Comment | One side of the soil and water and so on

● Li Muwen

● Wang Gaojie Comments

One side of the soil and water. The time of photographers is more time to live in their hometown. If they can be good at extracting the essence and drawing energy from the land under their feet, it is the easiest to obtain the advantage, and it is easier to deepen a topic. This is not only conducive to the improvement of photography technology, and the local development process is recorded with photos, but also may play a role in promoting the development of the region through photography.

There are such people in the photography industry. They love the hot land under their feet, insist on paying attention to people and things on the yellow land, and persevere in discovering the subject matter of the Northwest region, leaving an immortal image for contemporary Chinese documentary photography. Most of these outstanding photographers of these Shaanxi documentary photography groups are mostly grass -roots farmers, small citizens, and workers. They determine that the camera capture object is objective and real, so as to record reality, restore reality, deposit photos for the people, save history for history According to. It is with a conscious sense of mission and a simple bottom perspective that the people's image that lives on the fertile soil in the west has a lifelike texture, and the public can be understood by the public and witnessed the changes in the years.

Photographer Heiming, who is also born in Yellow Land, is also known as "Observing the Sample of Rural China", one of his representative works, "New Kiln in the 100 Years". In order to shoot a photography topic about the village, he put the camera back to his birthplace -Shaanxi. He feels that if photographers want to take the most lively things, they must be integrated into the lives of the locals. So he went to Xinyaozi Village more than 30 times in 8 years, took the moment many people's lives, and wrote a story that they may never be understood by others in their long and short life, showing the simple people on the yellow land. The joy of harvest and the romantic and warmth of family life in Tulkong. The power of the image carried forward the outstanding national spirit of the new kiln people, and also loaded the changes in the times reflected in the new kiln.

The vast and vast loess plateau is like a beautiful oil painting, an ancient and simple folk song. The unique natural landscape, humanities and customs, regional culture and red traditions of northern Shaanxi have attracted many local and foreign photographers to record records and deeply excavated. Under the call of predecessors photographer, photographers focused on the themes and contents of the characteristics of the Loess Plateau, specialty caves, window flowers, red fire Yangge, Yellow River villages, etc., and showed their hard work, wisdom, development, creation, creation, creation, creation, and creation. His spiritual pursuit and hard work, and use poetic photography language to express your love for this hot land.

Fish boy photography after snow

Comments: The photo layout is neat, and the lower right road is used as a guide line. The lower left hills and the ancient buildings in the upper right are located near the golden segmentation point of the picture. It has geometric aesthetics and an endless snow. The northern scenery map.

Photo by Ding Yan at Ding Ding

Comments: The author used a long -focus lens to shoot a panoramic view of the daison village after snow. The picture is clear and transparent, the layout is staggered, and the sense of layering.

"Placing" Wudi Plateau Wu Nu Ling Photo

Comments: The characters in red are full of winding paths. The author uses this as a guide line and visual interest point to light up the overall darkest picture and echo the theme. The overall exposure is slightly insufficient. It is recommended that the author adjusts the curve during later processing.

Photo by Yu Xiaowen for 5,000 years up and down

Comments: The author conducts symmetrical composition centered on the stage, and the picture is regular and stable. A large number of audiences in the previous prospects act as companions and explain environmental information, which shows the excitement of the performance. But because of the large elements and the color is too rich, the picture is slightly messy.

Photo by Kuka Xiaoli for the spring

Comments: Exposure is accurate, and the characters in the dark can see the details of the shadow, and the expression is natural and rich. The overall layout explains the distant hills and farmland, which truly reflects the scene of farming.

Taken as an ordinary world Yan Jing

Comments: During the sunset, farmers who eat in front of the cave and the idyllic dogs squatted, as well as stools and stone mills not far away. The details are representative. The picture is filled with a warm and peaceful atmosphere, allowing the viewers to enjoy the cave life like it.

New Year Chen Xiaoqin Photo

Comments: The author uses red spring couplets, lanterns and pink peach blossoms to bring a festive atmosphere to the thickness of earthy yellow tone through color contrast. The screen is simple and clean, and the elements are not chaotic.

Niu Geng Liu Fang Photo

Comments: A farmer with a far -sized farming, an ox with a reins and agricultural tools, and a yellow land that has been plowed. The author constitutes the unique scenery of the Loess Plateau through these three. The picture is simple and real.

Photo by Li Rui under the window

Comments: The author shoots the daily life of the cave in the night. Through the window, you can see the character's dialogue. The unique structural segmentation picture of the kiln cave has a sense of form.

Photo by Zhang Haixia, an old man in northern Shaanxi

Comments: The author shoots with a telephoto lens. The compression scene is deep and the characters are prominent. At the same time, the texture of the character's clothing is also manifested, with rich shadow, natural expression, harmonious with the environment, and durable details.

Photo by Loess Fengyun Li Min

Comments: The author's shooting through backlight effectively highlights the scene of yellow sand on the loess plateau, and the picture is infectious. However, during the backlight shooting, the author also needs to pay attention to the accurate focus of the subject.

Blessing Fu Fu Yonghao

Comments: The author took a down -to -point shot at a high point and captured many details of the folk activities participating in the "welcoming blessing". The screen exposure is accurate and the scene is strong, but the light and color are relatively bland, and it needs to be improved in the processing of dense relationships. Recalling Zhao Yanqing Photo

Comments: The author uses a framework to confuse the radios, abacus, pot heater, and villagers with special clothing outside the window.

Photo by tenderness like water Zhang Ying

Comments: The author used a long exposure shooting method to highlight the kindness of the rushing "Mother River". The picture is quiet and beautiful, the warm and warm match is proper, and the color also has a sense of layering.

Go home Ma Zhanbang Photo

Comments: The author exquisitely depicts the simple life above the Mo Mo, and the atmosphere is calm and beautiful. The screen is simple and clean, and the relationship between light and shadow, light and dark is in place.

Photo by the Kiln Cave Gate, the Wang Yijiang

Comments: The picture composition is neat, the details are rich, the color contrast is clear, and the overall celebration atmosphere is filled. However, the perspective is relatively flat, and the lack of shadow hierarchy.

Sowing Li Yan Photo

Comments: The composition is reasonable. The triangular layout of the foreground farming tools and the triangular hills of the background are contrasting with each other. The two farmers in the middle are compared with left and right, and the picture is harmonious and stable. In the early spring, the green and yellow land comparison highlights the tension of spring.

Photo by Liu Wei, a dancing youth,

Comments: The photo shows the characteristics of northern Shaanxi, and the expression of the middle dancers is delicate. The flying dust that is surrounded by high -speed shutter is also symbolized by youth. However, there are some excessive exposure behind the characters, resulting in a slightly owed hierarchy, and the details of light and dark need to be fine -tuned.

Photo by Dai Junling

Comments: The composition is reasonable, and the curved fields give the picture line, and the light reflection gives the picture a sense of layering. The farmers and the kitten cat at the golden segmentation point give the picture vividly. Unfortunately, the bright and dark transition in the lower left corner is slightly deliberate, and it can be adjusted appropriately later.

Photo by the ancient city of spring, Cao Ping'an

Comments: The bright green dance team in the middle is insightful and the color of the crowd is insightful, and it forms obvious color blocks. The red lanterns on the stars on the tree are embellished. The picture has a sense of layering and geometric aesthetics.

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