"Good Pin Shandong" porcelain drawing gold, Zhuo Ran super group

【Good Pin Shandong】 Porcelain drawing gold on porcelain

If a person finds her expression of the world, she will never give up, because this expression itself is part of her life form. The gold -described worker undoubtedly regarded this craft as part of her life, and each line of her line was like many eternal moments born of her life.

The hot roller kiln, with a piece of exquisite porcelain, continued to roll forward. Next to the kiln, in the inconspicuous corner, the painted female workers are gathered in the craftsmanship of porcelain to describe gold.

I saw the master put a spring bowl that completes the flow of flowers, buckled it on the turntable in front of him, and traced it around the edge of the bottom of the bowl with a golden pen. Circle, and carefully put the golden porcelain bowl on the shelves. The whole gold drawing process only took 16 seconds. If there is no one by one, the people who are watching are stupid.

The wonderful porcelain drawing gold is the most eye -catching.

Since ancient times, from Tao to porcelain, from the people to the official, whether it is the royal porcelain, or the folk porcelain, the gold tracing has played a finishing touch in porcelain decoration. The appearance of the golden drawing process on the porcelain makes the porcelain more expressive and more exciting. CCTV's "Quality" column and the Central Finance and Economic Report column produced and broadcast large -scale ceramic documentary "Porcelain Most of the Light of China" and "Porcelain New Charm" described the gold drawing technology.

From the relevant classics of the previous generation, you can view the narrative of the golden traction process.

Drawing gold has a long history in China. The earliest appearance of the gold drawing technology was a more traditional process during the Warring States Period. It also had another name called mud gold painting. Drawing gold is a method of lacquerware painting, which is to draw flower decorations on the surface of the lacquerware with golden color materials. Among them, black paint is used as the bottom and the paint is also used.

Porcelain drawing gold is one of the methods of golden color decoration. The gold drawing is on the glaze of the porcelain. The principal or bright gold draws patterns for decoration, or as a border gold bottom to make it to other decorations for other patterns. The principal's gold content is higher than that of bright gold, and the principal's process technique is more complicated than the technology of Liangjin, so the principal is generally used in the part of the high -grade porcelain, and the bright gold is used in general porcelain. The decorative part is dipped in gold water to draw the lace, border, paving the bottom, or combining with other decorations to draw gold operation techniques. The operation process of gold water is relatively simple, and it is manually drawn by hand. As early as during the Warring States Period and the Han Dynasty, China had begun to use porcelain to draw gold. Among the ancient tombs of the Northern Qi Dynasty, there are very delicate and beautiful white colored porcelain and green porcelain. In the Song Dynasty, the lacquerware traced the golden pattern. The porcelain glazed decoration of the Qing Dynasty inherited the porcelain manufacturing process of the former Ming Dynasty, and updated the development on the basis of this. In the Kangxi era of the Qing Dynasty, the porcelain had been widely drawn on the porcelain, and the Yongzheng dynasty in the future, the Qianlong era, the use of gold drawing technology was more widely used. Until the period of the Qing Dynasty, it was not only used in the white ground powder, but also used the gold drawing techniques on the light pink color. It is not only used on civil kiln porcelain on the official kiln porcelain.

The ceramic manufacturing masters of the Qing Dynasty were no longer limited to simple glazed color decoration. They invented gold powder. This gold powder was processed with pure gold and draws gold color on the glaze of porcelain. The craftsmen of the Qing Dynasty surpassed the process of monochrome tracing of the former Ming Dynasty craftsmen, the most delicate and exquisite. The use of golden color has reached a higher level of Chinese ceramic glaze noodle decoration, making the aesthetics of porcelain more glorious.

Porcelain drawing gold is a treasure in the contemporary ceramic industry. In the production of ceramics, there are not many gold -drawn workers who really have this skill. The process of each high -end customized porcelain is very difficult. In particular, traditional craftsmanship has ushered in new challenges in all aspects of structure, decoration, gold, and firing ... especially porcelain tracing gold. At present, domestic craftsmanship can only be hand -drawn gold. The production process technology is extremely difficult. A strong ceramic technology with a strong Chinese technology is a superb skill that can be polished by time.

