Time treasure in the house door

Linfen Rural Summer and Autumn Tour Route

Route introduction: This line is based on historical and cultural learning, and runs through Shanxi Township Ning, Xiangfen, Quwo, Houma Quan County (city). Visitors can experience the years and neutrality of the folk customs in Yunqiu Mountain in the township, visit the large -scale archeological sites at Dingcun Village and Tao Temple site in Xiangfen, explore Jin culture in the Quwo Jinguo Museum, and in Quwo Shiqiao Castle Village, Hou Mapengzhen The former residence learns red culture.

Itinerary: Xiangyunqiu Mountain Scenic Area → Xiangfen Ding Village Site, Ding Villagers' House, Tao Temple Site → Quwo Shiqiao Castle Village → Quwo Jinguo Museum → Houmazhang Shang Village Pengzhen Former Residence

Ding Village, Xiangfen, Shanxi is just a small point in this giant book on the earth, but as the hometown of the "Dingcun people" in the Paleolithic era, it is an extraordinary cultural sign.

Time. Today we can only find the existence of a half -claws in the Dingcun site. From the years from the Ming Wanli period to more than 400 years of the Republic of China, it was spread out in the form of architecture, and was surrounded by Dingcun Village on the bank of the Fenhe River, which made people touch the real and heavy existence in the next generation.

Cark the years in the form of "village". Dingcun, like a vicissitudes of vicissitudes, seeing the old people who are in the world, and love the endless old man, make people feel like you go in, and once you walk in, you will feel like you return home.

If you don't look at the chronological inscriptions on the gate, pass through the gate, walk into the courtyard courtyard formed by the main hall, the one -seat, and the chang room, and sit on the fire on the side of the chamber stove, and immediately feel a sense of return. The dresses and lamp kiln on the hindrance of the fire, the shrine and cupboard above the stove, the shoe kiln and the pot kiln under the roots, and the daily life scenes of the fiery world gathered in front of the eyes. And this life scene with 主 主 is so enthusiastic and familiar. It seems to be in the old house of his hometown, as if he came to which long -lost old relative's house, and he happened to go out.

"The north high is not high, the south high pressure breaks the waist. The east height is not high, and the west heights break the waist." From the Ming to the Qing Dynasty, from the single to the two -entry, triple -in, and even conjoined body, the courtyard is not only a family. The joy and sorrow of each family are the ancestors of the rules and folk customs and folk customs. For example, the gate, the Feng Shui and gas mouth of the courtyard, when determining the orientation, location, height, it seems that it has begun to vomit new, and the purple gas, Xiangyun, and Ruixia of the southeast and northwest are in their arms. Another example is the main hall, the flag of Feng Shui and etiquette that falls north, where the gods are provided, and the ancestral tablets are there, and the family's important etiquette activities are interpreted there. Entering it, in the face of the wall of the gods and souls, in the face of the long case, the eight immortal tables, and the incense burner and supplier on the table, people could not help but conquer their sounds and put themselves in a seemingly without etiquette space. , Time and space promenade. The shot of marriage and funeral, marrying and marrying three worships, lanterns and red paper white suddenly disappeared. In the scene of the scene of flashing losses, it has passed the generation of generations for hundreds of years.

From a couple of courtyard trails or cross -courtyard, there are multiple courtyards on the left and right. This maze -like courtyard is the so -called conjoined courtyard house. These large houses, as well as the Ding's houses under other direct -tied towns under the coward, inherit the inheritance, in addition to the endless incense, the bond of the clan blood, there is also a theme that runs through. Folklore and folk customs. These spiritual and emotions are scattered in this sloppy ancestral temple, fields, houses, and all architectural components. Therefore, Ding villagers' homes have souls and spirit, or in other words, supporting Dingcun's tangible existence is the invisible spirit and ideology of the Ding family.

Those column, bucket arches, hooks, dripping water, those columns, stepping stones, walls, roads, panel panels, stone beams, beams, corner stones, horses stones, horses stones, several stools ... seemingly like The props left after the drama make people not enter the noise of the people, but the Yu Yinxuan can feel every moving chapter in it; With the full picture of the ups and downs of the ups and downs, it can use this as an index and connect its past walking context and latitude. Those characters, flowers, birds, birds, beasts, classical opera, historical stories on the architectural components, those magpie, Kirin Zizi, Xilu Fenghou and other woodcarves, masonry patterns symbolizing ethics and dreams, to solidify them The time is temperature and color, with thickness and breadth. All of this is gathered as a shining art, arranging a combination of profound culture, exuding light and charm that spans the times.

It is worth mentioning that in order to make these tangible and invisible precious relics in Ding villagers' houses vividly reproduced, today people wisdom has wisdom to move folk customs and even folk handicrafts into people's houses. Laba, sacrifice stoves, Spring Festival, Lantern Festival, Qingming, Dragon Boat Festival, Mid -Autumn Festival and other holiday customs, maternity burials, classes, changing posts, feasting guests, welcoming the church, candlesticks, etc. Tang Cai Song porcelain, paper -cut embroidery, shadow puppets and other folk handicrafts, spinning vehicles, stone grooves, stone tadpoles, grinding plates, wooden trucks and other ancient relics ...

If it is said that the house of Ding villagers is a riverbed, and the existence of these spiritual and material existences in it is a vivid and diverse aquatic everything. Gentle gates, more than 400 years or even more long years, pushing waves, and fishing and crab jumped all the way.

Unlike other Jinshang Courtyard, all these are gathered in a village.Because the village, the hustle and bustle of everything, including the soul immediately quietly; because of the village, the hurried footsteps immediately eased; because the village, or the noisy or deserted world, there was a sound of the birds.The village is a charming mood; and Dingcun's house, because of the thick soil Toyota of the village, has the theme of planting for thousands of years.Scan the QR code to view more

(Author: Liu Yunxia; Editor: Yang Shuo)

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