Gao Yanjinzi and her dance group must dance

She was invited to create a dance drama by Pina Bosh; she performed hundreds of games in the most mainstream theater in Europe and the United States with the dance troupe; in 2006, she was 29 years old and created the "Three more rain · wishful wish · wishfulness. 》, Flowers, birds, fish, fish, worms, and grass with the mysterious and energy of the oriental and energy, interpret the fifth reincarnation of a newlywed woman's soul -dancers are like gods, penetrate a flower, a grass, a grass , A fish, a bird, and even the body and soul of a mosquito, shake the audience. Since then, the dance drama has lasting, and the filmmaker Cheng Qingsong said that he watched it 9 times.

Now, because she can't afford the rent with her dance troupe, she can only say goodbye to the rehearsal hall for 8 years and choose a wandering.

She said that the dance troupe would not dissolve. "Without the venue, we can be a walking group. People are there, the dance group is there. Without a stage, we can dance everywhere."

Wen ｜ Zhai Jin

Edit ｜ Fish Eagle

Figure ｜ Interviewee provided

Farewell to the wheelchair

Gao Yanjin pushed the wheelchair to the center of the rehearsal hall. She led a large blue plastic bag balloon, like a sky. In the low cello music, she took a week around, staring at the space with one inch, a solemn expression, without her consistent smile. String like weeping. The sky was darker, and a heavy rain fell.

This is a painful performance. Gao Yanjin's injured right leg was tied to a black bracket, and every time he moved, the viewer's heart moved. At first, she sat and danced, pulled the balloon in front of herself a little, and pressed herself into the balloon hard, but the balloon ran away, and she laughed, like a game. But with the repeated closer and letting go, the game became a fight. A audience said it was like a breakout in the uterus.

She sat in a wheelchair, lay down in a wheelchair, stood up and leaned against the wheelchair, then she left the wheelchair, died on the ground, and continued to dance.

On both sides of the rehearsal hall are full of people who care about the dance troupe, including Jiang Wen, Huang Bo, and Zhou Guoping. Jiang Wen was named a few words. He was late and said he didn't see enough.

This is a farewell performance of the Beijing Modern Dance Troupe, bid farewell to Fifth Fifty Village of Northeast Fifth Ring Road, they rented the group site and rehearsal hall for 8 years. Over the past 8 years, the rent here has doubled. Under the epidemic, the performance of the dance troupe frequently suspended and lost income. After renting for 8 months, I tried to do my best self -rescue methods, and the dance troupe could only leave.

Gao Yanzi, who was injured in the knee, was the head of the Beijing Modern Dance Troupe and the artistic director of the Beijing Modern Dance Troupe. She said: The dance troupe will not dissolve, but just wandering. "Without a venue, we can be a walking group. People are there, and the dance group is there. Without a stage, we can dance everywhere."

This is her stubbornness and reluctance.

Gao Yanjin's farewell performance dance

From 1995 to the present, she has experienced 27 years with the Beijing Modern Dance Troupe.

At the age of 19, Gao Yanjin graduated from the first director of the Beijing Dance Academy. He graduated from modern dance and created the Beijing Modern Dance Troupe with seven students. Ou Jianping wrote in "Sixty Years of Modern Dance in China": "The establishment of this dance troupe has ended the tragedy of" modern Beijing without modern dance groups "."

Later, the artistic director and the head of the group left, and the old classmates left, but Gao Yanjin stayed. As soon as it is, she has also been the artistic director and head of the group for more than ten years. She has created "Three more rain · wish", "dust", "boundary", "water and question" Four solar terms, "October · Spring Festival" and other works at home and abroad. She is good at using Oriental symbols and images, and Zhou Guoping has evaluated her work "Ghost". These works are also evaluated by the outside world: "Always exude the mysterious energy of nature. What is amazing is that every time she turns around, she completely breaks the limitations of traditional, modern, oriental, and western. There are many ends, the stage always surpass imagination. "

She was invited by Pina Bosh to create a dance drama; she took hundreds of dancers in the most mainstream theater in Europe and the United States; in 2006, she was less than 30 years old. Wish, the theme of that year was "soul", and she interpreted the fifth reincarnation of a newlywed woman's soul in the form of flowers, birds, fish, worms, and grass - Enter a flower, a grass, a fish, a bird, and even the body and soul of a mosquito to shake the audience. Since then, this dance drama has been enduring. After repeating the year, the filmmaker Cheng Qingsong watched it 9 times.

