[Non -heritage of fingertips] Peng Shuai, the inheritor of the clayman Zhang: This work concentrated the friendship of Jinjiang

Editor's note: On July 31, 2022 "Xinjiang is a good place" was opened in the 19th provinces and cities in Xinjiang. look. Xinjiang.com launched the theme column of "Fingertips · Non -Heritage", launching a series of reports to take you into the colorful and colorful non -heritage projects, and feel the deep cultural heritage and unique charm of fingertips.

Xinjiang Net News (Reporter Xu Aiyun) On July 31, 2022 "Xinjiang is a good place" at the site of the intangible cultural heritage exhibition of 19 provinces and cities in Xinjiang, Wu Yu, a citizen, was fortunate to be the earliest audience to enter the exhibition hall. Every project is wonderful. The female book of the representative inheritance of Hunan African heritage surprised her for a long time. The clay sculptures and lanterns in Chaozhou, Guangdong made her linger.

What made her refuse to leave the most was the "Mudie Zhang" non -heritage platform in Tianjin. A Xinjiang element work attracted her: a talkic girl with a clear eyebrows thought about it, and cantaloupe, pomegranate and other fruits in the fruit basket next to the fruit baskets next to the fruit baskets. After the firing, it is lifelike.

As a curator, Wu Yu will naturally not give up the high -standard non -heritage exhibition at the door of the house. She remembers this work at the non -heritage exhibition last year, because the inheritors had been creating at that time. The embryo, when the fruits are forming, Wu Yu is a witness.

In the exchange with Peng Shuai, the inheritance of the "Mudie Zhang" who came to the conference this year, the reporter felt the story of Jinjiang born in the non -heritage exhibition.

Last year who came to the non -heritage exhibition last year, Luan Qingrong, the inheritor of the "Mudie", created a Tagik girl's work at the exhibition and presented it to the model himself. After returning Peng Shuai brought to 2022 "Xinjiang is a good place" at the site of the intangible cultural heritage exhibition of 19 provinces and cities in Xinjiang, and let Peng Shuai continue to complete details such as coloring. During this period, the academic inheritance of the "Mudie Zhang" studio also implied the endless friendship of Jinjiang.

Peng Shuai, a young "Mudie Zhang" inheritor, graduated from the Tianjin Academy of Fine Arts. During his undergraduate and graduate students, he studied sculpture. Sculpture art originated from the West. After traveling to Italy and other countries, he felt that line art is always the main aesthetic factors of Chinese modeling art. He believes that he should continue to obtain art inspiration in the nourishment of traditional Chinese culture. Be a "clayman Zhang" inheritor to retrieve cultural self -confidence in traditional Chinese culture.

It is reported that the theme of "Mudie Zhang" has a wide range of color creation, or reflects the world, or it is based on the people's lives, stage dramas, or directly based on classical literary books such as "Water Margin", "Dream of Red Mansions", and "The Romance of the Three Kingdoms". The plastic works are not only similar, but also written in shape to reach the situation of God. "Mudie Zhang" color plastic is simple and bright, and the materials are particular. The pinch of the mud people has gone through for a long time, not dry and unreasonable, and the two clever combination of "shaping" and "painting" shows people. Powerful life.

Peng Shuai said, "On the basis of professional sectors, I will continue to learn the energy of traditional Chinese cultural culture, create more works, and inherit and carry forward the rich cultural connotation of the" Mudie Zhang "."

Peng Shuai, who came to Xinjiang for the first time, said that as the propaganda said, Xinjiang is a good place, the fruits are particularly sweet, and people are particularly enthusiastic. The non -heritage representative projects of so many provinces and cities across the country gathered in Xinjiang, which is really a feast of cultural condensation.

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