Flying on the paper on the paper!The ninth -generation non -genetic inheritance of "Xuan Paper Embroidery" came to Yongyan to do the exhibition

Author:Yingpai client Time:2022.08.25

One -sixth of the silk -like silk thread -like silk thread, embroidered on the rice paper with "thin cicada wings and white". The work, never expected to be an embroidery.

On August 24th, at the Ningbo Yuehu Art Museum "Paper Embroidery Gu Yuchun Xuan Paper Embroidery Art Works Exhibition", when appreciating the Xuan paper embroidery works, the reporter was "stunned".

Xuan paper, as a commonly used calligraphy and painting paper, is usually used to paint and write, and can still use the line as a pen to embroider an embroidery artwork? Embroidery, isn't embroidery on the fabric textiles, can it be integrated with rice paper?

"Xuanzhuan embroidery uses Chinese rice paper as a carrier, which is a novel embroidery expression art. Most of the paintings on the rice paper are flat patterns, and the art embroidery on Xuan paper, while retaining the traditional nature of the painting, adds the texture and the texture of the pattern and the texture of the pattern and the texture of the pattern Infectious power. "Gu Yuchun, the ninth -generation non -genetic inheritor of the ninth -generation non -genetic inheritance of Jiangxi Provincial Intangible Cultural Heritage Protection Project, introduced that Xuan Paper Art Embroidery used extremely fine embroidery needles, extremely thin silk threads, and ever -changing arc -shaped long short needle techniques. Come to complete Xuanzhuan embroidery calligraphy and painting works, which is a unique embroidery species in the embroidery industry.

Gu Yuchun, the ninth -generation non -genetic inheritor of "Xuan Paper Embroidery".

Gu Yuchun, from the distance from Jiangxi, brought unusual appreciation art experience to Ningbo citizens.

58 missionary paper embroidery works involved in ink painting, photography, calligraphy, gongbi, flowers, birds, animals and other series. It has been exhibited at the Moon Lake Art Museum in Ningbo until September 20. Citizens can also experience themselves and pick up the needle line for free. " "Embroidered a rice paper embroidery painting.

The rice paper, known as the "Millennium Life Paper", is a stacked winding type in the upper and lower layers, rather than the latitude and weft structure of fabrics. Embroidery on the fabric, you can cut off the heavy embroidery when the embroidery is wrong. You can "scrap" once you embroidered. This is more sophisticated about the skills of embroidery.

The silk thread used in rice paper embroidery is also "unusual". It is an independent matte silk thread, not the bright light commonly used in existing embroidery materials. Matte, mulberry silk material, 0.014 mm diameter, about one -sixth of the lady's hair, these all enable the silk thread during the dyeing process to make full use of the color requirements of ink painting "ink five colors", which reflects the layered and space of the work, space The color and color are strong, and under the light, the color will not change.

"Xuan paper embroidery is a second creation of the work. It is not a simple pattern coverage. It is necessary to reflect the theme thoughts, characteristics and artistic characteristics of the work." Gu Yuchun said.

The "Twenty -nine characters of the Taishan Remnant Stone Stone" on display this time, the black -bottomed white characters, and some monuments are incomplete, embroidered the historical mottled sense of stone monuments, the bumpy feeling under the time of the years, and restoring the historical vicissitudes of the millennium stele.

From 1: 1 painting, dyeing lines, to embroidery and mounting, every step cannot be made. This stone monumental paper embroidery spent Gu Yuchun's energy for eight months.

The other two ink and ink, blue and white rice paper embroidery, even interpreted the color and level to the extreme. Bird games are between branches and leaves, blue or deep or light, dense and deserted, making people immersed.

Xuan paper embroidery enthusiast Sun Huizhi.

"When I was young, I liked embroidery and often painted myself. I just came into contact with Xuanzhuan embroidery. It was very charming, uncommon, and precious. There is a Maitreya work in this exhibition, which is our element of Ningbo." Wearing a needle on the exhibition site, practicing a cartoon bear on the embroidery rack.

"It's rare!" Ms. Lin, who was traveling from Hangzhou to Ningbo, saw the exhibition and said, "This is more refined and the sense of art is strong."

"This time, I will bring the Xuan paper embroidery exhibition to Ningbo. I hope that more Ningbo people experience it, accept it, love it, and let the Xuan paper embroidery help the non -heritage culture into the lives of the citizens." Xuan paper embroidery non -heritage training courses, interest classes, organize research activities, cultivate embroidery enthusiasts from them, make it an industry practitioner, or Xuan paper embroidery artist. Next year, combined with the local characteristics of Ningbo, we will learn more about Ningbo's local themes to create more rice paper embroidery works.

Reporter Zhang Ziqi Correspondent Zhou Dingfangwen/Editor Zhu Tiantian

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