"Ci Ci": Qian Yanshu's reconstruction of words and physical relationships

The word "Ci Ci" comes from Li Hua's "Yan Yi" "The Ministry of Sinica does not send medicine, please cure the word", which means to remove the disease with the purpose of saying a good way. Qian Yanshu picked up this language in "The Capsule", thinking that this phenomenon of treating diseases is not uncommon in ancient Chinese literature. There are many examples. relation. As for this phenomenon, the predecessors have rarely discussed, and they also ignore the meaning of academic sense behind it. Starting from the word "words", a detailed interpretation of the relationship between words and body can further enrich Chinese aesthetic discourse and provide unique Chinese cases for aesthetic research.

Basis of physical feelings

The connotation of "Ci Ci" excavated by Qian Yanshu involved a lot of connotation. Following the key points, the schedule can be divided into two major problems: one is how the words heal the body, and the other is how the body feels the words. In the face of such questions, Qian Yanshu did not answer directly, but only listed all kinds of examples in the discussion, and sporadically casually criticized to complete his discussion on this phenomenon. However, this is also in line with his discussion style of searching for Bo Cai to show the viewing angle with different eyes.

In response to the concept of the body, Qian Yanshu concluded: "The ancients covered the body and mind, and things were guests." In his criticism, there is no obvious boundary between the body and the heart. For low problems, even further, body and heart are not waiting for containers to be loaded, but the subjects that cannot be divided and have the ability to speculate. Just as he talked about "humanization of literary criticism" in his early article "One Features of Chinese Critical Criticism", ancient talked artists recently took their bodies and made their best through the way of "focusing on appearance". , From near to far, from the table and inside, from the self -body life to the self -bodies' perception and criticism of art. In addition, different from Western literary criticisms to see the body and the article as "parallel binary", Chinese literary criticism does not separate the two, but naturally integrates it.

It is because of this physical concept that Qian Yanshu will pay attention to the body's feelings of words and break away from the romance of being foreign objects and active labor. When Wang Changling and "things" said, "living in the realm, vision in the heart", regarded the body as an important factor in poetry, emphasized the perspective of seeing the body, and treated the body equally. However, Wang Changling's "things" said that it was only a level in his aesthetic photo. It did not magnify it as a characteristic of literary criticism, nor could he see its interaction with words. Qian Yanshu's judgment of the aesthetics of the body, or closer to Merlot-Ponter's philosophical view. From the perspective of Merlot Ponty's body, he also does not separate his body and mind with the two-point method of the master and guest, and proposes that he has some "deep cycle" in the body to reconstruct the structure of the body leading to the perception world. Paradigm.

When the body no longer divides the soul and becomes a subject with speculative ability, the true meaning of "word heal" can be spread out. On the surface, "Ci Ci" is to heal the body by borrowing words. It may be simply understood that the beauty of the text is enough to move the heart. However, when he returned to Qian Yanshu's discussion about this, he based on the "Seven Ties" Wu Ke as the point of Prince Chu as the point, thereby discovering the phenomenon of "word recovery", and there was a lot of deep meaning in the burial. As mentioned earlier, the physical concept contained in this phenomenon is that the characteristics of Chinese literary criticism are in the same vein, and the emotions and humans of the article are all emotional and humane. The body is no longer placed in the second -class position, nor is it just a container waiting for being loaded, but it is a reflection with the heart of the mind. Therefore, in the concept of Qian Yanshu's criticism, the body and heart can be equal to a certain sense, which is worth discussing, and the two jointly build a way for people to grasp the world. The body also has the ability to make a sense of external situations, with the responsibility of suffering from life and injuries, and vomiting the rich and fulfilling minds.

The process of words healing

"Ci Ci" is a cultural phenomenon that involves a lot of faces. If the understanding of its value only stays on the spirit of the text, it seems too much to wear and the empty, and fail to grasp the ingenuity of them. In the concept of Qian Yanshu, the focus of "Ci Ci" is that it establishes the operating mode of cure with words, and re -position the relationship between words and body from theoretical level.

People often think that the popular writing style of Han Fu is the product of the author's talents. In the usual understanding, the role of Hanfu is often covered by the irony purpose of the irony. The value of its essay only stays at the aesthetic level, and sometimes it is too gorgeous and complicated. Naturally. However, "poets and things are not poor", there is a close relationship between words, objects, and body, and the three jointly build a very meaningful expression of expression. Therefore, if Qian Yanshu said, enter the text space paved by "Seven Extraorders" from the perspective of "Ci Ci", observe the operating process of words and body that can be sent to Enlightenment, I am wonderful.