Gao Yanzi regards the Beijing Modern Dance Troupe as the most important and complete river in the history of modern dance in China. Some people say that this is the Huangpu Military Academy in the modern dance industry. Many people pass here and leave here. Venus is the first artistic director of the Beijing Modern Dance Troupe. Tao Tao, the founder of Tao Sports Theater, was the dancer of the Beijing Modern Dance Troupe.

However, the three -year epidemic has pushed the dance troupe that has survived for 27 years to the edge of San. In May of this year, the dance troupe opened the whole meeting. Gao Yanjinzi had a frank situation: no money was paid, and he could only pay social security and pay basic salary; She asked everyone if everyone was walking or staying.

Dancer Liu Baoiu looked left and right, no one spoke. In that atmosphere, the silence of a second was uncomfortable. It wasn't until Gao Yanjin asked everyone why he didn't speak, and Liu Baoiu stated that he would not leave. After him, everyone also stated that he was willing to spend difficulties with the dance troupe. Liu Baoiu wanted to help Gao Yanzi, help her drive, and rehearse early every day. But a month later, he left the dance group. In those days, Yang Liping disbanded the reflection of Yunnan, and the Modern Dance Troupe Tao Body Theater also announced the dissolution (after restarting in early August).

Beijing Modern Dance Company Farewell to Performance

Must dance

The Beijing Modern Dance Troupe is not the first for the first time.

In 2005, Gao Yanjin served as the artistic director after the two directors of Venus and Cao Chengyuan left. At that time, the dance troupe had already restructured, and it was not easy to operate.

In 2010, the head of the regiment Zhang Great Wall wanted to turn off the dance group, and Mizuko took over the head of the regiment. She asked if she could give her the ground gels in the rehearsal hall, who knew that the glue had reached the rent. She took the brand of the Beijing Modern Dance Troupe and the four people who were uncertain, "going out of the house."

Without funds and no rehearsal halls, she wandered with the dance group for five years and called people to borrow the venue every day. The actor waited for her to notify her every day to say where to jump.

But for Gao Yanjin, the essence of dancing is freedom. So they jumped in the mountains of Guizhou, jumped on the roadside, jumped on the Great Wall, jumped in the desert, jumped on the pebbles in the river, and jumped in a regular conference room. There is nothing to block dancers dancing.

The dance troupe is wandering, and the actors are scattered, but they have created important works such as "October · Spring Festival" and "Twenty -Four Genesis", which breaks through the restrictions on the small theater of modern dance and evolved the National Theater. Essence Gao Yanjin also applied for funding from the National Art Fund, and the dance troupe was able to have a fixed settlement in Feijia Village outside the Fifth Ring Road in Northeast China.

When renting this venue, Mr. Gao Yanjinzi was also the art director Liu Qinghua of Jiang Wen's film "One Step" to design this space for a month. It has a wide, tall and bright rehearsal hall, black and white and gray tone. The room and the room are all connected. There is a wall in each room, including the office -they are waiting for the requisitioned rehearsal hall at any time. You can make independent dance and double dance when moving away. One space was brushed into green, and there were many colorful retro glazed lanterns hanging on the top. Each was different. It was bought by the dancers at the time to give it to the dance troupe.

