Chengdu Museum, a harmonious symbiosis of a museum and city

Urban civilization memory wrapped in "gold inlaid jade"

Time will return to September 15, 2016. On this day, the new Museum of Chengdu Museum, which lasted six years, finally officially opened to the public. The city museum founded in 1958 was also selected after several location. No. 1 Xiahe Street, west side of Tianfu Square, has a new home that belongs to it.

Standing on Tianfu Plaza, looking at the past, the new museum under the sun has a unique "golden jade" three -dimensional wall effect. This museum with countless triangles, stylish and unique museums, has won 27 awards such as the "17th China Civil Engineering Zhan Tianyou Award" and "China Construction Engineering Luban Award". Its simple and atmospheric shape is based on the worship of the ancient Shu civilization to Xishan. The composition of glass curtain walls and metals (copper nets and copper plates) contains the cultural worship of ancient Shu civilization for jade and gold.

Careful tourists will find that there is a large space in the middle of the Chengdu Museum's building, and no matter from any angle, you can see the mosque standing behind. This famous imperial city mosque built in the 16th century represents a period of history of the city. Now it has become a city -scale frame with the main entrance of the museum and Tianfu Plaza. The harmonious symbiosis of various cultures in cities.

Rhinoceros

Coincidentally, in the process of construction of the new museum, the "treasure of the town city" was also unearthed nearby: the towering Han monument, the town water and rhinoceros, etc. Important relics in different periods of the Ming Dynasty ... The special position of integration with urban history determines the pursuit of Chengbo.

Today, under its brilliant appearance, nearly 200,000 cultural relics that carry urban memory are wrapped in the Neolithic era. , Shadow, Puppet and other cultural relics. The four -tip -weaving machine model unearthed from the Hanxi tomb of Shanxi, rewritten the history of the world weaving and mechanical history, and restores the historical truth of Chengdu as the "capital of the world's brocade" as the Han and Tang dynasties; The capital was the famous metropolis other than the Beijing Division at that time; the stone rhino that caused a sensation or was closely related to Li Bingshui, the small lacquer people unearthed from the old official Shanhan tomb, and the Eastern Han Tao, which represented the Chengdu people's optimism and spiritual spirit. The excellent figurines, etc., are the country's heavy weapon known as the "treasure of the town hall".

The 4500 -year -old urban context, through this high -standard and high -quality cultural building, realized the historical dialogue of ancient and modern times.

A display platform for civilization and mutual learning, ancient and modern integration

Shan Yixiang, the sixth dean of the Palace Museum, was very impressed with the Chengdu Museum. He remembers the grand occasion of the "Shengshi Emperor: Son of Shengshi: The Emperor Qianlong of the Qing Dynasty" on the mobile phone in 2016. With less than two months of actual opening time, the total number of visitors exceeded 630,000. Seven days during the National Day holiday alone, it received more than 210,000 viewers from all over the world. The average daily passenger flow exceeded 30,000, and the maximum single -day day was more than 34,000, setting a new record for similar domestic exhibitions.

As the permanent exhibition of the Chengdu Museum, "Huazhong Jinguan City -Chengdu Historical and Cultural Display", with "Nine Days open a Chengdu", "Xishu called Tianfu", "Xishu called Tianfu", "Xishu called Tianfu" as the clue, Through rich display methods, it records the overwhelming and decline of Chengdu's 4500 -year -old urban civilization history, and the ups and downs. During the shuttle, what people can touch are not only the past of Chengdu, but also bring the thinking and inspiration of the city's reality and future, and feel the city's character that belongs to Chengdu's openness, tolerance and innovation.

Chengdu Dunhuang Special Exhibition site

In addition to the dazzling glory of the 4500 -year -old civilization of Jinguan City, the Chengdu Museum has continuously refreshed our cognition of city history and even world civilization with new insights and attitudes. Various high -quality exhibitions and special exhibitions: "The Nostalgia of the Hometown · Zhang Daqian Art Exhibition" during the trial operation stage caused an upsurge of viewing the exhibition, allowing 500,000 viewers to enter into a blog;

"Soul of the Silk Road-Dunhuang Art Exhibition and the Special Exhibition of the Kingdom of Tianfu and the Silk Road Cultural Relics" comprehensively shows the important role of Dunhuang art and the Sichuan country of Sichuan as the country of Tianfu. The debut allows the number of viewers to feel the desert of the desert of the desert;

French modern art exhibition, as the first appearance of Chengbo's first professional international art exhibition, 51 Western modern classic paintings from the Museum of Contemporary Art from the San Etiti Museum in France, Monet, Picasso, Matisse, Sura, Sura, The famous figures in these art history, "walking" to the audience of Chengdu ...

Since 2020, Cheng Bo has initially established the three major series of exhibition seasons with the theme of "Glory Chengdu", "Colorful Civilization" and "Art Collection", with a preliminary construction season, with a view to forming a civilized and mutually informed and modern cultural exposition display platform.

