Huajiao Daxian Share "Tianjin Museum Collection Ming and Qing Painting Boutique Exhibition" Wulin Painting School

Author:Music club Time:2022.08.06

Even though the rhyme is five hundred years

Tianjin Museum Tibetan Ming and Qing Painting Boutique Exhibition

The Wulin Painting School of the Series Appreciation

Flower Foot Daxian Sharing

Preface

The Chinese paintings of the Ming and Qing dynasties continued to develop and evolved on the basis of the Song and Yuan tradition. With the gradual stability and prosperity of society and economy, culture and art are becoming increasingly developed, and some regional -centered painters and genres have emerged. Each painting school often forms a group of painters under the direct or indirect influence of one or more representative painters. They may have a teacher -in -law relationship in painting, or have similar artistic styles and aesthetic tastes. Power of direction. This is also a major feature of Ming and Qing dynasties.

During the Ming and Qing Dynasties, there were many paintings. The exhibition selected "Zhejiang School", "Wumen", "Songjiang", "Wulin", "Jinling", "Anhui", "Lou Dong", "Yu Shan", "Changzhou", "Yangzhou", "Yangzhou", "Yangzhou" "," Sea "and other eleven paintings were displayed. It is hoped that the process of the development and evolution of various schools of paintings is intuitive, while outlines the overall appearance of Ming and Qing Dynasties.

Fourth, martial arts school

At the end of the Ming and early Qing dynasties, the Hangzhou painter represented by Lan Ying was called the "Wulin School" because of Hangzhou's alias Wu Lin. The theme of painting is mainly landscape, and its scholars Lan Ying paintings all the Song and Yuan dynasties, and they can chase the ancient methods, and at the same time can integrate and connect, forming a profound and rich appearance. The composition of the work is stacked, the space is complicated, the shape is accurate, and the strokes are loose. Its self -made style of painting was followed at the time, and it had a greater impact on painting in the late Ming and early Qing dynasties.