Sichuan's comprehensive kiln yard in the Sui and Tang dynasties so far

Chengdu Sui and Tang Kiln Site Museum

Sichuan's comprehensive kiln factory in the Sui and Tang dynasties so far

Fill in the distribution of ancient ceramics sites in the upper reaches of the Yangtze River

Chengdu is known as the "Museum's Capital".

The museum is a microcosm and display of the history of the city. It is a public domain for collecting historical memory. It is a local civilized inheritance carrier and spiritual homeland. It is a time machine that traces the trajectory of local cultural development.

Located at the Chengdu Sui and Tang Kiln Site Museum at No. 31, West 2nd Section, No. 31, Qingyang District, Chengdu, it is the most important porcelain production place in Chengdu Plain from the two and Tang dynasties of the two and south kiln. Porcelain technology technology, and typical kiln factories for large -scale production, because of its heyday during the Sui and Tang dynasties, was called the Sui and Tang dynasties. Because the ancient kiln site is located north of Guan Qingyang Palace, Guanguan, Qingyang District, Chengdu, it is also known as Qingyang Palace.

The kiln was discovered from 1954 to 1983, and its distribution area is about 2 square kilometers. It is a large -scale and well -preserved comprehensive kiln factory in the Sui and Tang dynasties so far.

In the 1950s and 1980s, the site of the Sui and Tang dynasties was excavated several times, and a large number of relics and relics were cleaned up and unearthed. Due to the important status and significance in the history of ceramics in the region, in order to undertake the protection, propaganda, display, research, management, and planning of the kiln site, in December 1985, the Chengdu People's Government approved the establishment of a cultural relics in the Sui and Tang Dynasties. It was announced in April 1991 as a provincial cultural relics protection unit. In June 2004, the Cultural Management Office merged into the Chengdu Museum and changed its name to the Sui and Tang Kiln Site Museum of Chengdu.

In the current kiln site, there are better protection of the Warring States Period, Tao Kiln, Sui Short Dragon Kiln and Tang Tong Bao Kiln. The discovery of short dragon kiln is the first time in the country. There are more than 6,000 utensils unearthed in the kiln site, mainly folk daily utensils and artifacts, including pottery, porcelain, kiln furniture, building components, pottery figurines and animal models, as well as coins, animal bones, copper and stone tools, etc.; Burning green glaze porcelain is the main and combined pottery. It belongs to the southern celadon kiln. It is a large -scale folk kiln with strong local Sichuan local characteristics.

Starting from the Qin and Han dynasties, the ancient kiln factory has been burning pottery and porcelain in 1200 years. During the Sui and Tang dynasties, the Qingyang Palace kiln close to Chengdu was even more supplied to Chengdu with rich products, becoming a vivid and beautiful part of the urban economy and cultural life. In addition, the kiln firing technology is advanced, with rich products, innovative decoration technology (painting), and has high archeology and scientific research value.

On May 8, 2021, after the exhibition was promoted and the garden transformation, the Museum of the Sui and Tang Kiln Site of Chengdu resumed the open welcome. Ceramic history and culture.

There are three exhibition halls in the Sui and Tang Kiln Site Museum of Chengdu, which focuses on the theme of "Jinjiang side -by -side ceramics". Through the three units of the soil into a dirt, Chengxi kiln industry, and the porcelain of the Chengdu Plain, the Chengdu Plain from the Neolithic period to the Ming Dynasty was fully displayed. The history of ceramic production in various historical period highlights the rise and fall of the Sui and Tang dynasties.

The venue is a pupae into the soil

The use of pottery is a sign of the era of the history of human development. The earliest pottery in Chengdu Plain appeared in the city site of the new Stone Times Baudun Culture. During the ancient Shu Kingdom, there were a lot of small pottery kiln in the west of Chengdu City. The production of various cookers, food vessels, wine vessels, etc., pottery vessels are also used for worship. The small flat pot, sharp bottom can, bird's handle and spoon, high -handle beans, horn -shaped device, etc., becomes the most representative instrumental shape of the Chengdu Plain.

West kiln industry in the second city of the venue

At the latest in the Eastern Han Dynasty, mature celadon has emerged in the Shangyu area of ​​Zhejiang, becoming the beginning of my country's porcelain production. In the Eastern Han tomb of the Chengdu Plain, the celadon cultural relics were unearthed. The burning of the Qingyang Palace kiln porcelain began in the Western Jin Dynasty and declined in the late Tang and Five Dynasties. This kiln's products are ancient and clumsy. The glaze color is the most common in green and brown in various colors. Most of the tire quality is high -white and white. It is one of the most important representatives of early celadon in Sichuan.

Porcelain in the venue Sandu Plain

In the Chengdu Plain area, the celadon kiln factory that emerged at the same time as the Qingyang Palace of Chengdu, as well as the Waka Mountain Kiln in the Kiln Kiln, the Baiyun Temple Kiln in Xinjin, and the Yokohanshan Zi kiln in Chongzhou. At the end of the Tang Dynasty, Nanzhao committed Shu, the Qingyang Palace kiln stopped burning, and the kiln became a local celadon production center, while the Liuli factory kiln in Chengdu and the Yutang kiln in Dujiangyan also gradually emerged. After entering the Song Dynasty, the white porcelain kiln factory represented by Pengzhou Magneto Kiln and the black porcelain kiln factory represented by Dujiangyan Jinfeng Kiln rose rapidly. The production pattern of porcelain industry that is parallel in green, white, and black porcelain continued until the end of the Southern Song Dynasty.

Pottery experience area

There is a ceramic experience area in the courtyard. While watching exquisite ceramics, you can also experience the process of making ceramics in person.

There are nearly 2,000 collections of museums, from the earliest pottery in the Chengdu Plain to the pottery structures of the Qin and Han dynasties, from the celadon in the Sui and Tang dynasties of the western Sichuan, to the production of white porcelain and black porcelain in the Chengdu kiln factory in the Tang and Song dynasties. The minimalist history of ceramics in Chengdu Plain.

These exhibited exquisite ceramics not only have strong ornamental value and use value, but also have high cultural value, historical value, social value, and status value, revealing the rich connotation and strong strength of Chengdu as a historical and cultural city.

Source: Sichuan Provincial Local House Work Office

Supply: Local Chronicle Office of Qingyang District, Chengdu

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