Cui Meng: Qin Qin embroidered "rebirth"

"Green tree thick yin, reflection of the tower", in the early morning of summer, the antique ancient Tongchuan City Yaozhou District, Wenmiao Street, seemed quiet and quiet. The embroidery works, as the new generation of Qin embroidery inheritors, and her two children, sitting around the table, concentrated in discussing Qin Xiu's basic needle.

Cui Meng has lived in the embroidery family since she was a child. Her mother, Zhao Chun, is the fourth -generation inheritor of Yaozhou embroidery. Grandma is also good at embroidery. She has a strong interest in embroidery since she was a child. At the age of seven or eight, she followed her mother to learn painting and learn. Embroidery, occasionally given her immature embroidery to her friends. The mother found her talent in embroidery deliberately. After that, she was further studied at the Xi'an Academy of Fine Arts and had the artistic skills needed for embroidery.

After graduating from college, Cui Meng first became an art teacher, but she did not give up embroidery. In the embroidery practice of more than ten years, Cui Meng found that Su Xiu and Shu embroidery have long been famous Chinese and foreign. In silence, how to make Qin Xiu rejuvenate again, Cui Meng kept exploring the path of Qin Xiu's inheritance that belonged to himself.

"How to make the pattern and needle better serve the works, and to better present the Qin embroidery's piercing Luo embroidery needle, it has always been the biggest problem that plagues me. In the end, in the long -term embroidery practice, I found the solution" Cui Meng said.

In addition to the continuous exploration and innovation in patterns and acupuncture, Cui Meng has always tried to combine embroidery with local culture, so that local culture and Qin embroidery are brought to color, and Qin embroidery reproduces the heavy human history on the three Qin earth.

In 2018, Cui Meng conceived the Qin embroidery series with the Terracotta Warriors and Horses of the Qinling Mausoleum in Shaanxi, and used the Qin embroidery technique to reproduce the image of the mighty and majestic Qin figurines more than 2,000 years ago. On the upper line, the needle is used according to the Jingwei pattern to form a rough pattern pattern. It uses block to outline colors to contrast. "It has been completed, and the third is still embroidered.

At first, Cui Meng had been unable to determine the name of this series of embroidery works. She thought that this series of embroidery works made the Qin figurines enter the public's vision again, so that more people realized the ancient embroidery of Qin embroidery For the Qin figurines and Qin embroidery, they are all "rebirth". In addition, at the end of 2019, the new crown epidemic began to ravage. Cui Meng's series of embroidery works were accompanied by such a big era. Cui Meng believes that after experiencing the epidemic, everyone's life will be changed silently. In the end, this series of embroidery works were named "Rebirth".

"After the epidemic occurs, we are working hard. I believe that after the epidemic, everyone will re -examine ourselves, and we will cherish the present and work hard. This is a kind of 'rebirth'" Cui Meng said.

In addition to the creation, Cui Meng will hold a personal Qin embroidery training course from time to time, pay attention to cultivating young talents, teach the skills for free, drive demonstration households, seek to become rich, and train more than 1,300 people in Qin embroidery. Leaving women from studying Qin Xiu, providing them with the craftsmanship of making a living, improving their lives, and also allowing Qin Xiu skills to be inherited and promoted in Yaozhou District.

Shi Wenli, a student who has been studying with Cui Meng for two or three years, said: "Now that I can independently complete some embroidery, embroidery can let me have one more craft and can be passed on to my children in the future."

Cui Meng is proficient in Qin embroidery, Yaozhou embroidery, and traditional hand -embroidered three -door skills. Now 41 -year -old is awarded the title of Master of Arts and Crafts in Shaanxi Province, and her embroidery works have also won the award repeatedly. In 2016, Cui Meng's Qin embroidery works " "Yongle Palace murals" was selected into the Chinese contemporary arts and crafts biennale, exhibited at the National Museum, and was collected by the Chinese Arts and Crafts Museum. Her Qin embroidered work "Lotus Rhyme" was permanently collected by Shaanxi Normal University. She also created exquisite embroidery works such as "Sitting Tiger Dragon".

As an authentic Shaanxi native, inheriting Qin embroidery skills has become a belief deeply in Cui Meng's heart. Cui Meng used the pattern to interpret the unique Sanqin culture, and use the works to send the beautiful wishes of the three Qin people and use fines and dense ones. The needle feet make the thick and deep Qin embroidery light "reborn".

Regarding the inheritance of Qin Xiu, Cui Meng said, "Let Qin Xiu be further recognized, so that more people know that there are not only four famous embroidery, but also Qin embroidery!" (Correspondent: Chen Qiang Wuyang)

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