Welcome to the 20th National Congress | Hunan Zhouluo Grand Canyon

Picture source: Visual China

Entering the Zhouluo Grand Canyon in Liuyang, Changsha, Hunan, like walking into the realm of poetry and painting.

Gorge. The stones stationed in the rock wall either stand upright, or fly, without concealing their danger, creating a fearful and thrilling atmosphere. And those pictographs that are lying on the mountains and squatting on the banks, or like turtle rabbits, or apes, or chickens and dogs, are wonderful, lifelike, and build a harmonious ecological scene. Even if those ordinary stones appear in simple shapes, they follow the principles of returning to return to true and the avenue of the avenue, which is very close to the emotional willingness and aesthetic consciousness of people. In the shape of painting, the natural beauty of the canyon is interpreted; the charm of poetry shows the deep artistic conception of the canyon.

Picture source: People's Daily Overseas Edition

Rock, also known as Guanmen Stone, is more than ten meters high. Climbing along the rock, I feel that I can climb up the clouds and climb to Wonderland. Thinking of a poem from the Ming Dynasty painter Xu Yan: "Every thousand thoughts, the movement is stagnant. The heart is bold, and the hair is cold." This feeling is that you can only experience it by walking through the rock.

Many rock walls are unattainable, and the organic matter contained on the rock wall is weathered with the erosion of hundreds of millions of years. It forms a spots -like ink. It looks like ink painting, oil painting, and printmaking. It can be said that every rock wall here is beautiful, with poetic phrases and paintings of poetry. A Grand Canyon is a freehand painting, a poem of conscious flow, and the stunning rhyme, spreading majestic and magnificent to the heavens and the earth.

The canyon is also water, and streams, waterfalls, water ponds, and dark springs are everywhere. The hardness of the stone and the softness of the water make the canyon always look like a long -dried landscape roll, wet.

Picture source: Liuyang Rong Media Center

Xianjian Waterfall is composed of three levels of water falling, such as the theme of "Bead curtain hooks not rolled, practicing Yao Peak". The gap in nearly 50 meters splashing jade seems to be using anime stunts to interpret the boldness of Tang poetry and the graceful Song of Song Ci. And the waterfall is lingering and magnificent, implanting the image of "broken mountain doubts, hanging the piano" into the mind. There is just a bird over the waterfall. The black wings and white water flowers brought unlimited imagination against the green grass on both sides of the rock wall. The relative speed superposition and the superposition of different colors present not only the picture, but also the realm. I always feel that such pictures and realms have been seen in ancient paintings and read in ancient poems.

Waterfalls and streams are gathered into lakes. The clear lake reflects the blue sky and white clouds, and the cliffs of the green mountains are reflected. It makes people feel that the tall lake is so deep, and the dangerous lake is dangerous. The trees on the shore of the lake are lingering, lingering in the shade of the tree, and the name "Lao Lake" makes the human body flavor to the romantic tenderness of a canyon.

Picture source: Changsha Evening News

The osmanthus of Zhou Luo Grand Canyon is a must. The two thousand wild osmanthus, the roots of the roots of the roots, and the Qingyan shake in the air, like a "Mi Yun Mountain" picture. It is really difficult to understand that the canyon rocks are spread and the soil is scarce, and many obstacles have been set for plant growth. This huge and ancient osmanthus can be rooted here to interpret a miracle of fate lyric poems.

It's not just these osmanthus trees. Many steep cliffs are always unexpectedly unswerving trees, and the green branches and leaves are warm like the sun. The low custard on the charming valley supports a piece of sky with oblique branches. Its transcendent vitality presents not only ecological meaning, but also aesthetic value. In front of such trees, in addition to looking up and awe, more is the tenacity and dedication of life. Rather than breeding this tree in the Grand Canyon, it is better to say that this tree has bred the Grand Canyon.

This is a display of a phenomenon, a spiritual display, and a state of state.

Source: People's Daily Overseas Edition

Author: Zhang Heng

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