Use classical aesthetics to present wonderful fashion blooms -the aesthetic point of the aesthetic point of "Step in the Umbrella"

(Penxian's "Stepping Umbrella" is published in the Literature News)

An ancient drama, a very simple and simple way of performing, a dramatic but not unfamiliar old story; despite this, you can't deny the huge miracle of the current opera creation and aesthetics. Activated the traditional highlights of traditional opera art, but it is like a novel highlight that has been discovered. Its meaning is unusual!

"Stepping Umbrella" is based on the plot of the traditional drama "Jiang Shilong", which has been sung for hundreds of years. This type of men and women have a twists and turns stories of emotion due to chaos. They are originally the creation of Chinese classical opera creation. Now it is more as a stage as a traditional repertoire. Therefore, in these dramas, the story is no longer novelty. Attractive, on the contrary, the characteristics of the traditional presentation and the inheritance of the actor's performance of classic skills are the most obsessive attraction of the audience. However, the attraction and shock given to us in the Xianxian drama "Step in the Umbrella" has changed the limitations of this traditional theme. After the screenwriters of Zhou Changfu and Guo Jingwen, the "Step of Umbrella" is presented. The livelihood and fragrance of character relationships, plot layout, and the meaning of the title have become an important support for the wonderful performance of the traditional Pharma opera performance. It also emits a lot of human business and the resonance of contemporary people from the story and characters.

Zhou Changfu is worthy of writing veterans. He is good at showing a wonderful pen on the plot hook, and pays attention to the fineness of the characters and the plot in the details, so as to express the philosophical and emotional internal quality of the life and emotion contained in the story and the characters. The full play is to the fullest. To be fair, the success of the Xianxian drama "Step in the Umbrella" is the first to write wisdom and temperature in the script, so that the fate and emotional crisis of the old men and women who have been lost for a long time, and they even excavated and displayed. Contemporary people appreciate and pay attention, and have a lot of sighs and understanding.

In terms of structure, "Stepping Umbrella" is divided into four games of "stepping on umbrellas", "listening to rain", "rain" and "together". "Stepping Umbrella" is an introduction to encounter. The focus is on the fate of the two of them tightly and pave the way. "Listening to the rain" is the first pen and ink. Although Wang Huilan and Chen Shizhong's engagement men and women who have already been engaged, although the encounter of the war is accidental, whether Chen Shizhong ignored the rituals and even promised men and women to travel with each other. It reflects its sincerity; of course, it is also the prerequisite for the development of drama development in the future. After that, he also entered the most exciting and exciting Chinese chapter "Listen to Rain", which was the most exciting and devoted. The two -person investment shop is alone. Although the shop mother teases "two rooms in the middle of the night", Chen Shizhong and Wang Huilan here are sincere and sincere. They are definitely gentlemen. With the rainy night, when she was a little leisure, Chen Shizhong reported his name under the question. Wang Huilan was shocked by his fiance beside him, but the ghosts had to be tentatively tentative. The excitement of the play has great uncertainty and dramatic. Next, because of the true feelings of the heart, Chen Shizhong found that Hui Lan was beautiful because of drinking alcohol. Especially when Wang Huilan, a pseudonym, asked if she was engaged, Chen Shizhong, who was swaying, denied it, and the show entered the huge plot embarrassing and emotional crisis. Wang Huilan was difficult to ride a tiger. Chen Shizhong's water covered the water was difficult to collect. One clearly fell into humiliation and was annoyed, and the other was ignorant and felt delusional. As a result, the night of "listening to the rain" brought greater storms. How to resolve the crisis of contradictions? It's like a huge suspense, the audience can't think of it, and naturally look forward to the development of drama.