Everyone is happy when there is this venue, just like having a home. Gao Yanjinzi described this: "Modern dance troupe is an island, and the dancers are some wild birds stopped on this island. We are self -sufficient. Everyone cooks together every day, eats together, dances together, and creates together. "

But now, the rain is leaking everywhere, and the floor is tilted. The floor in some places has been picked up. After the rain, the aisle has several pins and buckets of water. The water pipe in the bathroom also nourishes water. In July, when I interviewed Gao Yanjin's office, the ceiling was dripping. Dancers have long been used to it.

Originally, Gao Yanjin also considered whether to repair the heating or the roof first. But the epidemic was not over, and the dance group could not afford this space.

Gao Yanjinzi with Dance Company Rehearsing

Golden age

During the farewell, the dancer Chen Jiaxin and Tian Kai co -starred. On the chair beside the gray wall, Chen Jiaxin gradually lost all his strength. Like a piece of paper, he slipped to the ground. Tian Kai wanted to help her, failed, and he picked up her again. Then, the two stood on the same chair, approaching each other, and rejected approaching.

Zeng Jin walked to the court with his suitcase, and he suddenly read a song "Jing Ye Si" to open his impromptu dance. Later, he stuffed his leg into the suitcase.

Zeng Jin came into contact with modern dance at the university. The former executive art director of the Beijing Modern Dance Troupe is his university teacher. The teacher will talk to Zeng Jin, the dance group goes to the grassland to dance, strip the clothes, and order the grass next to the side, jump on the side of the fire; Essence At that time, he felt: the original dance could still dance like this.

Chen Jiaxin graduated from college in 2018 and is the oldest dancer now. She was called her brother and sister in the previous dancer, saying that it was because of seeing the dancing of my brothers and sisters, pure, confident, and independent thinking before joining. She also wants to grow like that.

At the beginning of the group, Chen Jiaxin liked Gao Yanjin very much, and liked her "Three more rain · wish". She liked her to talk about the artistic concept. When she spoke, Chen Jiaxin felt that she was magical and could drive her to feel the picture. She found that Gao Yanjinzi would enlarge the advantages of each dancer, "enlarging to this dancer only belongs to herself." Chen Jiaxin has a kind of heroic spirit. She looks soft and soft, but she has a strong explosive power. Gao Yanjinzi will put her characteristics in her work. In "Three more rain · wish", Chen Jiaxin plays the fish. When Gao Yanjin rehearsed to her, the first sentence said: "The fish is like the queen in the deep palace, and the deep palace is the endless sea. "

Chen Jiaxin plays fish in "Three more Rain · Wish"

Tian Kai had previously cooperated with other dance troupes with foreign directors. But he prefers the implicit and reflective choreography in Oriental culture. He felt that Gao Yanjinzi was the most mainstream, western -style modern dance art. He felt that Mizuko could return dancers to the most sensitive and vitality state, so that everyone could forget some overload information, symbols, and traffic. But in the dance group, the dancer's liquidity is too great. Zeng Jin is 27 years old and is already the oldest actor in the group. He has gone one after another in the past two years than his older dancers. "I can see the energy that I go up in them, which is especially good. Now (feel) go down, a bit collapsed." The most stimulated part of him was to learn from each other with the actors, test himself and the other party Good at, you learn his movements and skills, he learns you. But now the dancer feels like going to work. After practicing, it is over, and go back to their own lives.

Chen Jiaxin loved the Beijing Modern Dance Troupe a few years ago. Everyone danced on the desert, a few degrees below, hugging heating, hiding in the sand pile, and felt that it was going to die in the desert, but it was beautiful, and I forgot everything.

Gao Yanjin also said that when the dance group was the best time from 2014 to 2018, the wandering just ended. The original actors were gone. Gao Yanjinzi began to find an actor. Dance, some have not even played the foundation of dance. She taught what she thinks is a good dancer, "I am proud, I can change them, and it looks like I think there should be a dancer."

