, literati have combined it with pens, ink, and paper to synthesize the "four treasures of the study." The culture traces the ancient and present, the long history is an important part of Chinese culture, and it is also an important carrier for the generation, development and inheritance of Chinese culture. It is also an important tool for promoting Chinese culture communication, exchanges and development. Shandong Lintong red silk is the most beautiful and brilliant side. Don't believe it, look ...

"The two sides of the strait are paved with long rolls, and the pen is painted with a magnificent picture. The silent changes of thousands of miles of water have created a magnificent monument." Shandong Linyu originated from the cultural factors from history, from history, and out of the people. city. Is in this mountain, not arrogant or irritable, not angry; 砚 in this city, do not use things to be happy or sad, just wait for people to enter its world, understand cultural heritage, immerse them, touch culture, red, red, red, red, red, red, red, red, red, red, red, red, red, red The world of silk is a big view. Don't believe you listen ...

The book saints Wang Xizhi said: "Paper people also, the author's sword spear, the ink armor also, the water of the water puppet also ..." The face of the face is like the city, and the fields seem to be unbearable. In the hearts of literati. Cai Xiang, a big calligrapher in the Song Dynasty, said: "The jade is pure and reasonable, and the edge is silent.

Flying flowers and flowing flowers, engraving the endless inheritance

Walking on the horse, there are culture, and the magical stone of one side will sing. Entering Liu Wenyuan's "Wen Wentang", a huge red silk stone of about 5 square meters can be seen on the face. Liu Wenyuan named it "拈 走 走 走", which is Liu Wenyuan's "treasure of town houses."

Liu Wenyuan, 51, is the leader of Lintong's production of red silk handicrafts. His golden stone rule follows the master Liu Ketang's door. The carving works are delicate and delicate. On the basis of inheritance, the innovative method and exquisite method are used to create to create a creation. Covering more than 1,000 kinds of carved works with dozens of varieties, pushing the carved works from traditional practical types to the ornamental type.

"Xiangshi, down wasteland, design, production, polishing, waxing is the six processes of red silk puppets." Liu Wenyuan introduced that a pair of rough hands used different force to make the tools in his hand, a red silk stone in him, in him in him "Played" in his hand, and after a while, the beauty of the beauty of the first appeared.

Liu Wenyuan, such as cutting knives, knives, side knives, flying knives, astringent knives, etc., is familiar with it and use it freely. He highly fused the techniques such as splashing ink, folding band, ax splitting, and the sculpture techniques in Chinese paintings, which was not only opened up and meticulous. Under Liu Wenyuan's hands, the little stone contained a big Qiankun.

"From the perspective of the layman, the rough stone of red silk stones is just a rare stone, but in our opinion, a stone is a baby." Liu Wenyuan said. What kind of stones are the top grade? "When choosing a stone, you must pay attention to 'moisturizing' degrees, drop a drop of water. If the pearl effect of rain and lotus dots is present, it does not spread out, and does not absorb water. It is 'dry stone', not available. Second, we must pay attention to color. The purple red background gray yellow silk, red yellow silk and yellow -bottom red silk are all top products. "Liu Wenyuan said. "The hardest is the design link. To consider the natural shape, texture and defect modification of the stone. Natural patterns are the source of inspiration, and the flaws of rough stones are the test of skills. Rotten into a magical effect, "Liu Wenyuan said.

The Qing Dynasty Hu Wei's "Yu Gong Conefinger" volume four: "Red silk stones, red and yellow phase ginseng, text like forest wood, or moon halo, such as mountain peaks, such as Yunxia, ​​such as flowers, that is, weird stone." The red silk stones are illusory and magical, with endless texture, always like between. Therefore, the same important step as Xiangshi is reading stone. "For example, stone patterns are like landscapes, and they make it into a landscape, like auspicious clouds, and make auspicious patterns." Then, Liu Wenyuan picked a piece of oval red silk with ten centimeters long and started to build. "This is called‘ Mo Yu ’. It occasionally appears on the red silk stone. Some look like splashing ink effects, which are interesting with the golden stone.” Liu Wenyuan said.

With "Mo Yu", Liu Wenyuan set its design theme as "a pool of ink rain sky pendant". After polishing, the prototype of the oval shape has appeared. The large and small engraved knife took turns in his hands, and soon the red silk of the big slap was presented. This red silk head is big and small, with a small head cut into a heart, and "Mo Yu" pours down from the other end, which is very stunning.

One sword and one spirit, show the innovative concept of sympathy and symbiosis

"Boldly to innovate, under the premise of inheriting historical and culture, to live these traditional resources in the market, so that they will glow with new vitality." Liu Ying, member of the Standing Committee of the Lintong County Party Committee and Minister of Propaganda Department, has a strong talk and loud.

