Ancient architecture fire accident is regrettable!"Broken Temple Professional Households" connected: I have painted a lot of ancient buildings to prove that it does exist

↑ Lianda hand -painted Guangsheng Temple Feihong Tower

Red Star reporter Ren Jiangbo

Editor Yu Dongmei Intern editor Zhu Jieying

On the evening of August 6, the Wan'an Bridge in Pingnan County, Ningde City, Fujian Province was on fire, and the bridge was burned and collapsed. According to the data, Wanan Bridge has a history of more than 900 years. On May 25, 2006, it was announced as one of the sixth batch of national key cultural relics protection units as one of the "Northeast Fujian Bridge".

In recent years, ancient buildings, especially wooden structures, are not uncommon. At 5 pm on February 14, 2021, the old fire in the old village of Wengding Village had a sudden fire. In just a few hours, the village was almost burned, and a total of 104 houses burned a total of 104 houses. In the fire in April 15, 2019, the Paris Dames supported the wooden structure of the roof and the tower spire was severely burned.

From the perspective of more than 20 years of contact with ancient buildings, the most afraid of Chinese wooden structures is insects (termites), fire and humidity. Taking Yingxian Mu Tower as an example, Yingxian Mu Tower is located in Jinbei. The climate is relatively dry, and there is no pest. The main problem is fire prevention.

Over the past 20 years, he has been walking in the ancient Great Wall and the towns and towns in Shanxi for more than 20 years. He was intoxicated in the spiritual exchange with ancient buildings. He used a pen to record the style of ancient buildings with thousands of years of wind and rain. Ancient architectural painters are called "professional households". "I have painted a lot of ancient buildings, and objectively played a certain role in promoting their protection. (The ancient buildings that have been painted have collapsed). It does exist, otherwise it will fall like that, and it may not be left without a picture. "

↑ Lianda pictures in Shanxi

Talk about ancient construction: damage is irreversible, can keep one place one place

Red Star News: According to media reports, in recent years, the protection of the wooden gallery bridge has been worrying. In 2016, three ancient gallery bridges in Taishun County, Zhejiang were damaged in typhoon attacks. Except for being destroyed by the flood, Yuqing Bridge and Jian'ou Yueqiao in Wuyi Mountain in northern Fujian were destroyed by the fire. Before Shanxi Song, Liao and Jin, ancient wooden structures accounted for more than 75%of China. How do you think of the protection of ancient buildings in wood structures?

Langya: The most afraid of Chinese wooden structures is insects (termites), fire and humidity. Taking Yingxian Mu Tower as an example, Yingxian Mu Tower is located in Jinbei. The climate is relatively dry, and there is no pest. The main problem is fire prevention.

Yingxian Mu Tower basically adopted various protection methods. For example, in terms of fire prevention, fire can not be used around the wooden tower, and it is not allowed to be fragrant. Some tourists just want to smoke in the yard to stop someone.

Compared with Yingxian Mu Tower, countless eyes are staring at the protection of it every day. Wan'an Bridge in Fujian is located in the countryside. Villagers and passers -by who have exchanged with a lot of travels every day. a lot of. At the same time, as far as I understand, many bridges like Fujian have a shrine inside, and there is no completely banned fire. This is a big hidden danger.

On the other hand, for example, a golden stone arch bridge I have paid attention to before, I have carefully checked the county chronicle and did built in the Jin Dynasty, but the records of the Qing Dynasty have been collapsed three times by the flood. During the Qing Dynasty. Each repair is recorded in detail in the local county. In fact, the ancient architecture has been damaged when it is damaged. Of course, I hope (these bridges) can be preserved safely, but it really destroys it. I think I also need to adopt a calm attitude, and the natural laws are also irreversible.

↑ Lianda hand -painted ancient works

We can fix it in the traditional method, and it may be a local victory in the local area after another one or two hundred years. As far as I know, the recent repair of the Wan'an Bridge seems to be the period of the Republic of China. The real age is not too long, but it is just a very early years. Therefore, trying to use a peaceful mindset, strengthening protection and propaganda, can keep one place in one place, this is my opinion.

