Data News ｜ Culture and tourism markets have expired for new business regulations

On June 17, the Ministry of Culture and Tourism issued the "Notice of the General Office of the Ministry of Culture and Tourism on the Stable Market Anthology to Carry out the Extension of the Office" (hereinafter referred to as the "Notice"), and strive to stabilize the cultural and tourism market entities to give full play to the stable post of market players to stabilize posts. Employment and promoting the important role of economic recovery and development, it clarifies the types of licenses, extended time, service methods of delaying work, etc. From June 10, the related business licenses related to the cultural and tourism market subjects that have matched in 2022 have extended to the extension of the main business permits of the tourism market entity to extended to the extension of the main business permits of the tourism market entity to the 2022 extension to the extension of the operating license to the tourism market entity to extend to the 2022 to the extension. Periodic replacement processing period.

At the same time, the national cultural market technical supervision and service platform, the national tourism supervision service platform uniformly expires the expiration of the operating license to meet the conditions, and the relevant interface area platform is required to be adjusted simultaneously. During the extension of the office, the relevant business license is diverted normally, and enterprises can apply for relevant administrative approval business online normally.

The "Notice" requires that the cultural and tourism administrative departments at all levels should improve their political standing, optimize approval services, and promote government services and people. In combination with local reality, effective measures are taken to grasp and implement them. Strengthen the supervision of post -event and postponement to ensure the standardized and orderly development of the cultural and tourism market. Details are as follows:

Responsible editor: Yang Zisi

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