"We strive to enhance cultural radiation to the form of exhibition resources to the form of small museums; through output to international, realize the exchanges and mutual learning of Tianfu culture and world culture, and establish urban cultural self -confidence; Break the barriers to culture and urban life, gather popularity for commercial centers in the post -epidemic era, and drive the development of urban culture. "The relevant person in charge of the Chengdu Museum said.

Good museums want to "live" cultural relics

Since last year, 7 -year -old Linda grabbed the number of "Weekend Children's Museum" with her mother with her mother with her mother every Tuesday. Go to Chengbo has become the habit of many children in Chengdu.

Every weekend night, Cheng Bo transformed into the "paradise" of children, and a group of children watching exhibitions, handicrafts, listening to lectures, interactive practice, interesting performances, and happy games. This is the first national research and experience "Weekend Children's Museum" launched by Chengbo since the fall of 2019. According to statistics, more than 600 special events have been launched to date, and more than 100,000 groups of parent -child families and more than 200,000 people have been launched.

Chengbo Exhibition Hall

Since the epidemic, various cultural places across the country have accelerated the development of online digital museums. Chengbo also unlocked the new way to watch the exhibition.

Entering the official website of the Chengdu Museum, some exhibitions have realized VR virtualization settings, and some collections have been digitized to digitize. When entering the museum, you can also see the transparent conductive glass screen. The scientific and technological exhibition items of virtual exhibition lines such as Phantom Imaging "Millennium Donghua" set up virtual roaming, digital 3000 years and other projects on the official website to complete the construction of "Yunyou Tianfu Cultural Expo" smart transportation, so that the interactive experience can achieve the prevention and control of the epidemic. "Close the restaurant without closing."

Chengbo Cultural Innovation Zone

In addition, in recent years, cultural creativity has gradually integrated into the main theme of the cultural undertakings. Chengbo, as the cultural living room of Chengdu, has been constantly exploring and innovative cultural communication methods. Through various ways to fully attract and integrate social forces to help the development of cultural and creative products, Chengbo has launched more than a thousand cultural and creative products such as stone rhino series, bright shadow series, and BOBOPANDA series. Strive to bet on daily life supplies, and let the audience take the museum culture home while watching the exhibition.

As Shan Yixiang, the sixth dean of the Palace Museum, said that a good museum is not limited to the grand venue, or a large number of collections, but also depends on whether it can dig out the cultural value of the collections and let it truly "live alive "stand up.

Museum and urban symbiosis

"This city of Chengdu is a large museum." The former deputy dean of the Palace Museum, the former Director of the Department of Museum of Cultural Relics and the Department of Social Cultural Relics (Science and Technology). The city site is not relocated, and the city with a deep cultural heritage in 2500 has a deep cultural heritage.

"The museum is dressed as a beautiful city, and the city also injects vitality into the museum." Duan Yong believes that as one of the most watched and popular public cultural institutions, the museum has a lot of promotion in urban cultural construction; The attention and support also make the museum actions. "The museum grows together with the city. The museum not only records the preservation of urban culture, but also participates in the shape of urban culture. For urban culture, the museum is not only a witness, but also a participant, and it may still be a leader." In Duan Yong A group of museums change a city. There are such examples at home and abroad, as well as Chengdu.

Duan Yong's point of view coincides with Shan Xiangxiang. In Shan Xiangxiang's view, Chengdu's museum can have today's scale and popularity, which is inseparable from the characteristics of Chengdu people to enjoy culture. In terms of geographical environment, Chengdu radiation southwest has a great impact on the northwest. Whether it is settled or passing by, this is a city that people often come and go, and the demand for culture is relatively strong. The unique conditions.

The relevant reports of the Chengdu Business Daily's ancient Shu civilization are different from the magnificent capital culture in Beijing. Xi'an takes the cultural core of Tang culture as the main body. Chengdu's historical and cultural "diversity" is very prominent. Civilization, water conservancy and Taoist culture, Three Kingdoms culture, Tang and Song poetry culture, five generations of music culture, etc., rich cultural forms, promoting a variety of cultural expression forms, and also created a good historical structure for museums that build various themes.

The relevant person in charge of the Museum of Municipal Culture and Guangzhou Tourism Bureau believes that the achievements of Chengdu Wenbo business have achieved four basic experience in recent years: there are four basic experience:

First, the enhancement of the comprehensive urban strength has laid a solid material foundation for the development of the museum;

Second, the deep history of 4600 years, the city site has not been relocated in 3000 years, and the city name is not changed in 2500 years.

Third, the wisdom and dedication of the people of several generations of museums provide a practical guarantee for the museum's service society;

Fourth, the attention of the municipal party committee and municipal government is the fundamental guarantee for the development of the museum.

There is no specific standard for "City of Museum", and there are more than one reason to become the "city of the museum". The harmonious symbiosis of urban development may be the best answer to the question of "the city of the museum".

Red Star News reporter ｜ Zeng Qi

Edit ｜ Duan Xueying

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