Guizhou Qiannan: "Painting" says new life

Pingpo "嘚 平" is translated from the Lubei River dialect in the western dialect of the Miao people in Guizhou, which means "flat slopes" and "Pingpo Miao painting". This kind of painting style is simple, colorful, full of composition, and exaggerated shapes. It is a kind of artwork with strong national characteristics. Pingpo Miao painting has the East "Picasso" and "Matisse". There are three common patterns in Pingpo Miao painting: fish patterns, vortex patterns, and return patterns. These patterns are generally in the Miao clothing pattern, which records the history and desire for water by the Miao family. For hundreds of years, in order not to forget the migration history of the Yellow River across the Yangtze River, the Miao artists depict the past and present on clothing, walls, and paper with unique graphics. For a long time, the Pingpo Miao Mass painter has adhered to the concept of "painting mountains and painting, drawing yourself, drawing life and painting life", and created unique folk art works.

Pingpo Village is located at the northernmost town of Zima Town, the Miao Autonomous Prefecture of Guizhou Province, Guizhou Province. The Qingshui River and Nanming River are intertwined here. The Miao masses of Pingpozhai, Langzhai, and Changzhai actively develop the national cultural industry. Nowadays, the sales of Miao painting exceed more than 10,000, and the sales amount is nearly 1 million yuan, which has become an important channel for the income of the masses.

Pingpo Village has won the honorary title of "Guizhou Province Civilization Village" and "Guizhou Folk Culture and Art" in 2016 and 2018. The 90 -meter -long volume "Splendid Miao Township" created by the Miao people was collected by the National National Cultural Palace.

Recently, when the Guangdong Provincial Social Workers and Volunteer Cooperation Promotion Association came to Longli County to conduct research and counseling on deepening and expanding the construction of the Civilization Practice Center in the new era, they found that every corner of Longli had different beauty. The scenery of the scenery is also the living environment of the broad masses, revealing a unique local customs. Among them, the unique charm of Dragon Pingpo Miao paintings made them very admirable. They classified them into "Miao Family Memory", "Miao Township Style", "Singing Songs and Dance Celebrations" "Happiness is struggling" "Draw a new new The six series of life of life have been widely shared to readers to readers.

1: Miao family memory

"The Bird of the Gulf": The birds are regarded by the farmers as spring birds, auspicious birds, and happy birds. Its call represents spring, hope, and happiness, and also implies that the working people are time to cultivate fields and sow. Lan Ting Yingti

The Miao people here are hardworking, simple, and enthusiastic. In the seasonal season, women began to make traditional clothing. When waxed or embroidered, they first draw the Miao patterns. Later, some clever girls who were cleverly engaged in painting patterns would spread this style of painting from generation to generation. The eclectic Miao artists depicts the ancient legends, folk stories, ethnic festivals, life labor, and the development and changes of their hometown of their hometown, and have achieved unique flat -slope Miao painting today.

Part 2: Miao family style

"Miaojia Rice Fragrant Wine": Miaojia rice fragrant wine is very popular because of strong aroma and various effects. Its brewing process is strict. The six processing processes of watering and boiling wine can be made to make the purest wine. Lan Kaicui

This is a group of Lotte people who praise life and praise life. The cultural genes flowing in the blood flowing in their blood. The artists will integrate the longing and wishes of the beautiful life and wishes to the paintings. The exaggerated lines and enthusiastic strokes inherit the cultural memory of small flowers and show their unique Miao family style.

Chapter 3: Songs and Dance Celebration Festival

"Welcome to the Spring Festival": Winter goes to spring and happy, everyone gathers the moon. The winter and spring are here. In order to celebrate the arrival of spring, the masses gathered together, dressed in dresses, and came to the jumping moon field. The male compatriots blew Lu Sheng. Dance. After a while, it flickered into a circle, flickered open for a while, and then gathered in a row, and dancing back on the ground for a while. The scene was lively. This is the way the masses celebrate the Spring Festival, praise a better life, and wish the year of the next year, or a platform for the unmarried men and women. Lan Kaicui

Washma Town Pingpo Village is a settlement of the "Little Flower Miao" in the Miao branch. There are colorful ethnic festivals and cultural activities such as Miao cows, jumping month, April August, June 6th, and eating new festivals. The endless source of creation is taken. Every festival, the masses gather together to sing and dance, praising a better life.

Fourth: Happiness is struggling

"Steamed Pear Yellow": The pear is yellow, the fruit flavor, the Miao family girl picks it busy. The autumn came, and the fruit was full of fruit. In the pear in the mountains, the golden pierce pear was covered with branches and fragrant. The children of the Miao family shuttled in the ground, dancing with both hands, and putting pears into the frame, full of joy in her heart. Hou Minghui

Because of the remote place, the masses' ideas are blocked, economic backward, and the environment is messy. However, in recent years, with the launch of poverty alleviation, rural revitalization, and the development of civilized practice in the new era, there have been tremendous changes. Now the industry has developed new development, the environment has changed greatly, and the people's thoughts have also reached a new level. Various volunteer services such as "breeding management", "pig affairs", "full art", "hometown beauty" have greatly stimulated the motivation of the people in the masses, and inspired the masses to continue to struggle to create a better life.

Fifth: Under the joint efforts of drawing a new life in the dry group of Washma Town, the living environment has improved, the life is convenient, and the people of the masses are getting better and better. In order to promote the party's innovation theory "flying into the home of ordinary people", washing Ma Town focused on creating a "Qianyun Rap" project, adopting cultural, popular, localized, living, and specialized rap propaganda methods, through Douyin, WeChat The promotion of online media such as video numbers not only spread new ideas, but also promotes the revitalization of Miaoxiang culture. At the same time, carrying out the "painting new life" beautiful rural construction volunteer service project, which also allows the masses to get the theoretical propaganda in learning painting. In the process of mutual assistance and cooperation Create a harmonious and friendly rural atmosphere.

Chapter 6: Sentence

"Oil Road to Miaojiazhai": Nowadays, the scene where people pick the horse on the mountain road no longer exist. The remote and occluded mountain villages ushered in tremendous changes. Under the government's vigorous implementation of the highway and optimization project of the "Village Village Oil Road, Village Village Passenger Transport, Group Tong Highway, Village Road Hardromizing", "Xiaokang Road" has been practiced in Miaojiazhai, and the people well -off in the mountains are unblocked. Dream "Heart Road". During the epidemic, medical staff set up an epidemic prevention and control card point on the oil road, carried out epidemic prevention and control work, entered the village to disinfect, preach the knowledge of epidemic prevention, implement various prevention and control measures, and build a traffic defense line for prevention and control. Lan Guangying

In March 2021, the Miao Painting Cultural and Creative Studio of Pingpo Village was officially unveiled. The artist team has reached more than 100 people. It has trained a group of Miao painting successors with "wide vision, wide thinking, understanding of technology, and operation". The artists not only paint on paper, but also use seedlings as the art form of dressing up the village, and use the rural environment that everyone co -build and build as the "gallery" and "painting board". The spiritual service spirit of dedication, friendship, mutual assistance, and progress "is transformed into an endogenous motivation for village development and the progress of the people. Through the brushes in their hands, the artists incorporated their thoughts into an artistic work to express their gratitude to the Communist Party, their love for the motherland, and their wishes and praise for a better life.

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