Lian Heng, is this the movement of the calligraphy you are pursuing?

1. Luo

Writing detailed analysis:

1. The upper and lower structure. Pay attention to the "four" of the upper part slightly tilted and build momentum. The first horizontal seeking change of "four" is often a stroke formed by the roll of the wrist. In the hard pen, in order to change the strokes, we learn how to write in this brush calligraphy.

2. "Xi" should not be too wide. The first skimming of "Xi" is connected to the upper horizontal painting, which can play a role in opening up.

2. In the last point, the position is up, and the open mouth is sealed, and the purpose of hiding the qi.

Two, Wu

Writing detailed analysis:

1. The first vertical and last point, the two strokes are slightly heavier, forming the echo of non -near strokes.

2. The next four consecutive horizontal, continuously oblique. The key point is that the horizontal drawing naturally obliquely moves quickly, pauses at the end, and then naturally lifts a pen. This process is in line with the physiological movement trend of the hand. In the process, it will naturally bring out the silk.

3. Skill the painting long and light. The last point of painting, weighing with pen, length, and farther from skimming. With a bending form, it plays the purpose of the trend.

Three, locust

Writing detailed analysis:

1. The left and right structure, the horizontal and vertical side of the wooden characters should be intertwined. In writing, this is in line with the movement of the hand. On the right hand, it will naturally make the horizontal painting "anti -shoulder" effect.

2. The word "ghost", pay attention to leaving white. The soldiers said that "the siege must be 阙", and the compact part in the word should pay special attention to "breathable" and "leaving white". In this way, the stack of strokes will not be dead, and the changes in strokes will be more diverse. The connection between characters will be more diverse.

3. The bottom, skimming, vertical hook exhibition. Skim on the left, Gou Tuo Right. The combination of the two plays the role of "word foot" and stabilizes the center of gravity.

Fourth, continent

Writing detailed analysis:

1. Three o'clock water, here is a break -down writing. It is also to adapt to the intermittent style of the right part.

2. The three vertical distances of the "state" run in the calligraphy "uniform".

3. The stroke here is not necessarily the only one.

4. The final vertical painting, in the brush, this kind of liquidity will be more obvious. Its essence is the writing path formed by the movement of the wrist on the hand. The lines of lines on paper reflect a "liquidity". In other words, "writing your heart with your hand, your heart corresponds", you may pursue this kind of heart-the internal and external unity of the hand --- words. The picture above is too far away, but book friends may look at the word "ear" in the preface of "Holy Education", which may have a deeper understanding of this "liquidity".

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