The next "rain" is the crisis of "listening to rain" to the final transition to the final solution. It is difficult to distinguish, there is something to say, there is a complaint of suffering, and the crisis peak created by the final resolution of the contradiction. The place of "crossing" was placed on the side of the river, and the order rendered the spring day. It can be seen that the author is a symbolic and meaning setting. Wang Huilan was "who expected a night rain, and the mother's mother continued, and the sentence called slaves to add embarrassment." This play is undoubtedly the highlight of the audience. But in fact, it is very difficult to write, because the plot result is that the plot routine with traditional drama has lifted the suspense of attention in advance. Make the screenwriter face the process of seeing your solution. What details can you write? The scene was dense and clever, and it even wrote the taste of life outside the plot. First of all, Chen Shizhong, Jiang Bian, confessed the mistakes of "although the chaos is in power, but the etiquette cannot be chaotic", but the response was Wang Huilan's rejection of "you a scholar's behavior lightly floating and how slaves would spend your life with you for life". It seems that the crisis is difficult to solve, but the shop mother and Gong of Miao Miao in the play are also men and women who are also men and women. In Mrs. Wang: "Deserters meet with their fiances, this is the fate of previous life," and the persuasion is still invalid. It is like a warning world, which has attached to everyone. Of course, Wang Huilan's inner waves and deep self -regrets have also inspired. Then, the mother -in -law said: "The person is not long, and the less consumed, and the words after eating alcohol are not counted!" Then it provides the steps that Chen Shizhong and Wang Huilan's inner tangled resolution. However, the wonderfulness of the play has not stopped there, but it is transformed into a more meaningful and romantic environment in the river and the ship. The Cold War between couples was then resolved by the delicate layout of the script. Here, the existence of Gong Gong becomes clever and inevitable, "you grabbed the ship on the board, why didn't you speak on board?" It has the role of four or two pounds. Next, Chen Shizhong blame "Lang Gui to lie to me" and let Wang Huilan blurt out: "Ru Gui is my milk name, who deceives you?", And the sincere confession in the time. At this point, Wang Huilan rushed out of the heart and "umbrellas and umbrellas, and they were gone with the wind and rain all the way. As a result, Chen Shizhong did not give up affection and expressed his departure, and decided to "re -propose to Ru Gui". How can this emotional sincerity not let Wang Huilan be gentle and eagerly call him to stay, say: "Wait, and rain, this umbrella takes it". At this point, a twisty but warm crisis, the fixation is buckled, and it is solved reasonably. The plot is delicate, humanized, philosophical, and unique on the basis of traditional drama. Highlights and emotional expressions have a basic support for vibrant artistic attractiveness. Similarly, because of the sexy and delicate chewing and clear analysis of the characters, it is enough to make the traditional story that is lacking in infectious and freshness. Qinrun and inspiration.

The simplicity and agility of the description method provides excellent text support for expressing the artistic characteristics of Xianxian opera. Although Chen Shizhong and Wang Huilan have a lot of views, the setting and portrayal of several small characters are equally agile. The mother -in -law and the husband and wife are by no means dispensable. The role and emotional details they assumed in the play are full of fireworks and universal feelings, but they have a simple philosophy of life. Carefully set up, although the unknown surnames in the play, but the four inspectors who have the unknown surname, the environmental construction, environmental construction, and the promotion of the plot have many functions. Identity and flexible use reflect the flexible and infinite essence of characters in traditional Chinese operas. In "Step in the Umbrella", I think it is a combination of performers who jump into the jump and the viewers of the ornamental judge. These are the traditional appearance, but in terms of text and stage presentation, it glows with the autopsy effect of traditional methods. It also inherits the tradition and cleverly reflects creative functions.

The simplicity and exquisite performance of "Step in the Umbrella" is rare in opera performances in recent years, and it is also a magic weapon that has been deeply attracted. At the same time, we admire the traditional and profoundness of the aesthetic style, and we must also marvel at the charming expression created by contemporary artists. The whole scene is beautiful, quiet, and has a strong life of southern Fujian. The small stage carved beams in the play are delicate and quaint. In the gathering space, the story of Chen Shizhong and Wang Huilan is placed in it. The departure of the war, the rescue of the encounter, the Yibian of the peers, the warmth of the bed shop, the disappointment of the temptation, the embarrassment after the chaos, and the gentleness of the ice -release interpretation on this stage are performed with exquisite and convergent performances and singing. Although it is not large, it is best to reflect the complete and unique aesthetic methods and performance methods of Puxian opera. It should be said that "Stepping Umbrella" in the stage performance of the stage is very powerful to prove the preciousness of the artistic value of Puxian opera, and also tried to achieve new content with traditional wonderful performance in the new drama. Based on, it better reflects creativity and confidence in the drama.

