Art Comments | Happy Happy

The sunset was closed, and the red light was there. Lian Tianbi's lotus ponds were flourishing. Stepping down, kneeling or half -lying with a mobile phone with a mobile phone to shoot the small "gorgeous" on the ground, and using the sentence in the Song Dynasty and "Wild Flower Sigh", rewritten the sentence "What is the red and ugly and purple". Go to the circle of friends. This is Yiyang Qingxi, the hometown of well -known modern writer Zhou Libo. It is a modern Qingxi Theater nearby. It is a newly built -in modern construction of the modern flower drum drama adapted from Zhou Libo's short stories.

In October 1955, Zhou Libo moved his family from Beijing to his hometown. Until he died in Beijing in 1979, in 25 years, his hometown has always been the "Qingxi source" he created. In the meantime, in addition to the creative masterpiece "The Great Change of the Mountains", more than 20 short stories were also written. These short stories, whether it is the sketch of the characters, the story of the story, or the rendering of some atmosphere and mood, is inlaid into the long story of "Mountains and Township" in different ways, and constitutes its basic figure gallery, which strengthens Zhou Libo. Existing artistic characteristics and personal style. According to the interpretation of Tang Tao, a well -known writer and literary theorist, Zhou Libo has gradually strengthened the new personal style of "simple, concise, flat, and timeless" by short stories such as "The Mountains" and other short stories, which contains the "peaceful and comfortable sentiment ", Describing appropriate" free "and" indirect baking ", the" local customs "in details, the" light lyric "on the pen, and the stains that appear from time to time, this" personal style "in Chinese contemporary literature It is extremely unique. How to make such short stories with a very unique style, adaptation and creation to make drama works that are not contrary to the original and suitable for stage and opera interpretation? After observing, I thought there was a lot of research and discussions.

1. Creative adaptation

The traditional and conservative drama concept always believes that there is no drama, whether the play imitates a complete drama action; whether the plot event, time, and place are highly concentrated; whether it is based on tension and conflict and suspense changes to create drama. Do not think that "no drama" is not suitable for the ideal drama aesthetics. This is just the basic cognition of dramatic drama concepts, but the modern flower drum drama "People on the Shan" broke this cognition. The famous drama writer Sheng He Yu and Zeng Shaoxiang chose the "San -Cultural Drama" style of the characteristics and style of Zhou Libo's novels. This structural model breaks the principles of the drama event center and the concentrated one. The pursuit of the daily description of the daily life of a certain historical stage, showing the world phase and portrait in a panoramic life picture. This "scattered cultural drama" style, which is known by Chinese drama theorist Gu Zhongyi as "portrait exhibition" drama, has a long history and huge impact.

From the article "The Stage of Naturalism and Drama" in France, France has fiercely criticized the drama play tricks and played the drama -based drama. His disgust about this kind of drama that rely on people to create tensions and mutations. The Moscow Art Theater is famous for performing Chekhov's "San Culture Drama". After that, this innovative drama model is in Gorky, Cao Yu, Laoshe, Okasi, John Wesk, O'Neal and other drama writers. The first half of the 20th century affects the most dramatic style. There is no need to be fuss about the modern flower drum drama "The Family on the Mountain". Some people will say that Chinese opera is different from Western drama and is different from Chinese drama. It has its own aesthetic characteristics, acting mode and drama concept. However, it is believed that Chinese operas only have drama of dramatic "inheritance" storytelling. There are no other appearances and narrative methods, and the structural patterns are comprehensive. There are no lack of lyrical situations and sentiment aesthetic dramas in traditional Chinese operas. At the same time, we cannot deny the development of contemporary Chinese opera. In the modern opera creation of Chinese opera, there are a large number of non -dramatic drama structure models. For example, many character biography dramas, life fragments, and a work of a certain work is a scattered cultural structural model. It is adapted into modern flower drums by a group of short stories that are also a very personal style of Zhou Libo. It is also adapted into a modern flower drum drama. Choosing a non -dramatic drama structure style is a logical choice for drama writer Sheng He and Zeng Shaoxiang. The key is how to adapt and create the original sublimation original, suitable for stage and opera interpretation, and by the time and second time, it creates a dramatic work with innovative aesthetic value. In this purpose, the modern flower drum drama "Everyone on the Mountain" achieved its due demand.