Everyone created "First Love" and "Zodiac Zodiac" together. For everyone at the time, "dance is life, dance is life." Reading every morning at 9:30 in the morning, she asked everyone to carry and copy the Tao Te Ching, the Heart Sutra, and the Diamond Sutra. However, she believes that the dance jumps later, not by action, but supporting the support of her life to express joy, sorrow, sorrow and joy, seven emotions and six desires.

Gao Yanjinzi dancers throw a question about dancers every day, so that everyone will be improvised, and everyone will not rehearse the dance group as a job. Many of the currently active modern dancers come from that stage, such as Dazhu, Xiao Fuchun, Gong Zhonghui, Chen Zihao, etc.

When the dance educator Yang Meiqi visited the Beijing Modern Dance Troupe in 2017, he saw that there were 14 or five dancers in the rehearsal hall. "I saw a action design with a strong emotional expression. Both dancers and music were invested in a kind of release from the inside out ... The design of several groups of double dances and improvisation were very exciting. The ability to change potential and control the body's space is in a strong growth period, and I long for more support. "

Stills of "Twenty -Four solar terms"

To practice, you still have to become famous

Now there are only six dancers.

More than one person mentioned the boy who had been in the dance group for 10 years. He danced first, and then he was old, and he was in shape. He became administrative. After his family was sick, he left the dance group. When everyone mentioned him, there was a kind of self -injury: there was no money, no their own works, and I have been paying for the dance troupe, leaving the dance troupe nothing.

In the first year of the dance group, the salary of 5,000, Chen Jiaxin's parents would give her living expenses. Being a modern dance and art, she has been ready for no money. She thought that when he came to the group, he came to learn and create. At that time, the dance troupe would have cross -border cooperation, and she would continue to create new dance dramas. Without the money in the group, she went outside to earn money to support herself.

But now, when the dance troupe is facing a crisis of survival, creativity is bound to give way to survival. Many dancers mentioned that everyone practiced solidly before, and could create five or six small works in a week, and has been creating new dance dramas. The source of income, rehearsal has also become the dance group's Douyin live broadcast.

The sense of crisis of the dancer is that if the others were abandoned at the beginning, just to pursue art to come to the group, then there is no good creative environment and what is the foundation left by the dancer?

Gao Yanjin was rarely angry. "We have to think about how a collective difficulty is, and this family is gone, so we have to move. You said that we are going to talk about the excitement of creation now, do you mature?" She hoped that the dancer would be the closest to her, You can also consider the survival, transformation and development of the dance group. "So a lot of (online) classes, my legs are jumping, and I have made summer classes. These are to pay for everyone ..." She couldn't find a suitable word for a while, and it was very wronged: sometimes I feel so lonely.

The predicament of young people is equally real.

At the repeated stage of the epidemic, the dance troupe only received the basic salary of 1,600 yuan in two months. At that time, Zengjin rehearsed the end of the day and would go to takeaway. He rode a cool motorcycle. When he was good, he could earn two or three thousand a month, but it rained once, and the mobile phone was spoiled.

"They could do something else to support dancing, and did not say that I showed a dance to show off, squander, and danced." Gao Yanjinzi sighed. She recognizes the dancers to send takeaway and recognize the teaching lessons, but she is not allowed to participate in variety shows, or in private to perform business performances and dance, because she feels that this will disturb her pure heart when dancing.

The young dancers considers personal development and hoped to have their own works and stage. I hope to be seen. Gao Yanjinzi said that it can be understood that it is "the mentality that will have this age", but I think this is a process that is not mature enough. Essence She asked: Why is that jumping like that is to be seen, it is her sense of accomplishment, and isn't it seen in the dance group? Gao Yanjinzi often has the most pioneering artist in Beijing. She won the prize at the time of the competition, and someone reminded her: "I don't worry about you will be found, you will have a lot of opportunities, but I want to tell you that you have to make a selective subtraction from all the things now. . "She pushed a lot of interviews and did not make herself into a star. At that time, the Spring Festival Gala invited the Beijing Modern Dance Troupe every year to dance, but she refused because "our modern dance does not dance with dancing, we can't let others know modern dance: (see, they) are dancing with dances." Essence

A master's dissertation written in Gao Yanjin mentioned: "For Duncan, dance is free; for Martha Gryem, dance is a fight; for Nikkinsky, dance is a ritual; and for the ritual; and For Mizuko, dance is a kind of practice. "

Perhaps because of this, she did not agree with the dancers to participate in and participate in variety shows. She feels that the judges of variety shows are not suitable judges for modern dance. If you come back to the prize, there is no meaning to the dance troupe. "The stage will not recognize your award.