In "Seven Ties", Wu Ke went to the disease of Prince Chu. From the world to beauty to tragedy, the purpose of the treatment through the arrangement of words is not only the gorgeousness of the words, but also to borrow words to wake up the layers of objects. The prince Chu was full of enjoyment and the meeting in a way to gather. Just as Qian Yanshu said: "Yue Sheng and even have no birth, indulgence and even desire." The aggregation spoke pushed emotions to the extreme. Through the repeated swing of the body and the heart, the emotions return to calmness to achieve the purpose of "sparse and five Tibetan". Here, the performance of the healing effect is not gorgeous, but how the words are the same as the body and the body should feel and feel. After the body has gone through the strong swing of emotions, how to return to peace to achieve the effect of healing. The layout of the words of words turns to a deeper discussion field, that is, what kind of connectivity it does between the object and the body. During the operation of "Ci Ci", the echoing relationship between words and body is manifested. Words are an important factor in people's associations, while the body exists as a carrier of vomiting. They reflect each other to achieve the effect of eliminating the disease. It can be seen that the factors that promote the "word recovery" are indispensable. The words, objects, and the body must play their own role to make the entire process run smoothly and achieve results. The meaning of the words in this place is beyond the aesthetics of the general play level, the internal intention continues to expand, and the value and healing function of awakening is extended.

In addition, as Qian Yanshu repeatedly emphasized in the discussion, this phenomenon of treating diseases in classical poetry can be traced back to "Seven Ties", and it can be pushed to "Du Fu Poetry Explore malaria". Essence The reason why these works talked about such phenomena showing similar concepts in writing is precisely because of the hidden thinking mode and delicate theoretical care buried behind them. These thoughts are constantly shaping the judgment of people in literary creation, which triggers people's different perception of this world.

Expansion of theoretical vision

Looking at the writings of Qian Yanshu, he can find that he is quite interested in those seemingly trivial things. When talking about art analysis, Qian Yanshu is not adhered to a large and unbelievable theoretical framework or ideological system, but instead conducts a detailed examination of some words to glimpse the world of human beings and thoughts. The reason why he discovered the phenomenon of "word recovery" was based on this. Through the fragmentation of the film that is easy to be ignored, Qian Yanshu explores the theoretical concepts behind him, which is also his consistent academic way.

The word "Ci Ci" reflects a different observation of the relationship between the body and the words. Foucault talked about four similar expressions in "Words and Things", one of which is "category". Foucault proposes that the role of "class push" is huge. As long as there is a slight connection, an unlimited relationship can be extended by a single point, and people are the support points in all class push relationships. There is no imitation and replication in the body and the world. There is no difference or gap between the two, so there is no division of the boundary between the main and guest body. Human induction of the world, also in the world. More importantly, the whole of the world is also displayed in individual individuals, and the two are heterogeneous and homogeneous. Qian Yanshu's insight into the words "Ci Ci" echoed the concept of Foucault's category.

The reason why Qian Yanshu can have such a unique discovery is actually self -origin. In the "Pipe Caplability", he marked the difference between making arts and telling. It is reasonable to be proud, and the art of making art often depends on each other. There is no need to separate. The poems built by the words and elephants, "Forgot to say words, is no poem." It is based on layered words and phenomena that poetry has a moving charm. If you change it at will or abandon your words and elephants, the aesthetic value of poetry no longer exists. According to Qian Yanshu's assertion, Chinese aesthetic discourse such as Xiangxiangdou River and antelopes is often expressed by words and objects. These words have multiple intentions, showing the perspective of Chinese aesthetics. On the one hand, they are far -reaching and rich in meaning. The value of words in it is becoming more prominent.

Through the analysis of the phenomenon of "words", Qian Yanshu re -review the relationship between words and body. Languages ​​can cause people's memory and imagination, and make people have corresponding emotional perception. During the operation of the "Ci Ci", the borrowing of the words evoked the color of the object and pushed the external situation structure with the body's speculative ability. It is precisely through this seemingly indulgent venting method, and the people's feelings shake up and down, so as to achieve the effect of soothing the body and converging emotions.

In summary, Qian Yanshu marks the word "Ci Ci", which aims to reconstruct the relationship between the words and the body, and use this to tap the ideas behind it and visit its hidden cultural traditions. In fact, this phenomenon exists in ancient poetry, which is reflecting the characteristics of the expression of Chinese aesthetic talk and language, and aesthetic judgment that regards the body and the world as heterogeneous homogeneity. When we follow such an interpretation path and grasp the specific performance of "Ci Ci" in literary works, we may further clarify the important position of the words in it, tap the body value of the body, and enrich the meaning of Chinese aesthetics.

(Author Unit: School of Literature, Renmin University of China)

Source: China Social Science Network-Journal of Social Sciences of China

Author: Wanmingbo

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