The modern flower drum drama "The Family on the Shan" is adapted from many novels in Zhou Libo's short story "Family on the Mountain". The short story "People on the Shan" are a novel concentration, and the title of the novel collection is based on this title. The opera works are also used as the title of the drama. The adaptation of the creative intention is comprehensive blog instead of single -compiled expansion. It is a list of concentrations in the series and re -pinching the concentration instead of the simple character plot incident. The short stories "The Family on the Shan" is structured with a wedding. There are no special characters. The groom is "honest" and "ordinary". The bride is "not pretty but not ugly." The constant girls, the township chiefs, presidents, veterinarians, etc. The main purpose is to show style and folklore. The modern flower drum drama "The Family on the Shan" reappears the situation and characters of this short story as the first entry point, and conducted a series of re -structures and re -creation. The modern flower drum drama "The Family on the Shan" did not produce a coherent conflict, the environment and the relationship between the action and the anti -action of the action, and the starting point of the action and the situation. This starts -under the stage prompts of "beautiful, soothing music, such as the breeze in the mountains ...", in the context of the constructing of music, dancing, and lighting, Zhou Libo appeared from the shadow of tree shadow bamboo shades, saying that it was talked about "Stepping on the shadow reflected by the moon, we go to the wedding of the mountains ..." Leading the audience into the atmosphere of the whole drama. The drama writer Zhou Libo, who returned home, became the main character. From his perspective and feelings, he created a "Taoyuan Realm" that was seen by the "Shanwu". Re -integrate the personnel and situation of his several novels, the content of the structural field, casting characters, building a character relationship, and an irritation of the soul of the personality. The first "wedding" showed the characters with the background of the times, regional style, spiritual appearance, and drama style and aesthetic pursuit. Singing folk ballads, guests and newcomers, looking for a large number of details such as the groom, etc., paint the color and glory of the new era in the new era of folk customs and styles.

I suddenly couldn't find the groom at the wedding. It seemed to be an incident, but he found the groom at once. He was afraid that the grain species in the team were covered and took time to see. This rapid solution is just a variation in the "exhibition" of characters and scenes, which is a "expression" purpose. Of course, the "incident" that is expressed in this way is not a single without connection. Although it will not promote the progress of the chain, people and things are linked. The "incident" of the groom's disappearance of the valley species was preset for the next "bubble". There are still many preset effects in this session: Bu Xiaowei, a high school student setting of high school students who want to go deep into life, study and writing with Zhou Libo, prepare for the fourth "Light Scanning"; the bride Hui Guihua's statement must be harmonious. The groom launched a labor competition to raise a small pig, which was preset for subsequent condensation characters that expressed the image of many women in the new era and the fifth "lunar month" meat division. These are not the content of the short story "Family on the Mountain", which is for the re -creation of the interpretation and expression service of drama time and space, characters, narratives, scenes, and the concentration of the drama creators.

Second, organic opera performance

The main artistic characteristics of Chinese operas are comprehensive, virtual, and programming. These characteristics condense the essence of the aesthetic thoughts of traditional Chinese culture, constitute a unique view of drama, and make Chinese opera shine on the big stage of world opera culture with its unique art glory. Then how to use the "character exhibition", "custom painting" and "atmosphere aesthetics", how to use the artistic characteristics of opera, how to sing "light stories" with the artistic characteristics of opera? Modern flower drum drama "Everyone on the Shan" is not unsatisfactory. The first "Wedding", the second "breeding", the third "on the field", the fourth "Light Scanning", and the fifth "lunar month" narrative. The field and the field are independent and connected, both daily and fresh, the characters are simple and simple, their moods are rich, and their own characteristics. Although most of these narrative "things" come from different short stories, as a novel of literature, it is not an intuitive multi -means to create performance; there is no fixing concentration of performance; no "field" view resonance resonance ; It also cannot achieve the comprehensive symphony rendering and exciting aesthetic effects of the opera "singing and dancing story". Therefore, the performance and expression of organic opera adapted from the creative adaptation of the modern flower drum drama "The Family on the Shan" requires the uniform aesthetic ideas of the drama in the second two times and jointly pursue the mellow presentation in this new form.