Innovation has never stopped. On the second floor of "The Hall of the Wens", Liu Wenyuan's ingenuity -a large -scale theme group "Belt and Road" from 66 exquisite Lintong red silk. Being in front of the group, as if at a glance, shuttled in a foreign country, the cultural atmosphere of different regions rushed to the face. The Condor "The Analects of Confucius" is also a masterpiece of Liu Wenyuan's dedication to inheriting Chinese traditional culture and combining Chinese studies and the carved engraving. More than 20,000 words "The Analects of Confucius" are carved on a variety of fonts such as Jinwen, Xiaoyan, Jian Shu, and Han Lishi on the 81st square platform. The content, form and other aspects all reflect a sense of heavyness and carrying through time and space. When walking, people stop and sigh.

"In the next step, we will combine the production with Chinese studies to integrate literature, carving, and painting skills; the second is to transform into marketization and create a protection base for the development of red silk cricket centered on the old cliff, so that it can make more more Many people approach the red silk. "

"Wenwen Hall" is Liu Wenyuan's worries, and is the master of red silk. In the Museum of Art Museum of Red Silk in the Datang not far away, Red Silk has become a place of integration from ancient times to the present.

"The museum is a non -state museum that integrates protection, collection research, display interaction, academic exchanges, and cultural heritage education. Open to the public for free. It was rated by the Chinese Museum Association as the fourth batch of national three -level museums. "Xia Yongru, the person in charge of the Red Silk Ran of Lintong Datang.

In the museum, there is a large -scale 砚 with a gentle texture, with small and exquisite handlebars, with a wonderful ink bed, inserting a fragrance, a faint fragrance, refreshing. The non -genetic inheritance, in the workshop, the fusion of one -size -fits -all stones, turning decay into magic, will connect elements such as the simplicity of the people, the inheritance of the technique, and the popularity of the current popularity of the people in the form of culture. The brand carving is more delicate.

One -size -fits -all industry, share the common prosperity of dialogue and negotiation

Star River Ruocan, exploring the breakthrough of the red silk. In the home of Yin Jie, the inheritance of the red silk of the red silk in Laoya Village in Linxian County, the dazzling Mangtai products are overwhelming. For Yin Jie, more importantly is the inheritance of cultural skills.

"Now entering the campus and the community. Students with vocational schools to study, more importantly, let the public understand the red silk and understand the culture of red silk. This is the most critical."

Red silk is known as the "head of the sake", and is suffering from the limitation of resources, and has become the constraints of the inheritance of the production skills of red silk.

"Learning the carving is the most important thing to have a cultural atmosphere. Lintong is the most critical of the cultural foundation of the culture of culture. This is the most critical. And to be enlightened, we must be lonely, and even more. It is expected that you can only have a certain amount of skills. "

The unremitting efforts of the non -genetic inheritance make more people become carved enthusiasts; the skills of non -genetic inheritance, let more sculptures go abroad and go overseas. Japan, Singapore and other countries enjoys a high reputation.

In recent years, Lintong County has made Shandong hand -made hands. The local government has actively explored to gradually build a red silk display platform to enhance cultural exchanges with the outside world. At the same time, cultural elements are integrated into urban planning and construction Resources, highlight the cultural nature, process and marketability of red silk, and promote the prosperity and development of the cultural industry of the carving carving.

From participating in the 2018 the 2nd Intangible Cultural Heritage Development Cooperation Forum and the Great Power Non -Heritage Craftsman Arts Exhibition, to the First Condor Skills Competition in Shandong Province, it was held in Lintong, and the southwest line of the inner ring of Shandong Province for a "carving carving" tour. In the past two years, Lintong's red silk has appeared frequently throughout the country, and ancient skills have been rejuvenating new vitality.

"Everything goes forward, you can't forget the road you have walked; no matter how far away, to the glorious future, you must not forget the past you have passed. Mijian. Deeply cultivating cultural industries, activating cultural factors, and cultivating rural civilization, making the masses a participant and beneficiary of cultural revitalization. The story of Lintong's singing in cultural revitalization is a vivid epitome of Lintong's cultural development and prosperity. These cultural phenomena and actions blow into every corner of the bank of the Mihe River, and the new generation of plastic soul -casting souls is still polite and self -confident.

Today, as one of the four major cultural industries in Lintong County, the Red Silk Stone Industry is booming in the local area. There are only more than 200 households engaged in the mining, processing, and operation of the county and more than 1,000 employees. The annual sales revenue is more than 200 million yuan. (Photo/text: Zhang Yan)

Source: China Net

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