Red Star News: Last year, Shanxi heavy rain, Yanjiazhuang Kui Xinglou, which you once painted, collapsed, and the media also made relevant reports. Remember this?

Lianda: The Kuixing Tower, which collapsed in the heavy rain last year, was painted 6 years ago. It felt like it was about to fall, but it was still very 6 years. If it did not last last year, it may continue to support it. At first, because my fans took my book to see the Kuixing Building, I found it down, or it would not attract attention.

Red Star News: You once said that the portrait for its portrait is a last portrait similar to the ending care, proves that it had existed. In terms of cultural relics, what role do you play?

Lian Da: I have painted many ancient buildings, and objectively played a certain role in promoting their protection. (The ancient architecture that has been painted later collapsed.) There are many regrets, but after all, I left a painting at that time, proving that it did exist, otherwise it would fall like that, and it may not even leave a painting.

↑ Lianda hand -painted ancient works

On the other hand, from 2016 to now, I often ask me if I have new works. When I publish some works on the Internet or publish it, it is marked with people who travel in a certain place and a certain place. According to my record, I will find that this ancient building has been destroyed.

I also care about this matter. In addition to the form of painting in the form of painting, I rarely publicly call for any places to do so. How can I not do such a thing? I do n’t do such a thing. Because I personally feel (it may be wrong), although some buildings are very broken, after all, it has a history of 3500 years. It is still strong today that it is not bad for three or five years. I hope to wait until its protection level is promoted to the provincial insurance. There is such an opportunity to repair it by a professional team instead of rushing. If I paint the breakdown of ancient buildings and objectively cause the result of destructive repair to local cultural relics, this is not the effect I want to achieve. But some things are so complicated. You may think that its vicissitudes of vicissitudes are a kind of beauty that can move people, but in some people's eyes, they are splashing dirty water.

Red Star News: This is also the paradox of our current ancient architecture excavation and restoration?

Lianya: I have also participated in this discussion. I always think that the concept of renovation of cultural relics (ancient buildings) is still not perfect. I don't think it must be a new new as the beginning when it grows grass or a bit broken. It can maintain its true appearance as much as possible when preserving its main structure. I think this is completely done.

However, the concept of cultural relics in many places now must be renewed. Although it has a thousand years of history, it feels like yesterday's newly built.

And many of our ancient buildings in China are integrated and coordinated with the environment. For example, a building may have been the tallest building in the past. Compared with the surrounding houses, it is particularly tall and majestic. Now we disassemble all the houses and repair a super large square, and then this building is like a small bonsai, and there is no life there.

Talk about creation: If you only look at the photos, I will not fall in love with ancient construction of Shanxi

Red Star News: You have painted ancient buildings in Shanxi for more than 20 years. Do you remember where the first time started?

Lian Da: I can't remember it until now, the impression is the Master of the Jin Temple. At first, it was pure graffiti, no door, no purpose, no purpose. I have studied while painting, and sometimes they are thrown away if they are dissatisfied, or they are given to the crowds. There are countless friends who want to go. There are more than 2,000 works left.

↑ Lianda pictures in Shanxi

Red Star News: After painting for so many years, you still define yourself as an ancient architecture enthusiast, not an art worker.

Lian Da: While I appreciates ancient buildings, painting works are optional for me. When I look at the ancient architecture, I can paint the details repeatedly, which is a spiritual communication with the ancient architecture.

But on the other hand, I also feel that my painting technology has improved slowly. I live in Dalian, even if I go to Shanxi two or three times a year, the time is very short. I often spend more than ten days, and I feel that I have to realize some structures and brushwork. I have to return. After a few months or half a year, the last feel has long gone. If I want to live in Shanxi, I will continue to paint every day within a year or two, and I will not be reluctant to work for so long.

↑ Lianda pictures in Shanxi

Red Star News: Do you have to watch the ancient architecture copy at the scene? Isn't it possible to look at the photos?

Lian Da: Many people have asked me about this question, and I don't need to run if there are photos. If this is the case, I don't have to go out at all, and I will solve a few photos on the Internet.

But this is actually completely different. The ancient buildings seen in the photo lack the sense of space and layering, let alone the details of the building. You can't see it in many places. And facing the building brings you spiritual stimuli, making you intoxicated and creating creative desires. This is an experience that the photo can never bring.

