Zhuangbian Shangshuqiao: Akashi River, landscape people

Author:Putian Overseas Township Times Time:2022.07.03

"It's always the case. Everywhere, humans have gone through, leaving the road on the earth, visible and invisible, symmetrical or winding." - "Walking Praise"

Although the purpose of travel is different, it is undeniable that leaving the familiar living environment can get a strange freshness. Sometimes we call this freshness as happiness, or consider beauty, poetic, interesting, freedom ... We drive, hiking, or even climbing, and overwhelming, we regard the process of travel as a kind of aesthetics of behavior. We enjoy travel and feel the tranquility, warmth, richness and even grandness of life.

Travel aesthetics is not exclusive to modern people. The ancients have long been well versed in this way, and thus developed landscapes and rivers and paintings to shape the spiritual background of humanities and nature. Yuanxi Xing, from the distance of forgetting the road, found the peach blossom source of the Chinese spirit; when the spring tide came in the late spring, the nozzle of the wild, the end of the loneliness may be lonely, but it is more likely to be sublimated -it may be an ordinary person's place where ordinary people are ordinary people. Freedom endpoints that cannot be reached; it is in the mountains and flowers of the mountains, and the dark flowers are clearly reflecting the complexity and change of life.

The clouds between the mountains and rivers are more idle and the birds are even more wild. The marks in this world are passed down from the past, present, and future. Even if the face is long, at least the names of these things can be called. The simple and simple ancient winds, together with the person's clothing and one food, are talking about their own history. With no physical evidence, imagination will not be based on a foothold.

Ancient villages in the northwest of Hanzhuangzhuang, Putian, have left ancient bridges for travelers to visit. Ancient Village is also named after the ancient bridge. It is called Shangshuqiao Village.

The ancient bridge is about 25 meters long, about 2 meters wide, and about 10 meters high. There are 3 diamond -shaped stone pier, with a total of 4 bridge holes. The distance of each hole is about 6 meters. Between stones of different sizes, the bridge deck is strong, and there are two simple stone lions on each bridge head. The ancient bridge across the stream, and several ancient trees in the east of the bridge became the most landscape landscape in the village.

Shangshuqiao has been more than five hundred years ago, not only "ancient", but also very "solid". Local residents talked about the flood in the 1950s. More than a dozen dams in the upper reaches of Luxi were almost destroyed, but Shang Shuqiao was still motionless. The flood broke out, and the big trees on the mountain collided into the ancient bridge, and even some big trees were dragged horizontally on the bridge, but the ancient bridge was not damaged. How does the ancients create such a superb stone bridge? How did the 6 -meter -long and tens of tons of boulder be moved up the mountain? In a modern society with developed technology, the form of architecture has become more and more diverse. However, in terms of natural, simple, practical and aesthetic wisdom, modern people may not seem to be superior to ancient people.

The origin of this ancient bridge is quite interesting. There is no Shangshu in the history of Gucun. Why is it called "Shangshuqiao"? It is said that there is a Feng Shui treasure in Shanxi Village called "Shang Shu Man". According to legend, a Ma Shangshu was released during the Ming Dynasty. He was read on the banks of Chishi Creek as a child and passed through Shanxi every day. When it comes to rainy days, the floods are soaring, ca n’t cross the stream, and often delay reading. To this end, he wished, and he would make a fame, and he would build a bridge here to solve the suffering of the villagers' wading. Many years later, he really won the scholar, and the official to Shangshu, so he built the bridge and wished.

I also wish, or the most traditional and most Confucian psychological characteristics of the Chinese people. The spirit of Confucianism, push yourself and others. The suffering of confidantes, and willing to solve the disease of others, the so -called: the poor is alone, and the world can help the world. Da is a promise to the world and takes responsibility. A silent ancient bridge carries the spiritual value of the ancients that can spread to future generations.

The stream under the bridge has gone through the flowing water, the spring tide rises, the autumn is withered, and the gray -white stones on the exposed water are different. The two giant banyan trees on the banks are not far away, lush and strong, and the branches are incorrectly obliquely, and they almost grow on the water. The streams, stones, ancient banyan, and ancient bridges are closely related and accompanied by each other. The scenery is presented.

At the moment of the scenery, the different rain, fog, clouds, clouds, and winds at four o'clock, the sun and the evening photos, even glanced at the gulls, herons, 鹂, and warblers who passed the wings by accident. At some point, a moment that cannot be copied. The unique experience from human souls allows us to have a passionate impulse, and want to hold it without letting it go: it takes it up, even so short -it is because of a short period of time. I saw it, I am with it, it is fleeting, it is so important to me, it is part of my memory.

Traveling can make us close to the real scenery, and do we prepare for the landscape? Photography, painting, chanting, reading, writing long letter ... everything seems to be futile. Beauty, futile, persistent.

Facing the helpless beauty, there seems to be no other way except yielding. At this time, people have to clean everything, material weight, weight of intelligence, emotional weight, and even spiritual weight, infinitely empty, flying flowers are also comfortable, light and loose. People are integrated into the scenery and dissolved in all things in nature, as if they can touch the mysterious door of "the unity of heaven and man".

But wait, where our sight goes is not completely ideal. The stainless steel railings on the roadside, red red light tiles are so abrupt and eye -catching. From urban and rural areas to mountain villages, industrial products are omnipresent. In the industrial era, we have no intention to go to a more natural aesthetic, and we are accustomed to materializing and plundering of natural landscapes. A good painting painted by nature and previous people is often sold as a product, and even does not even provide it with suitable frames, cement, plastic, and stainless steel. Cement, plastic, and stainless steel pulled us back to reality from the traditional Chinese landscape and pastoral poems. We lamented a kind of civilization, the passing of a spirit, and the subversion of a classical aesthetic art. But at least, we can still find, intercepted, captured, and the beautiful gel flame feathers. And this is travel.