New Book Sharing+Masterpiece Interpretation, Cantonese opera music inheritance and development has them

Text/Yangcheng Evening News reporter Huang Zhouhui Correspondent Liao Mingzhu Yang Mingyu/Organizer provided

On July 31st, the theme salon of "Hundred Zai Wind, Cantonese Charm Long -the inheritance and Development of Cantonese Opera Music" and "Cantonese Opera Performance Art Collection · Music Volume" new book sharing conference was held at the Guangzhou Book Center (Tianhe Store).

Li Ziliu, former mayor of Guangzhou and the honorary director of the Editorial Committee of the "Cantonese Opera Performance Art Collection", participated in the event, shared the compilation story of the "Cantonese Opera Performance Art Collection · Music Volume", and carried out new bookmark sale activities.

At the sharing meeting, Ni Huiying, a well -known Cantonese opera performance artist, editor -in -chief of "Cantonese Opera Performance Art", He Dazhong, deputy editor -in -chief of "Cantonese Opera Performance Arts", Cantonese opera research expert Cui Dewei, Pan Bangzan, Su Xuecheng, shared "Music The story and experience in the compilation process.

They also focused on the three major themes of "instrumental music", "gongs and drums" and "song cards", and told the source flow, inheritance and development of Cantonese opera music, and discussed the inheritance and development of Cantonese opera music in the new era.

Ni Huiying introduced that "Cantonese Opera Performance Arts" is of great significance for the inheritance of Cantonese opera music. Since the beginning of the compilation, the book has been supported by colleagues from all over Guangdong and the Cantonese opera industry in Hong Kong and Macao, and even the Cantonese opera industry in Hong Kong and Macao. Old experts who have been rare for many years have participated in the compilation work. "Daquan" can be published smoothly, which not only shows the unity of the Cantonese opera people, but also condenses the efforts of a generation of Cantonese opera people.

The "Cantonese Drama Performance Art Collection · Music Volume" published this time is divided into three chapters: "instrumental articles", "gongs and drums" and "song cards". The 643 small songs from the Ming and Qing dynasties until now are excellent works of different eras. The time span can be said to be cross -century.

The book has a total of more than 1,000 pages, providing practitioners with a lot of professional and authoritative materials for learning, selection and research.

He Dazhong mentioned that Cantonese opera music is profound and long -term. If the development of various historical periods is not recorded in time, it will be lost in the future. To this end, the writing staff of the "Music Volume" adopt a variety of ways to restore the music score.

For example, according to the spectrum viewing, it is restored and refined through music; according to the origin of music scores, Kunqu artists are invited to guide and sing; according to the relationship between the teacher, the old predecessors of the Cantonese opera industry are invited to make a demonstration. To activation and inheritance.

At the event, Li Junsheng, Chen Yunhong, Cui Yumei, Li Weizheng and other Cantonese opera masters also performed the classic segments of Cantonese opera "official words" such as "Qiujiang Crying", "The Concubine Drunk", and "Sleeping Valley", which made the audience open.

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As an important part of the Chinese cultural heritage, Cantonese opera is an important carrier to display and spread outstanding national culture. It is rich and known for its drama. There are about 1,1360 repertoires recorded, which is one of the most played dramas in the world.

With the changes of the times, due to the lack of historical data such as script, video, and art archives, the drama that can be retained and staged is currently retained.

In order to rescue the historical materials of Cantonese opera, organize the formation of the authoritative textbooks for Cantonese opera performance arts. In 2017, it was co -sponsored by the Propaganda Department of the Guangzhou Municipal Committee of the Communist Party of China, the Guangzhou Culture, Radio, Television Tourism Bureau and the Guangzhou Cantonese Opera Foundation, and the Guangdong Cantonese Opera Promotion Association. The five -volume compilation project of "Cantonese Opera Performance Arts" published by Guangzhou Publishing House was officially launched.

In 2019 and 2020, the editorial board completed the publication of "making rolls" and "singing rolls", and will strive to complete the compilation and publishing of the remaining two volumes of the "dance beauty rolls" and "drama volume" by the end of next year.

Source | Yangcheng Evening News • Yangcheng School

Editor -in -law | literature and art

School counterpart | Xie Zhizhong

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