A family of three lives in the tea mountain in Hangzhou 7 years: go to the complexity, the home lives more and more

2015,

Designer Xu Jingjun, wife and daughter

I moved into an apartment near Xixi Wetland, Hangzhou,

Surrounded by forests, leaning against Chashan.

The family decorates the most rustic way:

Big white walls, the storage and partition system of traditional wood structures adopt teak,

There is also a sense of artistic art:

Simulate "pinching mud games", pour the ground into copper sculpture,

The painting of her daughter was mounted by her father and hung on the wall.

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Xu Jingjun's home, different moments in the 7 years since staying

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Copper floor in the fellow in the home

7 years have passed,

The daughter is about to go to the third grade.

But the family and friends think,

This 170㎡ house does not seem to be "old",

No time to disappear,

Instead, because of the delicate life mark,

Become more comfortable and stories.

In the midsummer, a family of three visited the Xu Jingjun family,

Look at their "out of date" house:

Moderate space, wooden structure system, nearly a thousand books,

It constitutes the "bone" of the home;

Nearly 40 modern classic middle -class furniture and ancient antiques in the late Qing Dynasty,

Every week or every month, the position and angle will be changed.

Change the "micro expression" of the home.

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Xu Jingjun family

Edit: Xu Yingying

Responsible editor: Zhuang Yaqiong

Designer Xu Jingjun's home is near Xixi Wetland in Hangzhou. The entire community is dotted in the lush trees. The family of three has lived here for 7 years, leaning on the mountain, and the tea field outside the window. Xu Jingjun often calls his wife "Sister Fei" and his daughter "Xu Girl".

In 2014, the couple bought this 170 square meters of school district houses in order to facilitate the convenience of the girl Xu. Xu Jingjun said: "I have moved my parents several times with my parents in my childhood. Each time I moved, I had to adapt to the new school and strangers. I am particularly eager to stabilize the home, and I hope to give my daughter a settlement in the enlightenment period. "

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In the evening, a family of three walks in the community

Interest, vision, and judgment are more important than knowledge. Xu Jingjun often told her daughter like this. So school district houses cannot stay away from landscapes. He grew up in the open north, "a heavy snow can cover all things"; Sister Fei is from Shaoxing Lazhou, and he is used to good mountains and rivers. The quiet family is very satisfied with this community that is "a bit like a forest park".

In the evening of the midsummer, her daughter stepped down from the small road in front of the building. The mother told her to be careful at the back, and pointed at the tree: "She liked animals when she was a child, loved to see fallen leaves, listened to the sound of frogs, and picked up countless stones here, and took it home." Dad added: "Daughter went to junior high school junior high school junior high school junior high school Later, I went to school, and our job was even more busy. The family had fewer opportunities to take a walk and climb mountains after meals, but we still went to Xixi Wetland regularly. Many birds. "

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Looking out from the balcony, a green and green

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Sister Fei in the tea room

After returning home, Sister Fei got into the tea room next to the tea field next to the north, making tea and cooling the heat. "The tea room is very small and quiet, which can remove a lot of thoughts and make people empty," after the entrance of the red tea soup, she said. "After the epidemic, it seems that many people have hiding in nature and to live in seclusion. For us, come to us. Say, sitting in this small tea room, even if it is hidden. "

After buying the house, Xu Jingjun took over the "authorization" of his wife and daughter and was responsible for transforming the rough house into an ideal home: easy to use, concise, afforded the test of time, and echo the natural environment of the community. He set up three "bones" for the entire family.

First, the amendment has both the pattern and does not change the relative position of the space. By carving the details, the house is more durable. Xu Jingjun made a ground height and material between the ground and the restaurant at home and the restaurant.

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Copper floor in the foyer

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Xu Jingjun's camera capture the tree shadow outside the door window

Xu Jingjun graduated from the arts and crafts colleges, and remembered the picture of playing the game in the dirt in the dirt, so he found a sculptor, made a mud manuscript, turning the mold together, cast copper ground for the entrance hall, and stayed in the corner to stay in the corner. Signature.