She felt that there were too many things outside the dancer, and she would come up with complacent things, and collective cooperation would become worse. "I don't want to turn the dance group into a special personal utopian and ideal venue. That is too narrow." Gao Yanjin explained. Her bottom line is to let the dancers dance well. If you don't dance well, it won't work.

She regards the dance group as an energy dojo. Dance in the group will forget me and give it unconditionally, but leave the dance group, which is particularly easy to smaller, limited, and will be complacent for personal achievements. She thinks that her personal consciousness is limited and maintains limited accuracy, and there are too many interference and temptation in society. I have to learn to survive, talk about the price, choose projects, and do not discipline it. Become a dance star -this is two different things that the "dancer is the dancer". "The original dance troupe was filtered. I was talking about it. It was a stage for you. You just need to jump and open your best state.

Not everyone believes such a standard. Some dancers will feel that they have been abducted by "love for art" -if you make a lot of money, get more and more beautiful, live better and better, and more and more cooperation outside, you will not be a "soul dancer" Yet?

As the survival of the dance group is becoming more and more difficult, the dancers also have their own sense of crisis. They feel that they must be independent. If they always shrink under the umbrella of the dance troupe, they will not be able to karma.

Tian Kai had long thought about one thing: the performance in the group was Gao Yanjin's work. As a dancer in the group, he wanted to show it well. But outside of this, he has to have something to belong to himself. Just like a company has a product. "Since everyone does modern art, then I will respect myself."

This is also doomed to weaken a lot of functions in the group. Previously, Gao Yanjinzi asked him to be the captain of the dance. He pushed it off. Later, he also withdrawn from the teaching department. He originally brought three classes, and Yao Chen was among the students.

Dancers will feel that the dance group does not give him hope. He spent several years, and his salary has not changed. These dancers now have about 6,000 wages, including Mizuko themselves. In the past two months, because the dance troupe has opened more classes, there are also some live broadcasts. Everyone's salary plus commission can have 10,000 a month. This is still difficult to live in Beijing.

Regarding the confusion of the future, it seems difficult for everyone to communicate with Jinzi openly, "everyone is more hidden in front of her."

Perhaps the gap between the times really exists. After all, Gao Yanjin's youth is very different from the reality facing the young dancer today.

Feng Xiaoshe is a friend of Gao Yanjin for more than 20 years. From the 1990s to the early 1900s, a group of friends often gathered, and everyone conducted experimental exploration in their respective fields. The rock pioneer Cui Jian participated in the party, Liang Heping, who was a jazz, Zhao Li, who covered Teresa Teng, a philosopher Zhou Guoping, host Zhang Yue, and so on. Everyone went to the mountains, dancing and singing and climbing and swimming.

Every time I go to dancing, Feng Xiaoshe said that as long as she dances, she will have high energy on the entire scene. "Although Izuko is younger than us, her spiritual temperament is obtained from that cycle. For the expression of ideals, life, freedom, spirit, and creation, she has inheritance and caring. Character. "

Gao Yanjinzi Dance Photography/Zhang Heping

Selling lessons, live

In the farewell performance, Gao Yanzi especially thanked the two people, one was Fan Deng and the other was Guo Hong. The former encouraged her to accept online channels, and the latter helped the dance troupe to develop and distribute dance courses.