The combination of songs, dances, and dramas is a characteristic artistic appearance for Chinese opera. The modern flower drum drama "The Family on the Shan" has grasped this tightly. The play is composed by Mr. Ouyang Juewen, a famous flower drum opera musician. He is a representative inheritor of the representative project of the national intangible cultural heritage. According to once creation, Mr. Ouyang Juewen determined that the theme of this play was composed of the combination of authentic flower drums and old tunes and Yiyang folk minor tones, supplemented by music creations that fits the times, context and drama style, and perfectly build the whole drama. Sound music system. In the 1950s, the old cavity cards fits the historical and rustic sense carried by the characters, and the minority of Yiyang's folk minor highlights regional characteristics and life. For example, in the first game, the girl who "listened to the wall" sang "Fu, Bi, Xingxing"; the veterinarian's personalization was "flattering"; the second scene finally became ecstatic after Deng Fusheng "can't wait to give God's head". Gao Qiang; then Zhou Libo's singing of Deng Man's father "praise and coaxing"; the latter -cherished life music scroll performance of the "Heye Field" in the latter field; These high -profile and characteristic sound music is the content and form of "character exhibition", "custom painting" and "atmosphere aesthetics", which provides rich and specific music aesthetic sources that are both rich and concrete. The category of expression and expression. The performing arts of Huagu opera are simple, bright, and lively. Faculty and body are rich, and have various traditional programs that show rural life, such as rowing, burdens, pounding, cutting firewood, ironing, ravioli, grinding tofu, touching loach, kites, butterflies, and so on. With the expansion of the creation and performance of modern flower drums, Hunan Flower Drum Opera Modern Drama has continuously accumulated, enriched, and developed, and has the accumulation and summary of progress with the times. Director He Yiguang was born in the science class performed by Huagu. In terms of large creation, thinking, and integration expression, unified with the once, in addition to leading the second comprehensive creation, the design and creation of the "dance" and "movement" of the play alone has many remarkable points of remarkability Essence Such as the "dance plow" in the two games; the "scolding" fighting in the three games; the treatment of the four "capture", etc., highlight the aesthetic attributes of the opera and "dance", strengthen the intuitive comedy and opera The charm of art.

Traditional Chinese opera has a transcendent and flexible space -time form, and has a whole set of virtual expression methods, which is highly promoted. But at the same time, it is extremely pursuing the authenticity of imitating the form of life to achieve the artistic effect of virtual reality. Entering modern painting and styling setting of Western dances has entered the modern opera modern drama, but the specified scene created by the dance design of opera modern dramas should be suitable for the virtuality, assumption, freehand aesthetic characteristics of opera, the needs of the opera performance and the theme of the opera performance The expression of style cannot be copied. The modern flower drum drama "People on the Shan" uses the main components created by the iconic plant bamboo of Zhou Libo's hometown. The stage scene is created through the turntable and brief props and devices. Changing, it means to provide organic "field" for performance and expression. Make dance more than a stage space in the sense of material composition, but a space that carries the meaning of integrity, abstraction, and continuity. Such as exaggerated large lanterns, changing sun and moon planets, promoting the transpiring bamboo forests, depthing of the field of performance, the combination of the shift of the shift, the combination of time and space, psychology, etc., in order to express the drama environment, expand the drama space, , Expressing affection, shaping the image of the character, creating an atmosphere of sentiment, and mentioning the main will play a due role. The young stage artist Zhang Diyang once again conducted a useful exploration of the development of the beauty of modern opera and dancing.

Of course, the drama is carefully created by the Hunan Huagu Opera Protection and Inheritance Center and the Yiyang Flower Drum Opera and Inheritance Center. The old and middle -aged actors are famous. They jointly showed the generally magnificent character scrolls of "Mountains and Townships". The other second -degree creators are representative artists of Hunan. They are naturally remarkable and contributed to the perfect presentation of well -worse and well -developed cooperation.

Third, the great joy of daily life

We say that the modern flower drum drama "The Family on the Shan" has a happy figure, an atmosphere, a joyful atmosphere, and a joyful lyric. Anyone who watched the show will not deny it. In the first game, "laugh" became the main color that runs through the audience. The girl became a pile, she always laughed. She laughed all the way along the way. She laughed softly in the new house. She laughed all the way out of the door. Bite his ears and laughed, and laughed at the bride's speech. Until the end of the wedding, the guests dispersed, and the breeze also sent them a cheerful and indulgent smile. This is the spirit and background of the spiritual appearance of the "people over the mountains". This is also the pursuit of the great rendering and description of the whole play's strength rendering and description. At the beginning of the first game, Zhou Libo took the student Bu Xiaowei to the wedding. Bu Xiaowei asked the teacher, "Why do girls love to laugh?" Zhou Libo replied, "They laugh because they want to laugh." The answer is not easy to understand, but it is worth thinking about. Next, the girls sang in another space:

Hahaha!

What is the laborer's fat field?

Unhoched youth

Blurred moonlight

Fragrance of grass and trees

And the hazy

Or true love

Why not let us laugh?