He regarded the entrance hall as a transition station isolated from the outside world and the room, "helping to wash dust, smell and spiritual fatigue."

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Kitchen Passage

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Passing the vegetable mouth is also a diet bar

With independent packets, restaurants and kitchens can be "open" with each other. Xu Jingjun removed the partition wall and connected the two structures with wood. When he was a kid, he saw the kitchen of the kitchen that his uncle's house made him remember, so he made two windows in his kitchen with traditional wooden orbit on his own kitchen, and re -engraved a small window without adding any metal components. When my daughter lives in school, this window is the bar that the couple eats and talks.

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corridor

The corridor is very wide. In order to make full use of this area and leave the "air mouth", Xu Jingjun only placed a lacquer wooden cabinet in the late Qing Dynasty, a mirror signed by a designer, and a series of books stacked next to the entrance of the tea room.

"The corridor is a flowing space that comes and go, but at the same time, you can also pause and communicate. So you can think about when making furnishings, what do family members like? What can they stop and talk briefly?"

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Tea room

The door of the tea room was widened a lot. Standing at the end of the corridor, even if you don't look at the tea room, you can guess it through a calm wood color. For this family, the small world behind the door must be unusual.

The second bone is the teak storage and partition system designed by Xu Jingjun. The door fans and kitchen door fans, bookcases embedded in living room walls, storage cabinets in various spaces, etc. are almost all wooden. He likes teak such a natural material, and uses them to color reinforced concrete buildings. ▲

The storage cabinet in the tea room

"Good storage, make the house cleaner and better. Is the storage just a cabinet and drawer with the door? In fact, it is a classification method, which is a subdivision of functions, frequency, preferences, etc. The edge of the storage cabinet is opened with a narrow dark grid. I have a lot of flat -shaped items stored in it. It is convenient to use and does not occupy the place. There are various cups in the corner cabinets of the living room. People who like the most, the highest use rate must be placed in the most convenient position. Now I can blindly take the cup, copper, wood, ceramics, and bottom -ups. Where do they put? ","

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Ubiquitous book

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study

The book is the third context that runs through this home. Anyone who knows Xu Jingjun knows that he is a "book insect." Over the past few years, whenever the studio has completed a project, he gave his daughter a small red envelope, and then bought some books lying on the "shopping cart". He reads the type of informal, from architecture, design to fashion, from art, image to literature, social sciences ... reading books in fashion can also give him inspiration to him, "live with the lowest cost with the lowest cost."

There are more and more books in the family, but he never calculates the number, and does not customize the bookshelves according to the size of the book. It only designs the layer plate of the bookshelf as the adjustable, which is convenient for flexible changes at any time. He does not restrain the book in the bookshelf or study, tea rooms, bed couchs, dwarf stools, long a few, desks ... "The corner of the house falls, I think the book can be everywhere."

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Xu Jingjun's design office

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Working, notes, and reading are seamlessly connected. Xu Jingjun is very efficient.

These books are also classified and do not follow the types of books itself, but according to Xu Jingjun's reading habits. He reads the system, scores thickness, and has severity. If he wants to enter an unfamiliar field, he must start with the history and Introduction, slowly find the preference, and gradually focus.

Therefore, the books on the large and small bench in the living room are mostly appreciating pictures. He can read it half of his mood after returning home from get off work. Near several desks, mainly text categories, he often reads with pen as a note, and records the moment of thought. A small cabinet in the corner of the study was just bought and needed to be read. In addition, the row of the bed is often seen. The pan -reading, must -read, intensive, repeatedly read ... These books are placed in different areas and heights according to the weight, size, and reading frequency. Every time, they are re -reshuffled according to the reader's mood, and they are always in dynamic adjustments.