The two starring Huang Yanyan and Wu Qinghua, their classical temperament and exquisite performances on their bodies exudes the elegance and exquisiteness of traditional operars' eyes and figure. Compared with other places, it should be said that the Xianxian opera has a complete set of self -system in performance. Its aesthetic and expression methods are more unique. Out of ancientness. Huang Yanyan and Wu Qinghua's performance deeply moved and conquered me in three aspects. First, it is the embodiment of the characteristics of the acting method. The use of one step, a turn, and a water sleeve. These external exercises and eyes, expressions, expressions, and the accurate expression of emotions are well combined. The emotion does not show its bondage and is vivid, reaching the blend of water and milk that is technological expression with the emotional expression of the characters. This is rare in the inheritance of traditional drama in the opera. It shows that the actors have learned it well, they are clever and accurate. Such as: Umbrella, as an important prop, in the first game, Huang Yanyan and Wu Qinghua played a drama around him: holding umbrellas, pulling umbrellas, umbrellas, returning umbrellas, prying umbrellas, grabbing umbrellas, and umbrellas, until the umbrella, until the umbrella, until the umbrella, until the umbrella, until the umbrella, until the umbrella, until These plots and details, their performance is clear and beautiful, showing the best of the traditional drama to make the drama, and release the artistic point of full charm. Second, it is the distinctive and true pursuit of emotional portrayal. Watching "Step in the Umbrella" we will obviously feel that in Huang Yanyan and Wu Qinghua's heart, Chen Shizhong's love and emotional entanglement between Chen Shizhong and Wang Huilan are complete, and it is even more real in the hearts of the actors. "Listening to the rain", the reasonable young man and woman with a reasonable one -room "trouble", the reasonable impulse to take the initiative and difficult to suppress the man, the embarrassment of the woman after being disappointed. The presence of heavy technology is not so delicate and truly showing the touching aesthetic effect, because the old play and old acting are more technical inheritance rather than the emotional portrayal. However, it can be clearly felt in "Step in the Umbrella" that the plot is based on the clear inner activity and emotional reflection of the male and female actors as the basis, and then present it with performance methods. As a result, at the same time, emotional and processes also have distinctive paths and vitality. Emotional extraction and essence have added more artistic magic than life. Third, both Huang Yanyan and Wu Qinghua can do it. The appeal of the drama embodied in singing does not reduce the color due to language barriers. It cannot be denied that the aesthetic resistance of the competence in the opera appreciation is an objective existence, but in the "Step of Umbrella", the music characteristics are very infectious. This is inseparable from the singing conditions and singing effects of the two starring actors. Huang Yanyan reads white and gentle, and her lips and lips pay attention to the beauty of emotions and words and words. Her voice is very soft, sweet and implicit, and highly expressive. And Wu Qinghua's niche temperament and performance, especially the chanting, singing handsomeness, there is no lack of man, singing affectionate and sincere, and the eyebrows are very agile, especially the dynamics of the plastic beauty of the stage and the motion of the picture, the limb, and the image. Moreover, Wu Qinghua pays great attention to the accuracy of emotions, so that people can experience the content and heart of singing through his melody. This is really two good actors! In short, "Stepping on Umbrella" is indeed unforgettable. It is a unique and good show that has such a strong expression and aesthetic appreciation on the basis of the traditional appearance in the past two years. It is worthy of promoting and summing up.

(Source: Putian Cultural Tourism Editor: Wu Wei)

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