How can Jincheng Music in the sky full of derogatory righteousness?

In 761 AD (the second year of Tang Suzong), the Ministry of Chengdu Yin Cui Guangyuan's ministry will resume Hua, who has worked hard due to the rebellion. However, he was proud of himself, and he was arrogant. He indulged the soldiers and plundered Dong Shu. Du Fu wrote a poem entitled "Gift Huaqing", which was euphemistic ironically. The poem said:

Jincheng Silk Tube Days,

Half into the river breeze and half into the cloud.

This song should only be in heaven,

How many times can I hear on the world.

The main purpose of this poem has always been a lot. Some people think that it is just a general praise music, a gift from the Ge Ji, and there is no voice outside the string. Since the Western Han Dynasty, Shu has flourished in humanities and highly developed music and dance music. As early as the Tianbao period, when Cui Yuan Ren Jiannan Jiedu was stationed in Chengdu, what I saw in the tour of Youjiang was already "a few miles of silk bamboo competition, laughter is noisy" ("Taiping Guangji" Volume 303 "Cui Yuan ")). However, Yang Shen in the Ming Dynasty believed that Hua Qing used the emperor's ritual and music in Shu Yan, and Zimei made this poem, and was intended to say that the poet was the most important thing. Later scholars also said more about it.

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Once you clarify the theme of the satirical flowers, you are proud of the illegal illegal, and you can use the emperor's ritual and music, and the poetry will suddenly be solved. The first sentence is written in the prosperity of Jincheng song and dance music. Third and four sentences paid attention to it, and wanted to enter the sky, and once again praised the beauty of music with the method of "nothing". Such a wonderful music is only "heaven" (emperor, court) and not "earth". The problem is that: it is not "heard", and it is "every day". In the "nothing to have", in the contradiction opposition, the poet's irony is both subtle and euphemistic and exactly exactly.

This poem is considered to be the most in Du Fu's quatrains, and "although it is too white, the younger uncle, there is nothing to survive", it has always been popular and highly evaluated. This poem has been sung in the Tang Dynasty and has a profound impact. (References: Yang Yuhua's "Evaluation of 100 Detailed Annotations of the Most Beautiful Poems in Chengdu", Chengdu Times Publishing House)

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(Source of this article: Chengdu Mobile News)

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