The fourth round of "Guangdong Fine Art Teachers' Works Exhibition -Picking Xiang and Cui" will be exhibited in Guangzhou

Hosted by the Guangdong Provincial Artists Association and the Tianhe District Literature and Art Circle Federation of Guangzhou City, and hosted by the Guangdong Artists Association curatorial committee, the "Fourth Turn of the Guangdong Fine Art Teacher Works Exhibition -Picking Xiang and Cui" will be on June 25 The opening ceremony was held in Tianhe Yiyuan, Guangzhou.

In this exhibition, Huang Qiming, a professor and doctoral supervisor of Guangzhou Academy of Fine Arts, a director of the Chinese Artists Association, and deputy director of the printmaking art committee; professor of the Academy of Fine Arts of Zhaoqing College, a member of the Chinese Artists Association, and the Dean of the Democratic League Zhaoqing Painting and Calligraphy Academy ; Associate Professor of the Academy of Art Education, Guangdong Provincial College of Foreign Languages ​​and Arts, Chen Yining, member of the Chinese Women's Painter Association; PhD in Tsinghua University, Deputy Dean, Associate Professor, Calligraphy Seal Professional Director of the Guangzhou Academy of Fine Arts, Ye Zhenghua; , Dr. Liu Yushan, a special painter of Guangzhou Painting Academy, and other five provincial university teachers, the art works of universities in the province show the results and future of Guangdong's art development.

Five participating teachers are active on the front line of art education, and have made many efforts to the inheritance and development of Guangdong's art industry. Each preaching, teaching, and solving confusion. While teaching books and educating people, they insisted on the persistence of art. At the same time, Tao Liman's world has also been improved. This exhibition exhibited their art works in recent years, showing the superb art level of Guangdong art masters.

In 1921, Xu Chongqing, who loved art and had learned oil painting, was the director of Guangzhou Education Bureau, and invited Hu Gentian, a friend who graduated from Tokyo Fine Arts School to organize a municipal art school in Guangzhou. The Guangzhou Municipal Art School, the first public art education institution in Guangdong and even South China, was established, which opened the first page of Guangdong Modern Art Education.

After several generations of efforts, Guangdong's art development has made rapid progress and achieved remarkable results. Guangdong has become a strong art province in China. The number of winners in various important competitions and exhibitions rises. Behind this, there are the hard work of art teachers. In the past 20 years, regardless of the number of enrollment and teacher quality, Guangdong Fine Arts College also has a leap in common by people. Many academies of the colleges and universities have stood up firmly and brighten the Guangdong art education signboard.

"From the inheritance of the inheritance of masters and apprentices in Lingnan Painting School in the past, to today's thousands of students in Yihai to chase dreams, a generation of famous teachers have emerged in Guangdong, and a number of talents have been cultivated. A major display shows the lineup and appearance of the famous art masters of Guangdong. It is not difficult to know the glorious future of Guangdong fine arts. "Literature scholars, art theorists, calligraphy and painters, writers, collector Liang Jiyong said.

Red is the background color that often appears in Huang Qiming's prints. In this color block that Chinese people love and are not easy to control, he shows a sense of recklessness and space under the warmth. In this exhibition, Huang Qiming's screen print "Midsummer Night", Wooden Watermark "One of the Millennial Lanters", "Three of the Old House", paper color "Pavilion Qingju" and other works. The kite in the sky, a slightly black Chinese painting line, divides the space properly. In the eagerness of Cuming Sky -style, the occasional showbirds and bonfires reveal a Chinese -style mystery.

one flower one World. The exhibition exhibits works such as Wan Weimin's paper color "One Flower and One World", "Luoyang Belle" and "Lan" and other works, which shows the painter's intentions for each flower. The lotus flowers in his pen are gorgeous and soft, and the viewer can't help but be attracted by the exquisite lines in the painting; the peony in his pen is rich and graceful, and Yanglan is strong. He sang between each flower, and it is not difficult to see his praise of life and the control of pen and ink.

Huang Binhong is a peak that is difficult to learn and crossed. In modern times, in addition to Lai Laoqi, rarely can get out of its martial arts. From the end of the Ming Dynasty, Chen Yining begged Huang Binhong's source of the source, and gradually found out his appearance. On the scene, Chen Yining's paper set "Li Ri", "Liyun", "Kong Zhigui Poetic" and other works. The viewers could feel her intention of accumulating ink and cherishment.

Entering Ye Zhenghua's paper color "Calm Map", "The picture above", "Only Moms in the World" and other works, people see the painter's "naughty" side. On the one hand, he was very "traditional". He came home and went home, penetrated into the four monks, and could even be confused. Shi Tao's smoke and clouds, the elegant fantasy of the Jiangxi, came to his hands. However, he added a variety of fantasy backgrounds. The lively golden tulberry often dances between Shi Tao's mountains, sometimes adding some Cantonese slang inscriptions to make the picture fun.

Liu Yushan learned to paint in Jiangnan with a lush Wennan, and was influenced by the two generations of ink flowers in the Ming and Qing dynasties. She came to the wet flower country of the soil and soil of Lingnan. She tried to use Jiangnan's pen and ink to interpret the flowers and fruits of Lingnan. At the exhibition site, her paper and ink, "Torch", "Optimus", and the paper color "The Great Mountains and Mountains" showed a unique style. Different from the Lingnan School, she uses more ink language and uses Wumen's law to join the delicate female painters. The changes in ink lines have increased the breath of Jiangnan's cultural heritage, making the viewer seemed to see five colors. (Wen Qiuyuan)

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