The 84 -year -old Chen salary Yi took the post -90s actor to "do five breaks and two", and when the happy twist resume work

"This paragraph began to inhale and speak in the inner excitement. The drama focuses on the rhythm of the lines, and the rhythm should not be chaotic." On the afternoon of June 28, you can hear the fullness of the rehearsal hall of the happy twist. Sound, 84 -year -old director Chen Huanyi is guiding the actor of the happy twist's annual drama "Venice Merchant". In addition to the "Venice Merchant", the crew of immersive new drama "Crazy Star Friends" is also in full swing, and strives to meet the audience with a perfect appearance.

Since the happy twist and the drama Thai Dou Chen salary Yi decided to cooperate with the "Venice Merchant", Chen Xiyi led the actors to start the online punch-in life of "doing five breaks and two" every day, and rehearsing 4-6 hours a day. "Even if the external environment changes hugely, it cannot be chaotic in the heart, and he must be devoted and enthusiastically devoted to life and creation." Chen salary Yi said.

Getting along with a group of post -90s actors, Chen salary Yi and young people learn from each other. "The happy twist children are experienced on the stage, bringing me a lot of inspiration," she said: "They are very cute and understand Shakespeare's works very seriously." Earlier, Chen salary Yi has directed many versions of "Venice Merchants". This time the "Venice Merchant" has a little more "trendy", adding fashion elements such as skateboarding.

Affected by the epidemic, Happy Twist canceled nearly 400 performances including the Thousands of Grand Theater and the new performing arts space, but the actors were not idle. Starting from mid -late June, Happy Twist has opened the offline rehearsal of multiple new dramas, and the rehearsal hall that has been silent for more than three months has restored the lively in the past. The reporter observed that the actors' performance status was very good, and they quickly recovered the tacit understanding with their opponents. According to Wang Haigang, President of Happy Twist Joint President and Chairman of Shanghai Happy Twist, during his home, the actors participated in the last 20 theme live broadcasts, 10 players on the stage of the player online, and sang and filmed the public welfare song "Goodbye or Spring". And online rehearsal, reading, line lessons, cross -border interaction with the laughing fruit factory, etc. During the home period, the stage and the audience are also concerned.

In addition, as the third immersive theater launched by Happy Twist after the "Crazy Barber Shop" and "Lane 1992", the "Crazy Star Friends Group" was created, including communication with the director of the screenwriter, the dance design, and the online reading book of the actor line. All rely on online meetings to communicate and advance without delay.

"The enthusiasm for the audience to return to the theater and return to a better life is huge. During the period from home to resumption, many twist audiences leave a message in the background of the fan base and public account. It was the question they asked the most. "Wang Haiang said with emotion. Starring "Earl Countess" and "Venice Merchant", the star of happy twist meritorious actors, can't wait to tell reporters: "I haven't come to power for a long time. I very much hope to return to my most familiar stage as soon as possible. The audience who supports us present the best performance for everyone. "

Although facing the performance stop of the performance for nearly four months, Fei Yiqun, the general manager of Shanghai Happy Twist, still has confidence in the performance market in Shanghai in the second half of this year. "Happy, happiness is the just -in -need of human beings. It is never a luxury. We are comedy. At this time, we are more blame for loan. The audience brings happiness, "Fei Yiqun said." At the same time, the consumption mentality of users in the field of pan -cultural entertainment will change, and people will become more and more worthwhile in the choice of works and experiences. "

Author: Wang Xiaoli

Edit: Wei Zhong

Editor in charge: Xuanjing

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