In April of this year, when Gao Yanjin was isolated at home, he opened a live broadcast of Douyin and taught people who were trapped in the epidemic. Douyin officially asked her to wait for ten days to come back, designing her first game, pushing her traffic. She struggled for two days and decided not to wait. She said that she certainly hopes the official promotion, but also feels that at this moment when countless people are trapped in their homes, the value of dancers stands out to dance than everything, about hope, belief and freedom. Talking about design and equivalent traffic, "too planning, I think to do the right thing first." In early June, Gao Yanjin called the Dance Company consultant meeting. Cui Jian, Zhou Guoping, Liu Sora, Zhang Yue, Feng Xiaoshe ... Zhou Guoping hadn't gone that day, his wife Guo Hong went, Cui Jian and Liu Sora participated online. The status quo of the group, how much money it costs every day and how much money it owes. She was worried that the dance group would fall in advance.

Cui Jian's agent contacted the WeChat video number, but the other party said that modern dance is not easy to attract investment, and the song is high and widow. Guo Hong proposed to start class, and it must be bigger. Gao Yanjinzi asked, "Can you do it? I don't have confidence, I don't know if we can be the public." "I can do it, because there is no real artist to issue this class." Guo Hong was very confident.

Zhang Yue, the host of "Half Sky", said, "Jinzi, this is good, I have retired, you let me dance the square dance, I can't accept it, but you let me dance modern dance, I think I have a way out ","

Guo Hong stood up and said that he could help promote the operation. A friend teased: "Your biggest gain for so many years is to know Guo Hong. She can do (Zhou) Guoping (new media operation) so well. You are easier to hold Guo Hong's thighs. ! ""

Jinzi joked with Guo Hong: Her consultants, many big coffees, understand her very much in art. Every time I listen to everyone, I give her an idea. "I went home with Xiangyun. Hungry (laughs). "

After thinking about it for a month, Mizuko was determined to do lessons and sell lessons. She went to Guo Hong's company to discuss the rhythm, duration, number, and pricing of the course. After the sample of the first lesson came out, she sent it to her friends. A friend who filmed a documentary said that it should be more beautiful and more close -up. Guo Hong persuaded her: We are not doing "China on the Tip of the Tongue", we are making recipes.

In this process, Guo Hong felt that he "pulled her down from the altar" and let an artist transform to do a popular thing. Gao Yanjin said that the dance troupe performed a performance at the auspicious Grand Theater. After all costs were deducted, the dance troupe income was only 2,000 yuan. Guo Hong said, "We sell ten dollars in ten lessons. It is worth making energy on this? In terms of economic income, the most important thing is to survive. "

Once Gao Yanjinzi filmed a sample of the course in the dance group, she was very tired and her legs were painful. She heard her knees "click", not good, and the old injury recurred.

In that low atmosphere, she said, "Did I have done the art of half a day, just to be a lesson?"

Guo Hong encouraged her: "You sell lessons to better art in the future and do not sell classes. How do you do it? And first -class artists are doing master lessons to let art touch the public. It ’s the best merit. Classes are the least shameful.” Gao Yanjinzi is also thinking about the meaning of modern dance. She did not recognize the short video platform at first, but now she doesn't think so. She wants to make modern dance awaken more people's bodies and let everyone believe that free dance is like breathing, which is our natural ability.

A few days ago, Gao Yanjinzi and Guo Hong chatted to analyze themselves: A dancing person, "The person who expresses in the most sensitive state of life must continue to be soft to be sensitive." , Manager, the dance group is actually an enterprise. A materialized collective must deal with a lot of problems. "I want to turn my softness into a rational logic, this thing itself is contradictory."

She clearly knows that she is not good at formulating rules. She feels that all rules are inaccurate, and there will be precious places and will be very wayward. She also felt that she was too sensitive and paid too much attention to details.

She is not good at management. This is a huge contradiction that always frustrates.