Xu Jingjun said that after he hoped that his family had a reasonable skeleton, his inner life would change from time to time. Some furniture and utensils in this house are reflecting the changeable life of a family of three.

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Corner cabinet, Nordic Middle Ages Furniture, Arne Olsen works

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Camellia is a classic of architect Louis SOGNOT more than 70 years ago

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The fighting cabinet is Nordic Middle Ages Furniture

"Move your things and gather at home. They are the sketch you experienced and the most moving trait in your home." Some objects used by the whole family are medieval furniture or antique furniture.

For example, the corner cabinet of the living room comes from Northern Europe and was designed by Arne Olsen. Sister Fei said that she did not encounter the texture and curve that fits the corner cabinet of this home. The coffee table is a classic work of the architect Louis Sognot more than 70 years ago.

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The desk is leaning against the window, as if it can open the heart of people, it is Italian designer Franco Albini works

Why was it moved by classic design? What do you feel?

Xu Jingjun took a picture of the famous Italian designer Franco Albini from the study, saying: "The desk of the living room is his work. After understanding the experience, life, thinking, and work of outstanding designers, he will definitely be inspired by him. Feeling a sense of recognition. So when we have the opportunity to see the real thing, we are "cognitive", and I resonate with it. I met many dying architectural masters and design masters through books, first studied, then purchased, continued to study after buying, and continued to study after buying. That's how I choose furniture. "

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The bed in the study is from the late Ming and early Qing dynasties. It can be lunch break and display books.

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The bedrooms of the couple are not piled up, and the concise beds are also from the hands of famous masters.

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The case of lamps and speakers is from the late Qing Dynasty and the early Republic of China.

There are also some Ming -style furniture in the home.

Next to the dining table designed in Nordic, there are cases in the late Qing Dynasty and the early Republic of China, which is very harmonious. Xu Jingjun has participated in the ancient architectural restoration project, and also met the senior collectors of traditional furniture in Shanxi. He was used to buy it while learning, so he also had systematic research on Ming -style furniture.

"Western furniture and Ming -style furniture are not designed for our current houses, so we must understand their age, temperament, and structure to make them integrate into home and life. The appearance will also be rich. "The bed couch in the study was about the lacquer wood furniture in the late Ming and early Qing dynasties.

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Xu Jingjun is familiar with the utensils in the diagonal cabinet, you can "blindly choose"

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Light in the home. The lamp on the right is the "Changming Lantern" in the home of Xu Jingjun

Before the epidemic, Xu Jingjun took his family to visit craftsmen in domestic, Japan, South Korea and other places every year. "We still like to look at and relatively calm. First of all, look at the proportions, the shape is beautiful, and then imagine its production process."

Not all objects come from "thoughtful". The lights on the corner cabinet were bought in London. Xu Jingjun liked it at a glance and placed it at home as a long light; I saw the paintings that the street painter had not completed in Florence, Italy. When you see them, you will think of different travel experiences. "

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The home that is often "moved by Qiankun"

Xu Jingjun likes to organize and clean. Over the past seven years, he has changed the position and angle of the furniture from time to time, and has regarded this process as thinking and exploration.

He believes that changing home furnishings is just like a person is changing expressions, the location of the items is different, and the temperament of the home is also subtle. "Over the past 7 years, we have continued to make simplifications. I haven't calculated it. How many times the furnishings at home have been moved, but I think the greatest charm of the space is to metabolize with the lives of the occupants."