If you only look at the photos, I may not fall in love with ancient Shanxi buildings at all. Many things you take look are old and frustrated. Maybe you think this is a broken house. But when you look at it, you will find that it will have a sense of solemnity through history, just like a vicissitudes and unknown hermits appear in front of you. This sense of truth is most impressive and can cause spiritual resonance.

Because I have experienced the feeling of being moved by it, I want to see more things that move you, and this kind of thing is getting less and less, forcing you to speed up to pursue. At first I only looked at the photos, I changed my career long ago, and it was impossible to persevere for so many years.

↑ Lianda hand -painted ancient works

Red Star News: Is there any place where you can move you now?

Lianda: Now fewer and fewer. Many ancient buildings that were seen at that time were repaired and could not bear to look at it again. History will give you such a window period. Four or five years or twenty years, from the discovery of it to being destroyed by it, you caught up when you catch up, and you will never have a chance if you ca n’t catch up.

Talking about the exhibition: more than 140 works, the most satisfied with Feiyun Tower and Yingxian Mu Tower

Red Star News: On August 8th, the "Millennium -Lian Dama Ancient Painting Works Exhibition" hosted by Yungang Research Institute was carried out at the Yungang Art Museum. Is this the first time you held a large -scale solo exhibition?

Lian Da: In fact, this exhibition is not organized by my own organization. The curator and me knew me. They wanted to launch a cultural activity to promote the ancient architecture and traditional culture of Shanxi. I thought of me and discussed me to do a painting exhibition. Of course I am very happy, and I am also very satisfied with the exhibition. I feel that I feel that it is not enough in the exhibition hall. ↑ "A Millennium -Lian Dama Gujian Painting Works Exhibition" scene

I have painted more than 2,000 ancient architectural works around the years, and finally screened more than 140 pieces from it, divided into five parts: ancient buildings and Great Walls of the Southeast, Jinnan, Jinzhong, and Jinbei. Some manuscripts are too small and the screen is complicated. The curator selected some manuscript amplification display, and the details were clear and plump after magnifying. There are less than 40 real original manuscripts, and all other amplification display, and some are compared with real -life photos.

Among these works, my favorite is Wanrong County Feiyun Tower and Yingxian Mu Tower. Whether it is the complexity of the structure itself or my own satisfaction, both works are the best. Moreover, these two buildings are particularly representative in the entire ancient building in Shanxi. It is known as "South Tower and North Tower". This is also the most complicated and unique cultural relics in existing ancient wooden structures.

Red Star News: Before you attended the exhibition, did you visit some famous ancient buildings in Shanxi?

Lian Da: It happened to be summer vacation, and I was thinking about bringing my two children to influence them with a traditional culture. So one week in advance, first went to Taiyuan to see the Jin Temple, went to the south of Shanxi to see Fei Yunlou, the Feihong Tower of Guangsheng Temple, and went to Chongfu Temple in Shuozhou in northern Shanxi.

↑ Lianda Hand -painted Wanrong County Feiyun Tower

The children are very novel, and they have never seen so many ancient buildings in Dalian. Seeing these ancient buildings in front of me, like me, it feels like two completely different worlds, letting them open their eyes, and they can understand why their dads draw these things.

Introduction: Lianda, born in Heilongjiang in 1978, settled in Dalian. Ancient architectural painters, humanistic writers, and travelers, once inspected the Great Wall of Hebei, Beijing, Tianjin, Shanxi and Liaoning, collect the lost Great Wall inscriptions, and record the status quo of the Great Wall by shooting, painting, and paddles. Looking for ancient buildings across Shanxi, the footprints are all over the cities and counties and villages of Shanxi, leaving nearly a thousand sketching works. He is the author of "Looking for the Ancient Temples of Shanxi", "Different Great Wall", "Douyan Eaves Painting Ancient Construction" and other works. He has given lectures on promoting ancient architectural culture at Nanjing University, Fudan University, Shanxi University, Taiyuan University of Technology, Central South University, Changsha College, Hunan Institute of Technology, and the National Library of China.

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