Hahahahahaha

Labor, fat fields, youth, grass and trees, love, laughter, no earthy, no words, is daily life. Is there any micro -righteousness worth describing performance? The daily life of the "people on the mountain shore" should not be nervous and conflict, suspense, do not make skills, pretending to be a set of daily life, describe their shapes, describe them, describe them, describe them. The heart, ordinary and ordinary days, the four seasons of the day and the moon, the feeling and feelings of the spring planting and autumn harvest, what is the value? Belgian drama writer and poet Metelins in 1896's prose collection "The Wealth of the Humicer" income his important article "Tragedy in Daily Life" that he explained his literary concept. This article begins:

There is a tragedy in daily life. It is far more realistic and stronger than the tragedy in the great adventure, and it is more similar to our true self. However, although we can easily feel it, it is not easy to prove that it is not easy, because this essential tragedy element is not only material, nor is it also composed of psychology. It is beyond the struggle between people, desires and desires: it transcends eternal conflict between responsibility and passion. Its responsibility lies in revealing to us how beautiful life itself is, and illuminates the independent existence of the soul in the endless endless endlessness. Hearing the solemn and uninterrupted whisper of the fate. Its duty is to point out to us how much his footsteps are when he approaches or leaves his truth, beauty or God. It also shows us that we understand that the tragedy poet has a brief glance at countless things related to this. Native

From the perspective of "tragedy", Metling believes that in daily life, "far more real and stronger than the tragedy in the great adventure, more similar to our true self." "It exceeds people, desires, desires, and desires. The doomed struggle "" We can easily feel it, but it is not easy to prove it. " It can be seen that the perception and discovery of daily life need to be deep, meticulous, and impatient observation and skillful and visual cognition. We look at this "big joy of daily life" from the female number 1 in the modern flower drum drama "The Family in the Mountain": the first "wedding" is Hu Guihua's great day, and the girl's laugh is her psychological Externalization. Although she only showed her life plan and the labor plan of "to start a labor competition with Fusheng" at the wedding, she could urinate the nephew at the wedding. When she met the groom, she would sing "他这明明是不把我作数，不由泪水湿眼眶哪”的女子，她的感情前史与生活样貌的时代“日常性”，与她讲话的开头“各位乡亲，今天晚上，我，我... I am very happy! Happy! "The joy is uniform. She is the" big joy "of" New Day "and unknown representatives and condensation. In the second game, Hu Guihua has become familiar with the life of the new family, and the temper of the father -in -law and the husband has the contradictions and their contradictions and "loud and thick throat." Hu Guihua is also immersed in the anxiety, conflict, expectations of agriculture, and the mood of the agriculture. The surface of this daily life is a kind of unable to hold back. In the third game, "Hu Guihua just took a shower, plundered her hair that had not been dry, with a faint soap aroma on her body, sitting on Deng Fusheng's cool bed", she asked a man, don't buy her with soap with her. Afraid of "spoiling good things", her hard work and happiness feeding pigs, her plastic cards she fancy ... These tastes, lively, and not enough daily life, it is all the joy of life. In the fourth game, because of participation in the blindness, the father -in -law was misunderstood and laughed. It was the audience's experience of participating in the comedy, and it was the efforts of pure life in the future of a new life. In the fifth game, Hu Guihua shared the results of the labor with the folks, and the satisfaction and joy of sharing were her gains. The regret that the family could not buy gifts and the small loss that could not buy a hair clip, and the family's understanding and her husband suddenly took out the excitement of the bright crystal hair clip. Playing the daily joy of this world ...

The great joy of daily life is not contradictory with tragedy or great tragedy. The 20th century of the 20th century was just liberated in the 1950s of the modern flower drum show. It was only a short time from the anti -Japanese country and civil war. It was the liberation of the great tragedy of the Chinese nation. It is the time when the freshman republic is vigorously facing a beautiful life, and the happiness of "the state of my parents in the hometown of peace" is attributed to the happiness of tranquility and peaceful daily life ... The laughs based on suffering, joy, joy, the reason is sufficient, there are sufficient reasons. Gold is precious. Zhou Libo, who returned to his hometown, deeply knew that his natural flow of emotions and thoughts prompted him to express and express "light and strong". The creators of the modern flower drum drama "Everyone on the Shan" deeply understand the wishes of Zhou Libo. They rejoicing the hard -to -day daily life of this era, which is intuitively displayed on the stage and conveyed to everyone " "Hometown", everyone has a past, everyone is looking forward to peaceful and peaceful, and audiences who are full of love and hope.

I remembered the small flowers beside the Yiyang Qingxi theater under the setting sun, and thought of the sentence of "moss flowers like rice" in Yuan Mei's small poem "Moss".In the mood atmosphere, in the daily ordinary life flow, we can see the transformation and display of those small flowers, grass, and "small moss".The "people over the mountains", they are really rejoicing for life "also the peony opening". It is really worthy of our walking into the theater to observe, think, and perceive.(Author: Jiang Yanyu Hunan Provincial Academy of Arts)

Responsible editor: Gou Xiaoqing

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