[Literature Appreciation] Hometown Nostalgia: The spiritual "container" of Youzi

Editor's note: Since the beginning of this year, the majority of literary artists in the Altay region of Xinjiang have lived in -depth and actively created, and achieved good results -Kazakh Writer Renza Kakhusov, Nurira Herzhan successfully joined the Chinese Writers Association; young writers After Xiaoqi's collection of prose "The Ranch" was nominated for the Eighth Lu Xun Literature Award, Yang Jianying, the vice chairman of the local writer and Vice Chairman of the Literature Federation of Altay, also recently published the prose collection "That's Dang -Memories of his hometown childhood". It is the sixth book published by the author. The secretary described the author to leave his hometown since middle school and go to different places to study and work. In the work, the author recalled the customs and customs from the 1960s to the 1980s, as well as the story of his own life and growth, and expressed his unlimited nostalgia for his hometown everywhere! The work adheres to the concept of making history into reality, reviewing the past, and striving to explore the meaning of the old villagers, childhood, and fun to today's life. Through the comparison of the hometown and the past, the party's reform and opening up policies have brought about new changes brought about to their hometown. It is the true and natural expression of nostalgia and life.

The publishing of this book has aroused intimate attention and enthusiastic evaluation of well -known domestic writers and critics Ji Hongjian, Jin Renshun, Beiqiao, and Zong Jiehua. This is not only an affirmation of the writer Yang Jianying, but also the affirmation and spurring of the achievements of the cultural federation of the Altay region to carry out the achievements of cultural moisturizing Jiangjiang. Today, the seventh Lu Xun Literature Award winner and the famous writer Ji Hongjian commented on the book "That's" to readers.

Nostalgia: Youzi's spiritual "container"

—— Read the collection of Yang Jianying's prose "That's Too"

◎ Ji Hongjian

When I received the electronic manuscript of the essay "That's the Too" sent by Jianying, I was going to interview it to Daxinganling. Therefore, I interviewed in the virgin forest during the day. After finishing the interview notes at night, I read Jianying's "Two". Soon, his words, his hometown scenes in his memory, and the spiritual world he built deeply attracted and warmed me. This kind of nostalgia that is difficult to give up and unforgettable is him, and it is also our spiritual "container".

Because of the deep historical origin of Xinjiang and Hunan, and reaching the intention of "strengthening literary exchanges and cooperation to jointly promote the development of literary development and prosperity between the two places" ten years ago, the Hunan Provincial Conference Mao Zedong Academy of Literature hosted the "Xinjiang Writers Class" every year because of me. For the sake of work in the Academy of Literature, the golden autumn season 7 years ago, I met Jianying under the Mountain of Yuelu. At that time, Jianying studied at Xinjiang writer class in the third phase of Mao Zedong Academy of Literature. In the subsequent interaction, the sunny, gentle and restrained, and tolerant of Jianying left a deep impression on me. He is an excellent essayist. We talk the most with prose and his hometown -Beijing. Beijing is also my second hometown. I have been a soldier there for more than ten years, and I have a lot of lingering memories in my mind! Although it is thousands of kilometers apart from Hunan to Xinjiang, this does not separate our in -depth exchanges -often paying attention to the other party's creative dynamics and encouragement; occasionally, he will also send new prose, such as "Legend of the Pockest". Undoubtedly, "That" made me have a more comprehensive, three -dimensional and rich understanding of Jianying's prose creation, nostalgia, and his spiritual world.

