Guole Live | Yang Chunwei: Live and reward helping Guoshan to "break the circle" to return to the public from the professional field

The picture shows Yang Chunwei, an associate professor of China Conservatory of Music and Director of the Institute of Music of the Chinese Academy of Music

According to Yang Chunwei, in the 1950s, the folk national music masters and capabilities were absorbed into professional music education and music performance groups from the people, and gradually became an important part of professional music institutes. They affected the fields of generations of professional music. Talent cultivation method. Today, Guole Performance returned to the daily life of the public through Douyin live broadcast, which essentially broke the professional music circle industry ecology that has become fixed in the past few decades, and then stimulates the national music works that artists' creations are more suitable for the public.

"Appreciate the reconstruction and formation of the crowd, it will promote or trigger the artist to break through their music style. Guoshan once came from the public and to professionalism. Now facing a broad field of live broadcast again, it is necessary to generate a lot of many fields. The new art ecology. "Yang Chunwei summarized his expectations.

As of August 16, the Central National Orchestra has already had the band chief and Hu Qin player Jin Yan, the chief of the vocal department, the performer Wu Xiangyang, the chief of the Shengsheng Department, and the performer Wu Xuewei, and other 134 artists settled in Douyin and performed 1307 games. , Watching people exceed 711 million.

Yang Chunwei also pointed out that with the help of live broadcast, the traditional performance stage is no longer limited to theater, but can be a scenario that can be arranged in accordance with the aesthetic arrangement of the anchor, such as tea space, exhibition space, and cultural space, and can even return to natural landscapes such as mountains and rivers. "Live broadcast can mobilize different sound fields and environment fields, which is richer and open than the performance on a single stage." Yang Chunwei said.

Yang Chunwei believes that in the face of live broadcasts, artists need to be dual -cultural role of service and leading. How to deal with the relationship and scale between the two is a question that professional performers should think about during the live broadcast. The live broadcast of professional national music artists not only brings new opportunities, but also brings conflicts between "art and life", "mass and niche", "classic and popular". Each artist must find his own critical point in this many opposite and coexistence relationships and make his own choice.

At the same time, the popularity of National Le Live put forward higher requirements for artists. For example, the teaching method in the live broadcast room should be more relaxed and flexible, the narrative method is more personalized, and the teaching logic should be more stringent. "Live broadcast not only reflects the artist's ability and charm of music performance, but also reflects the artist's personality charm!" Yang Chunwei said.

Editor: Yuan Ming

- END -