Look!Sanxingdui site C position C position

Recently, the "Understanding Sanxingdui -Copper, Jade and ivory, and Huya" exhibition in the sacrifice scene was held at the ancient art museum of the Shenzhen Museum. This exhibition, which was a well -known archeologist and a professor at the Southern University of Science and Technology, attracted a large number of Shenzhen audiences.

The Sanxingdui site in Guanghan is the most important ancient Shu cultural site found so far. This is actually the relic of the ancient Shu country more than 3,000 years ago.

Various speculations have always put the mysterious Sanxingdui put on layers of mysterious colors. Tang Jigan research found that different shapes of utensils bear different "characters" or functions. The most reasonable explanation is to interpret these cultural relics as sacrifice relics, expressing the sacrifice scene in the minds of the ancient Shu people. These include the sacrifice, the sacrifice, and the related sacrifice and sacrifice.

This exhibition Tang Jigen did not play cards according to the regular exhibition, but restored the sacrifice scene of the ancient Shu people to place each cultural relic according to the position of the sacrifice. This understands these famous "C -position" scene functions. The audience felt that there seemed to be some clues without clue. This exhibition won with "small and fine", and the exhibits come from Sanxingdui Museum, which is printed from a 1: 1 ratio.

Self -consistent sacrifice and sacrifice: Dali people, vertical masks

According to the analysis of Tang Jigen, the southern section of the north and south axis of the ancient city of the sacrifice pit is really a national sacrifice if it is a sacrifice relic.

The Dairen unearthed from the No. 2 pit of Sanxingdui is about 261 cm high, with gorgeous clothes, triple clothing, dragon patterns and rolls on the jacket; It is called "Tianmu Crown"; his expression is solemn, standing with both hands, standing on the high platform. Dali people are the highest among all characters unearthed from No. 2 Pit, and they are likely to be the main sacrifice. In addition to the main sacrifice, there are likely to be a sacrifice, such as bronze top portrait, bronze portrait portrait, bronze kneeling and stroke belly portrait.

There are sacrifices, there must be a sacrifice. The "sacrifice" shown in Sanxingdui cultural relics is a group of masks and half -body portraits hanging on heights or high places. The "vertical mask" unearthed from the Sanxingdui sacrifice pit is huge. Through the square hole on the mask, the mask is suspended at a high place during sacrifice. Expressing superpowers "see far and listen widely". The understanding mask is understood as the sacrifice.

Communication sacrifice and the medium of worshipers: Tongtian Jianmu

In today's Sanxingdui Museum, there is such a tall cultural relic: Tongtian God Tree, also known as the Tongshen Tree, is the treasure of the town hall of Sanxingdui Museum.

Tongtian Shenshu is divided into three layers, which are bases, trees and dragons. Each layer extends 3 branches, with a total of 9 branches, and each branch is bent in different directions. There is a golden black god bird with 9, and the entire god tree is covered with "fruit". The largest bronze tree is 396 cm high. This tree consists of two parts: base and tree body. The base is 37 cm high, divided into three places, each side is "mountain". The tree is 3.59 meters high,

Regarding the connotation of the god tree, the academic circles still have different views, but the definition of copper trees as "god tree" is already a consensus. In the myths and legends of ancient history, the Chengdu Plain is "in the heavens and the earth", and the "in the world" means "the center of the world", which indicates that this is a god tree standing in the center of the earth. Some experts believe that the shape of Tongtian Shenshu is related to the "Jianmu" recorded in the Shan Hai Jing, which is the ladder of the ancient Shu people to communicate the sky, earth, and gods.

Tang Jigen said that with this tree that is through the sky, we may find the medium between the sacrifice and the sacrifice.

Important roles that cannot be ignored: long -eared people -faced birds

Tang Jigen emphasized that the roles in the sacrifice scene cannot be ignored. Human -faced birds on the flower and fruit on the top of the trunk. It has a flat head with a mask on the face and the head of the head, the square face, large eyes, high nose, large ears, the exterior of the auricle, the bird's body is short, wide wings, tail feathers rolled down, and the upper feathers are broken. There are cloud -like ornaments, and there is a ring button on the tip of the feathers.

The producer's portrayal of human face birds is not simple eyes, but vertical eyes. The characteristics of the human face bird's eyes are the same as the mask; the human face birds are inserted into the wings, and the birds have the ability to fly. The top of the large god tree unearthed from Sanxingdui is actually the flower and fruit of the petals. Tang Jigen believes that this flower fruit may be a place for the birds to live in the ears.

Tang Jigen instructed that above the flowers and fruits on the top of the birds 落 落 are overlooking the world, filling the loop between the bronze trees and the vertical mask, and once again proves that the connection between the sacrifice and the worship is to establish a bronze tree through the establishment of a bronze tree to establish a bronze tree. of.

Shenzhen Evening News reporter Yang Hui

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