"That" made me feel Jianying's pure love of literature. Ji Ziming "Flowing Year Shadow", "Soft Time", "Rural Singing", "Tree Famous Fang", "Golden Flowing Year", "Years of Poetry", "Rural Story" seven series, all compilation content has no pretending to make, deliberate traces of traces In the words, the author is full of the author's expression of nostalgia and natural love for life. Although Jianying in the text is not a political and moral referee, not a tougher and a complaint in the pain, it is just a memory and a witness and presentation of the hometown and villages. Feel his natural turbulent emotional power. The rural story of Dama Village presented to us, including "Tuyu", "Seller", "Murakami Tsubaki", "Dama Village Chronicle", "July Jujube", "August Pear", "September Persimmon Red Skin" and so on Wait, seeing people see things, there are dynamics and static, obviously a simple village of ecology of the southwestern suburbs of Beijing. Through pure and clean words, I saw the thoughts of my hometown deep in my heart, and I also saw a pure love of literature. This heart was like the original ecology of Dama Village in the creator. As Jianying himself said: "That year, I took a train from Beijing for three days and three nights to Urumqi, and I took another two days and two nights to Altay. I really felt like the sky ..." So, this became the dream of placing his literary dream. The place.

"That" shows the simple and refined prose narrative ability. His language, his narrative, and his story are all deeply attracted me. What is particularly sighing is that his language is simple, exquisite, delicate, and natural. Although he has left his hometown for more than thirty years, he still exudes a faint Beijing taste in the text! In "Tuyu", he described this: "This kind of stove is very low, there are only two bricks high away from the ground, commonly known as the" jumping ". It digs a deep pit underground to build the stove. 'Furnace gray pit'. This kind of stove furnace is large and the furnace mouth is very small. Pit; push forward, cook; place a small tile tank in the furnace, full of water, form a 'soil over water and heat' by the furnace heat. " The description is meticulous, not in a hurry, and comfortable, and the rhythm is very well -grained. It is not only impressed, but also true and credible. Everything in Dama Village appeared one by one in his pen. Grandma, mother, teacher, classmate, stonemith, spring, large field, sweet potato, crusher, grinding, small sale, old pickles, hemp noodles, rested words, year of fat, year of fat, year of fat, year of fat, year of fat, year of fat, year of fat, year of fat, year of fat, year of fat, year of fat, year of fat, year of fat, year of fat, year of fat, year of fat, year of fat, year of fat, year of fat, year of fat, year of fat, year of fat, year of fat, year of fat, year of fat, year of fat, fat years, year of fat. Shouling, named, like eggs, relaxing, New Year's Eve, singing big drama, listening to ghost stories, etc., support a simple and vivid village together. "That" built a spiritual "container" to leave nostalgia. For the description of everything in my hometown, Jianying is so handy, and naturally expresses it naturally. This kind of effort has benefited from his good literary cultivation and language narrative skills, but also stems from his infinite nostalgia for owners, things and past events of his hometown. It is this emotion to show us the simplicity and warmth of Beijing. It is not difficult to see from the text that any mark of his hometown will cause his moods, which will be familiar and unique to the hometown flavor. For the hometown, it is not a few articles or a work that can be expressed clearly, there are endless words, endless feelings! As Jianying said in the text: "There are many more topics about Dama Village, but the more important the more important things are written, and the writing is not satisfied. I can't extricate myself like grass! "" I still have empty hearts, and I feel that there is far from writing the fur of the village in my heart. That is to say, I have not touched the bones and bones, and the essence of the essence. . But it ’s bad, I ca n’t write it anymore!” This is the expression of self -humility, and it is also his infinite nostalgia for his hometown. In the article, the author's thoughts on his hometown are expressed everywhere, and at the same time, he also describes the huge changes that happened from his hometown after his hometown. This is a deep care of reality and the sublimation of his spiritual "container". For this, Jianying has a deep understanding. "If I don't think of the projection and influence of the elderly old things in today's life, I can't find the meaning of these pasts in real life today. . To put it bluntly, it is: History is not realistic, so what do you use to write? "I think, this is the original intention of Jianying's creation of" That "!

In short, Jianying's essay collection "That's Too" is a masterpiece, full of emotions, full of emotions, and simplicity, exuding a strong masterpiece of life and looking back at his hometown. The warm text makes us have higher and farther expectations, and the deep emotions from the heart make us endless!

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