Huige Sharing: "Oriental Jijin -China and South Korea and Japan's Ancient Bronze Exhibition" Japanese and Korean unit

Author:Music club Time:2022.09.12

"Oriental Jijin -China, South Korea, Japan and Japan's Ancient Bronze Exhibition"

Japan and South Korea unit election

Huge Sharing

The "Oriental Jijin -China -Korea and Japan Bronze Exhibition" hosted by the National Museum of China, the National Central Museum of Korea, and the Tokyo National Museum in Japan opened at the National Museum of China.

The exhibition is divided into three units: "Ancient Chinese Bronze Culture", "Ancient Korean Bronze Culture" and "Ancient Japanese Bronze Culture".

The bronze Ding, square pots, and chops during the Spring and Autumn Period of China, representing the swords, fine -grained mirrors, clocks of Korean bronze culture, bronze, spear, swords, mirrors, etc. from Japan, such as bronze wares treasured by China, South Korea, and Japan. About 50 types of boutique cultural relics have fully demonstrated the cultural traditions and scientific and technological achievements of the three countries, and reflecting the long and extensive and closely exchanges and mutual learning between the three countries.

The "Ancient Chinese Bronze Culture" unit showed several representative bronze wares unearthed from the Tomb of Caihou, Shouxian County, including Ding, 簋, Zun, Jian, 缶, Fang pot, and chime, which explained the deep connotation of the pre -Qin Dynasty ritual and music civilization. The "ancient Korean bronze culture" unit presents the birth and development of Korean bronze culture. The "Ancient Japanese Bronze Culture" unit focuses on the development trajectory of ancient Japanese bronze culture and its exchanges with the bronze culture of the Chinese and Korean Peninsula. The key exhibits include bronze Duo, wide bronze spear, pheasion, and bell bronze bracelets.

Ancient Japanese Bronze Culture Unit

This unit focuses on the development trajectory of ancient Japanese bronze culture and its exchanges with the bronze culture of the Chinese and Korean Peninsula. Key exhibits include bronze Duo, wide bronze spear, pheasopoline, and bell bronze bracelets.

The development and evolution of copper products represented by bronze in ancient Japan, under the exchange and influence with the Chinese and Korean Peninsula, chose to choose from, and then formed a development process with its own characteristics.

In the Japanese islands, the use of metal wares represented by bronzes began in the era of Miya. During this period, bronze casting raw materials such as copper, tin, and lead are derived from the Korean Peninsula and China. In the early stage of the ancient tomb era, bronze mirrors, arrows, cylinders, vortexes, etc. can be used as funeral items in the tomb. Bronze mirrors assume important functions as a symbol of identity.

From the middle and late period of the Mi Sheng to the beginning of the ancient tomb era, the Chinese bronze mirrors of the Han Dynasty, the Three Kingdoms, and the Six Dynasties continued to enter the Japanese islands in large quantities, and a large -scale imitation wave was risen on the island.

After the introduction of Buddhism in the mid -6th century, the Japanese nobles and local heroes led by the emperor began to build temples on a large scale. Therefore, copper was not only used to make architectural components, but also to make Buddha statues and Buddhist appliances. At the same time, the currency began to use, and the earliest circulation currency in Japan (708), the same year (708), began casting and issuing Tong Kaizhen.

Attached Bell Bronze Bracelet Japan

In the middle and late period of the ancient tomb (AD 5-6)

Bronze

In the middle of the Miya Time in Japan (2nd BC to 1 century BC)

Maki -cho, Kuraki City, Okayama Prefecture, Japan unearthed

Tokyo National Museum Collection

Copper Duo is a bell -shaped bronze sacrifice. It is used in the sacrifice ceremony in the settlement in the middle and late period of the Miya era (2nd to the 3rd century AD). Different from the distribution of weapon -shaped bronze wares, Tongduo is mainly distributed in the Kinki region and the East China Sea in the middle of the Japanese islands. The decorations of Tongduo are similar to the decorations on the pottery and wood products in the same distribution area. At the same time, the zigzag pattern and continuous vortex of the triangle composed of tongue are considered to be unique. type.

The ancestral source of Tong Duo in Japan can be traced back to the little Ton Duo on the Korean Peninsula. The earliest Tong Duo on the Japanese islands bears the function of musical instruments, suspended Tongduo, and made a sound of the stick -shaped tongue inside it. However, in the late period (AD 1-3), people paid more attention to their appearance, so Tong Duo gradually changed to a larger and gorgeous direction. This piece of Tong Duo, which has both musical instruments and sacrifice functions, can reflect its transition state in the process of functional changes.

Ancient Korean Bronze Culture Unit

Focus on showing the birth and development of Korean bronze culture. The key exhibits include lacquer sheath bronze swords, the earliest Goryeo Clocks, the largest bronze incense furnace in the Goryeo era, and the currently preserved and earlier Korean bronze silver Enter the silk incense burner.

The use of ancient Korean bronze began around the 15th century BC. After the 12th century BC, the pipa -shaped copper sword spread widely to all parts of South Korea. Around the 4th century BC, with the popularity of fine copper swords, South Korea's bronze culture reached its peak.

The bronze in the Bronze Age of Korea uses the sword as a bulk. The multi -button bronze mirror and a variety of bronze bells are also important features of Korean bronze culture. In ancient Korean society, the bronze sword symbolized political dominance, while bronze mirrors and bells symbolized sacrifice power. These bronze wares often appeared in ancient tombs, indicating that the society had formed a power structure of sacrifice at that time.

With the introduction of new iron culture in the middle of the 3rd century BC, the Bronze Age of South Korea gradually declined. In the era of the popularity of Buddhist beliefs, in order to pray for the happiness of National Antai and individuals, people generally support Buddha. Various supporting tools such as incense burner, net bottle and candlestick are mostly made of bronze. During this period, when the craftsman made bronze crafts, he flexibly mastered the silver -entering wire technology, showing the originality of the Korean culture itself.

Bronze incense burner Korea

During the Korean era (1392 AD -1910)

Bronze Fragrant Furnace

South Korea ’s Goryeo Times (AD 918-1392) unearthed from Chingzhou, Zhongqing North Road, South Korea

South Korea's National Qingzhou Museum Collection

This bronze incense burner is a large one of the two fragrance stoves unearthed from the Temple of Sizha Temple in Qingzhou.Under the width strings on the body, the cloud -shaped beams are attached to the beam, and the ends of the lifting beam are lotus flower buds.The lid is hemispherical, carved out of the shaped cigarette holes, and the top of the cover is attached to the orbal button.This kind of incense burner has not yet discovered in other countries in the same period. It is Goryeo's original incense burner. It is used with incense and Guangmingtai in the Mita Society and other occasions.This is the biggest bronze incense burner in the Goryeo era, which has so far, and is also a very beautiful style.

Multi -button fine -grained mirror South Korea