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Gifts for daughters are often placed in the cabinet, and as soon as the daughter is out of the bedroom, she can see it. The paintings in the cabinet are from the hands of the street painter of Florence

This transformation is also to keep the daughter who lives in the school, which is sensitive to the traces of life of the house. "My daughter comes back once a week, sometimes there is a flower arrangement in the family, and sometimes the furniture is adjusted. The cabinets in the corridor are half open, facing her door. In the past, we came back to bring gifts to her, and would not handle the gift directly to her. Instead, it was placed on the cabinet and her visual height. As soon as you leave the door in the morning, you can see it. "

After her daughter lived in junior high school, the couple also wanted to change a house, but watching the increasing traces of life at home, I still decided to continue to be simple and everything. "For 7 years, our home has been changing. The foundation and confidence in the future can accompany us to go down without changing 'old'. "

Girl Xu was in the third grade. In her room, there was a bookcase that belonged to her. Most of the films full of cabinets are placed according to the color of the book: the same color is concentrated, or a row of "rainbow" of red orange, yellow, green, blue, blue purple.

Understanding her home and home, and obtaining perception and judgment is her familiar family communication since she was a child.

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The growth record written on the wall of the daughter's room

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When he was six or seven years old, he wrote his own experience in his father's book

When she was younger, she learned from her father how to organize the room. Some were not sure for a while to stay or what she should have.

When Girl Xu was six or seven years old, she looked at her father's book. She also added her notes next to her father's notes. Later, Xu Jingjun visited Ando's studio, and specifically asked his daughter a collection of signed works. "I think school education can teach knowledge, but the roots of growth are still at home. She watched us take care of the house and learned to sort it by herself. This process is the exercise that enhances her judgment and cognition."

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Doing handmade, my daughter also often makes a tiritary for her mother

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When her daughter was a child, she used the mud statue of rubber mud, named "Kafka", and has been collected by Xu Jingjun to this day.

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Play volleyball

Girl Xu said that her parents gave her a very loose growth environment. She has liked handicrafts since she was a child. She has been folded with paper many years ago, or portraits pinch with rubber mud. I like to paint, the two most prominent paintings in the corridor and the study are her pen and ink. Recently, she fell in love with volleyball, and the teacher gave her a high evaluation. Elementary school began to study cello. It used to be less interesting, but also insisted on the encouragement of her mother to this day.

Girl Xu grew up under the influence of "interest is more important than knowledge", and also began to regard her parents' profession as her future career direction and want to be designers.

Xu Jingjun and Sister Fei's studio were about 7 minutes away from home. Thirteen years ago, the two who had been a colleague started a business together and established a design office. Xu Jingjun's office is very similar to the home, and there are piles of books, but different from the old and ancient furniture and Ming -style furniture, but they are not the same.

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Interior

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Interior

"When I first started a business, we faced some economic challenges and the pressure of the project, and encouraged each other," Xu Jingjun said. "I moved 3 times in 13 years. The current space is a collection of different entrepreneurial stages. These The categories, types, and styles of furniture are different. In fact, the economic capabilities, needs, and inner state of our different stages of our different stages. Therefore

"Doing what you like according to your own wishes" is Xu Jingjun's expectations for his wife. In the past two years, Sister Fei has separated more energy to take care of the family, but she has always been Xu Jingjun's working partner, and the two follow up the different stages of the same project.

"To put it an exaggeration, in my work and life, it is all him," Sister Fei said. "He has such a high demand for his display and finishing. He. I actually thank you very much. He gave me the freedom of sitting in the tea room to drink tea, and the freedom to choose not to do. "What about your expectations? "I have done all kinds of projects in this 13 years, but what I pay most is still the house. I like to understand a home, see people's emotions in injection, and the energy it gives people. There is a song called a song called "Everything", the home uses the smallest scale to interpret the 'everything'. And we observed that before the epidemic, many people's demands of the home are still style, momentum, and showing others, but after the epidemic, everyone understands the family's understanding of the home. More and more mature and rational, and return to my heart: What kind of home do I want to have? What does my family need? "

"Back to the heart" is the four words often mentioned by Xu Jingjun. What is the home that allows occupants to return to her heart? "If you can't express the language, you can listen to the sound of raindrops, or talk to the birds, or understand the depth of the night. It is always a sense of sense of perception. Because the home is not just a house, it is a person, a soul, a soul Carrier."

Part of the picture is provided by the respondent

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