"She did not enter the professional (managed) track. In modern dance, she is professional, or even super professional. In terms of marketization, she is non -professional." Feng Xiaoshe said, "I don't think she should be made as a group Long. She is definitely a iconic, symbolic, and banner of Chinese modern dance. Now it is wrong to her. Now you let her manage, operate, serve, and support people. For her And consumption. "

Gao Yanjinzi Photography/Ouyang Ming

Support each other

Take the child's cure money to raise the dance group. Gao Yanjin did not expect Guo Hong to say this during the live broadcast. She does not want to talk about the pressure of her personal life, nor does she want her child to become the object of sympathy.

It was her money to give her children to prevent money in the future. The money was not dropped in the past two or three years. I thought it could be transferred to the week after this year's tour, but it was still overdrawn.

A child of Gao Yanjinzi was ill at the age of 8. Can't run, wrestling when you run, often your two legs are all blood. The doctor's reply is, you are preparing to prepare, there is nothing to cure.

At the beginning of 2010, Gao Yanjinzi took over the dance group, "go out of the house, and then take a group of sick children." The child returned to Beijing for surgery from Guizhou. At that time, he did not know that the plane could be on the wheelchair. The two elderly people tied their children to their luggage and pushed them, and supported them beside them. Gao Yanjin was crying, but quickly recovered her consistent smile. "I don't know how much courage at that time, the actors were also losing confidence, and I couldn't believe your status and could still do this group. Wandering for five years ... I don't know, I just came here anyway." In 2013, she went to Canada. Start a lecture, rehearse dance drama, and bring children in China. She called the child and said a lot of "mother loves you". The child only said to her, "Mom, I love you, you hang up, I can't hear, I can only feel you." Because of this disease, his ears were deafening After worsening, it is invisible, can't go, and even stop breathing. She said that she could not plan the future of the dance troupe and could not plan the future of children.

She uses "Three more Rain · Wish" to solve herself. The experience, you choose my mother, you must give me a homework, and you must believe that I can understand your voice.

"Children are the heaviest things she can never remove. Because of your big effort, the child has no way to enter the life track of a normal child." Feng Xiaoshe said. The rest is: Do you want to let go of modern dance, do you want to let go of the dance group?

Gao Yanjinzi did not let go. For a long time, Gao Yanzi and the Beijing Modern Dance Troupe were bound together. This binding sometimes consumes her, but also supports her. She has been dancing, creating, this gives her good feedback. After the performance of the performance, she said that when she heard what the audience said, she was encouraged after her life was touched.

She never thought that there must be a dance group at first, but everyone was gone, and she was reluctant. Every time she danced on the stage of the dance troupe, she thanked the stage. She held up the dance group and the dance troupe was also entrusted her. "I think this group is a soul, it chooses me, it needs these actors, so I will carry it. I think it is under the name of Gao Yanjinzi. This group represents the dojo. Do you have no dojo, where do dance talk about life? "

Everyone leaves, she will be sad, she will frustrate, she will blame herself, and feels that she does not give better feedback. "But when can you give, he has more needs, can you give it? You can't give it. Everyone's life may have their own choices."

When she left every actor, she couldn't wait to write a love letter, just like a broken love.

Whether it is Gao Yanjinzi or other dancers of the dance group, the feelings of each other are complicated. Some dancers say that Gao Yanjinzi is like a mother. You love her and you want to help her, but after trying it, you find that you can't change her -finally have to be relieved a little bit.

On the farewell performance, the gray wall of the rehearsal hall broke a hole in the cave, and a bunch of flowers were inserted in the hole. The water flowed down from the wall and wet the wall. The dancers came out one by one, danced, one after another, and their bodies slowly wet the flowing water on the wall. When each dancer touched Gao Yanzi, Mizuko hugged the other party, and his movements were lingering and stuck. She was continuously supported along the way, and the male dancer raised her and gently put her in front of the next dancer. They embrace, their bodies are on their bodies, warm each other, dialogue, away from and closer, like lovers, like friends, like teachers and students. They have completed a farewell. It is also like opening a new life.

(Head map photography: Ouyang Ming)

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