Lingnan culture meets the new charm of the times

Original title: Lingnan Culture meets the new charm of the times

【Entering the National Version Pavilion】

In Renyin, Ji Xia, between the mountains and forests in the north of Yangcheng, there are Liuxi River, known as the mother of Guangzhou for thousands of years, meandering and nourishing and nourishing quietly.

On the banks of Liuxi River that condenses the countless love of Guangzhou, the Guangzhou National Edition Museum, which is composed of a simple and solemn green -gray building complex, has been opened at the foot of Fenghuang Mountain. In the same side of the same side, the mother's river water and civilized lighthouse, the green mountain Cuigu and the long bridge reclining waves, can actually complement each other, I forget the things.

When entering the Guangzhou National Edition Pavilion, the sky was drizzling. The northern part of Guangdong Wuling first came into view. The "China National Edition Pavilion Guangzhou Branch" several gold -colored iron -painted silver hooks are very matched with Wuling Stone. Go forward, roll up at both ends, like Wenqin Bridge, which looks like a book scroll. Standing on the bridge, the clouds on the clouds on the distance in the distance in the distance, the artistic conception in the poem "water light is good, the mountains are empty and rainy are also strange". Before the house, it was so beautiful.

Overlooking from the air, the buildings on the foot of the mountain were penetrated by a clear axis. One bridge, one pavilion, one pool, and one pavilion, arranged in order, orderly. Looking at the Wenqin Pavilion, the field of vision was wide, and the sky was on the water of Wen Qinchi. There is a square platform in the corner of the water, and a green reflection in the water is particularly eye -catching. This is the second -level grid tree in the 200 -year -old.

Zhang Zhenhui, deputy dean of the South China University of Technology Architectural Design and Research Institute, who participated in the design of the Guangzhou National Version, introduced that in order to protect the ancient trees, the Guangzhou National Edition Pavilion optimized and adjusted the layout of the building space during the project construction process. Centered on the ancient trees, a Gumi pavilion is formed, which also has a staircase rotating.

The ancient trees that have been established between mountains and forests are now turning into the cornerstone of architectural culture, glowing new buds, and adding a new idea of ​​"rooting in China". Together with the millions of cultural versions in the Wenqin Pavilion, the cultural heritage is stored.赓 Continue Chinese context. Looking at the Wenqin Pavilion of the blue brick Daiwa from a distance, there will always be a few familiar people who are familiar with the people of Guangzhou. Zhang Zhenhui introduced that during the design process, they were inspired by a lot of inspiration from Guangzhou Zhenhai Tower, Zhongshan Memorial Hall and a crowd of ancient Guangdong schools and schools.

"This time we take the overall design concept of 'Chinese Collection, Lingnan Landscape, Times New Rhyme, Civilized Lighthouse', and integrate the characteristics of Chinese style and Lingnan. The construction method has been modernized. "He Jingtang, an academician of the Chinese Academy of Engineering, who led the design of the Guangzhou National Edition Pavilion.

"The traditional temple -style architectural style and clear penetration main line reflects the cultural connotation of ancient Chinese academies and traditional temple -style buildings. We also borrowed the traditional concept of Lingnan Riding Tower and designed the wind and rain corridor with modern methods. The community and gardens are connected in series. It can be said that the entire building group inherits the spirit of Lingnan's cultural spirit everywhere, and dares to innovate the use of modern materials, technology and aesthetic concepts to form a close fit with the times. "He Jingtang introduced.

He Jingtang believes that the building must have an overall view and sustainable development concept, and the design must reflect the integration of regional, cultural, and era. The Guangzhou National Edition Pavilion is a full practice of this concept. It is a work that reflects the perfect integration of culture, region, and the times. "It can be said that the entire building complex is the first exhibit of the version hall." He said with a smile.

It is understood that as a window of the Chinese Cultural Seed Gene Library and the Chinese version of culture display, at present, the Guangzhou Branch of the National Edition of China has launched the "Seal of the Great Age -Special Exhibition since the Reform and opening up" " There are four permanent exhibitions including Yin Huaxia -Chinese Version Development Overview ", as well as four topics such as" Lingnan Feng Bone -Guangdong Fine Arts Collection Works Exhibition "," The Voice of the Time -Chinese Pine Edition Version Exhibition " exhibition.

The exhibition area of ​​"Qianqiu Writing Huaxia in the Qianqiu Writing Sea of ​​China -the Development of the Chinese Version", which is located on the first floor of Wenqin Pavilion, has made full use of multimedia and the Internet of Things technology to provide audiences with immersive and scenario collection information display.

Among them, in the "handed down" multimedia sector, through the combination of physical shapes and projection technology, the form of the early four -stage form of the version was demonstrated; in the "Chengyang" multimedia sector, the matrix of the ground imitation of the ground and the imitation paper curls is linked.播放了影片呈现印刷术的发展历程；在“雅集图”多媒体板块，以“窗”为元素，设计了大型LED屏，选择中国古代绘画中著名的“雅集”题材画作为创作内容，动态The cultural exchange scenario of ancient literati can be interpreted, which can make people look at the ancient Chinese version of the Chinese version. In the "Chinese version of the gathering" multimedia sector, the naked eye 3D technology is used to create the Chinese version of the Duobao Pavilion, which shows the Chinese version lifelongly displaying the Chinese version. Top ten types.

And walking into the Guangdong African Heritage Cloud Floating Stone Art Exhibition Hall on the 5th floor of Wenqin Pavilion, the era of the Guangzhou National Edition Pavilion exhibition came. Old -style black bags printed with the words "Beijing", old -fashioned radios with a sense of age, marching kettle distributed with bullet holes ... It is difficult to find that they are all stone carvings. "The theme reflected in the exhibits reflects the changes of the times. From the era of revolutionary war to the moment, I hope to better reflect the rhythm of the exhibition of the Guangzhou National Edition." Exhibitors and Guangdong African Heritage (Yunfu Shiyi) representativeness The inheritor Liang Jiankun said.

According to reports, the total design and collection of the Guangzhou National Edition has reached 25 million copies (pieces). At the beginning of the opening of the museum, through various methods such as procurement, receiving donation versions, and statutory payment, the current version has reached 2.56 million copies (pieces). Among them, more than 200,000 volumes of key historical documents, Lingnan Culture, Overseas Chinese Publication, Bills and Pass, Audio Records, Science and Technology and other specialty versions (pieces). The version of "Original Da, Original, and Primary Colors" in the museum is now collected, and the official publications such as "The Four Books" related publications related to the "Four Treasury Books" are collected Version, the size of the "Siku Study" version has begun. The Guangzhou National Edition also collected 162 copies of the National Library's "Yongle Ceremony", 62 copies of the "Yongle Ceremony" of the Taipei Palace Museum, and the photocopy of the "Yongle Ceremony" collected by the Overseas Library Museum. "Yongle Ceremony" photo book. Most of the second and first series of the "China Reinstation of the Good", "The former National Peiping Library Jiaku Shan Book", and so on.

At the end of the visit, the rain was sunny, and the afterglow of the sunset shot on the eaves of Wenqin Pavilion. It put a layer of golden "tulle" for this original cultural hall, which made it more particularly particularly particularly extraordinarily particularly particularly extravagant. Magnolia and solemn.

(Reporter Wang Zhongyao Wu Chunyan)

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