Everywhere is the ordinary job, and everything that is easy to get will not be precious things. The hardest thing is to mold. Generally, the first school tracing must start with the drawing line. The fine line of 0.5-1 millimeters. To draw a circle in the plate, the wrist shakes a little and give up. Although the land is inch, the amount of labor is very large. You ca n’t speak at work, you ca n’t be distracted by your brain, you must calm down your breath to get smooth. The middle finger of the master who has been engaged in the long years of the gold has grown thick calluses.

Porcelain drawing gold is art and exceed. The hand is slow, the lines will not wait, and the hand is too fast. Especially when drawing round, the lines of the lines will have deviations, and there are traces of docking. Well, thickness, proper cooperation, and become skilled skills are not simple. You need to use great patience and perseverance.

The master said that when you first study the gold, you often don't know where to go. It ’s either thick, or it is thin, especially the docking of drawing lines. Draw the docking again and again, and repeatedly practice again and again. The next regret is not good at drawing gold. Skilled gold drawing craftsmanship is also an artistic enjoyment. When drawing gold, you can see the proportion of golden threads from the pen on the porcelain, and connect without traces. There will be a pleasure of artistic creation; The lines and pens are harmonious and beautiful. A good drawing master, requiring yourself to be smooth and vivid, full of charm. There is a pure grasp of the strength, angle, and size. Generally, the gold tracing time of each product is controlled within 18 seconds. outline in gold. If a person finds her expression of the world, she will never give up, because this expression itself is part of her life form. The gold -described worker undoubtedly regarded this craft as part of her life, and each line of her line was like many eternal moments born of her life.

The porcelain draws gold, so there is a mood that can be touched. Even in the face of speechless porcelain, it will make life with temperature.

What is the beauty of ceramics? In terms of words, the beauty of ceramics is not only on her surface, but also the beauty of her soul! In the eyes of the goldwork, porcelain is a feeling and a manifestation of a heart. In the pen of the goldwork, a porcelain, a cup, each line is a tangible life. In the lines of the golden workers, the least thing is the world. They stick to the world perceived by their souls, and she uses the golden line to create a dynamic novelty. If life is like a landscape, the landscape lines of the golden workers are everywhere on the world.

Porcelain drawing gold is used as precious porcelain. From the Ziguang Pavilion of Zhongnanhai, the Beijing Palace Museum, the National Museum of China, the Chinese Art Museum, the British Royal Family, the Louvre, France, there are also Babao Clane Clack Cup, Watching Tea Set Tea National Celebration to the 60th anniversary of the National Day. , Zhongnanhai uses porcelain, Beijing APEC summit, porcelain, porcelain, the "Belt and Road" summit forum, Beijing World Garden Association, and Asian civilization dialogue national banquet for porcelain.

The head of the head of the Qingdao Summit used porcelain. When the designer first drafted, the designers believed that they did not need to decorate too much, they rely on the unique material of Chinese celadon. Qilu's "Haiyu Culture" is the main design of the creation element. The facade products in the porcelain are full and round, and the graphic products are smooth and smooth. Essence However, in the end, some people were recommended to decorate with gold. As a result, after the gold, the golden Taishan relief cover was twisted, showing the majestic Taishan atmosphere of Taishan, extending the world's style of embracing the world, and jointly developing prosperity.

Everyone who loves ceramics has a beautiful life pleasure. This innocent and love begins with the golden worker to the world after her works and the world, and they are still reluctant to have a past.

The land of square inch can get out of the rivers and lakes. The golden drawing skills on the porcelain described the hard work on the tip of the heart. The world ’s kung fu is difficult to be above and below. In the world, it’ s not only the skills of skills, but also the world ’s affection. In fact, there is a lot of well -known halls. (Feng Yanwei)

Source: Expo News

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