Welcome to "Liaobo: Ancient Chinese Buddhist Statue Exhibition"

Author:Music club Time:2022.08.17

Editor's note:

Generally speaking, each person cannot finish watching all the exhibits at the international -level museum every time. Each person has different emphasis on exhibits. Each person's understanding and focus of the same exhibits are different. The Louvre exhibits in Mr. Tian Song's eyes are a museum tour of personal stance, personal aesthetics, and personal perspective. You are welcome to provide the museum tour theme draft to share beauty and history with his fellows. Thanks to Yingkesong for providing information for sharing with you. Everyone is welcome to share the manuscript. Share content will spread on each platform of Leyi Club.

Liaoning Provincial Museum "Ancient Chinese Buddhist Statue Exhibition"

Baishi Guanyin is like the eight years of Northern Qi Tianbao (557 AD) 56.4 cm high

Guanyin head wearing a treasure crown, full of face, slightly smiling. The clothes were naturally drooping, the skirt was sharp, and the second disciple stood beside him, his expression was serious. The Boshan furnace, the Lion Lion, and the King of Laws in the lower part of the statue are common combination forms in the statue of the Northern Qi. In the backlight, the six tricks fell from the air, and the legs and the body formed a U -shaped. Two Dragon King guards a single -layer square pagoda decorated with lotus. There are inscriptions on the back and the side of the table: "Da Qitianbao eight years old Yihai April 23rd, the general general Song Weizi was the fate of the emperor and the emperor of the dynasty. Converted Hengwen □ Fa Dharma Cut his body and build the Guanyin District.

Northern Qi (550-577 AD) 43.9 cm high

The chest is flat, the shoulders are wide, the shape is dull, and the curve beauty is lacking. This statue is simple and solemn, with a calm face, and pays more attention to the body structure of the statue. The three -dimensional sense is poor, the clothes are shallow, the body is flat, and the abdomen is protruding forward. It does not emphasize the flow and sense of rhythm of clothing patterns. It is deeply influenced by the statue of the Salnat -style statue of the ancient Indian era.

Five Dynasties (907-960 AD) high 13.5 cm wide 9.7 cm wide

The buns are polished, wearing a shoulder -like coat, a monk in the inside, and smooth and realistic clothes, consisting of several parallel lines, is the prominent characteristic of the statue at this time. The proportion of the head and body is reasonable, and the body is rich and moderate. The face is full of softness, a sense of beauty, full of fullness, and the expression like a person. This secular and realistic statue makes the work more life.

Sui (581-618 AD) 50 cm high

Bodhisattva's head and right arm have been lacking, and the left arm is half. Xiang Daiyu, drooping in front of him. The thin skirt body, tied to the upper end of the waist, naturally hangs outwards. The Bodhisattva is accurate, proper, gorgeous, and finely engraved, making the viewer pleasing to the eye, giving people a beautiful enjoyment, which can be called an art treasure. However, the posture is rigid, slightly beautiful, and is a typical style of the Sui Dynasty.

Yuan (1271-1368 AD) Nepal is 58 cm high and 50 cm high

Wear five -leaf crown, embedded gemstone, and fine workmanship. This is the prominent feature of Nepalese statues. Steak hair, the meat is tall. The face is round, the width is rich, the eyebrows are bent, the eyes are slender, and the expression is quiet. Hook nose small mouth, facial features are more concentrated. Big earlobe shoulders, beam crown bands in the ears into group flowers, and naturally drooping. The body is thick, the shoulders are wide, the limbs are thick and strong, wearing the right shoulder -like puppet, the clothes are simple, and the Salnat -style expression is completely adopted. exist. There is a radial fan -shaped fold between the legs and the left shoulder, which is very decorative. The handle of the hands and feet is delicate, soft and elastic. The right hand touched the ground print, the left hand meditation was seal, and the whole sitting position.

19.5 cm high in Nepal in the 15th century

The bun towering, wearing the five -leaf treasure crown, the treasures were knotted in the ears, and the drooping was rolled up and rolled up, and the earlobe ring. The face is quiet, the eyes are slender, and the expression is provinced. The upper body is bare, the milk is fine waist, the neck is wearing a necklace, and the arms, wrists, and ankles are wearing rings. The lower body thin skirt body, the exquisite pattern is engraved on the top. The left leg is sideways, the right leg is drooping, and the lotus is stepped on the lotus. Put your right hand on your knees, apply fearless seals in your left hand, and hold a lotus with both hands. Stepping on the lotus in the right foot, Shu Sit on the lotus platform is the most important symbol to identify this respect. The jewelry such as is inlaid with gemstones, and it is extremely gorgeous.

Ming (1368-1644 AD) 33 cm high

According to the Buddhist scriptures, after Prince Sida became a monk, his father's net meal king sent five people to accompany him. Siddo led five ascetic forests from the Ninian Zen River. In order to seek a real life -free way, he carried out extremely hard practice. Really relieve method. This image shows that Shi Jiamuni has become a Buddhist asceticism for the first six years. This is one of the important expressions of Buddhist statues.

46 cm high Dali (AD 937-1253)

After the introduction of Buddhism into the Erhai Lake area, it was integrated with the local primitive religion, forming the "Dian Mi" Azhali Buddhism with local characteristics. After the establishment of the Dali State, Azheye Guanyin, the main god of Buddhism, is still the main deity of the royal family to respect faith. This Avalokitesvara is slender and slender, with bare upper body, barefoot, and a lotus crown in the head. There is also an Amitabha statue sitting in the crown. There is no clear gender characteristics, commonly known as "fine waist Guanyin". It is a typical representative of the Buddhist statues of Nanzhao Dali. It has strong local and national characteristics. It is a symbol of ancient Buddhist art in Yunnan. The party tree is 48 cm high in the 18th century mainland

The gathering tree, also known as Futian, is also the method of gathering the law realm of the guru and the deity. The table represents the sea in the middle of the four continents in Buddhism. It has free fruit trees. The trees are leafy and flowers are blooming. At the top of the Ruyi fruit tree is the Dalai Lama of Guru V. Below it is the Wuliangshou Buddha, and then the Sakyamuni Buddha, surrounded by eighteen Luohan, Ananda, Gaye, and the four heavenly kings. The most important teacher in Tibetan secrets must have the top guru to make a successful practice. Therefore, in all the "Sheng Fanjie", also known as the subject matter of the world, the ancestor always lives in the most prominent position at the top of the central axis.

This picture set has been released by the author authorized music and art club