Museum Daily (No. 857) Jilin Province established the "Museum Digital Innovation Laboratory"

[Jilin Provincial Cultural Relics Bureau's first key scientific research base "Museum Digital Innovation Laboratory" unveiled] On July 26, 2022, under the guidance of the Jilin Provincial Department of Culture and Tourism, the Jilin Provincial Museum Association, Changchun Cultural Broadcasting Television and Tourism Bureau supported , Jingyue High -tech Industrial Development Zone, Puppet Manchu Palace Museum, Museum's Museum Digital Innovation Laboratory's "Jilin Provincial Cultural Heritage Bureau Key Research Base Unveiling Ceremony and Museum Digital Wisdom Innovation Symposium" was successfully held in the office building of the Puppet Palace Museum.

At the event, Wang Zhiqiang, the dean of the Puppet Royal Palace Museum and the director of the Museum Digital Innovation Laboratory, gave a special report on the construction of the Wisdom Museum of the Puppet Palace and the research work and results of the laboratory. Liu Shuguang, chairman of the China Museum Association, made a report entitled "The Museum Viewing Affairs of the New Era Cultural Relics Working Policy". Relevant leaders unveiled the first key scientific research base of Jilin Provincial Cultural Relics Bureau- "Museum Digital Innovation Laboratory" and carried out a salon discussion on issues such as "Selection of High -quality Development Paths in the New Era" in the New Era.

The "Museum Digital Innovation Laboratory" was formerly a "Smart Museum Joint Laboratory" established in 2020. This laboratory is a pseudo -Manchu Palace Museum, Jilin University Archaeological College, the Shanghai High School of China, China Zhiwang, Wuhan Da Shi Wisdom Technology Co., Ltd. and Jilin Provincial Zhongwei Technology Co., Ltd. Six units were jointly established; in July 2022, the Jilin Provincial Bo Xie Association Digital Special Committee and Hongrui Wenbo Group Co., Ltd. were added as new members of the laboratory. Development needs, the "Smart Museum Joint Laboratory" is renamed the "Museum Digital Innovation Lab". It is the first Chinese -open innovation platform for the cultural and exchanges of cross -organization, cross -industry, and cross -professional and horizontal exchanges in China.

The unveiling ceremony site (source: source: Changchun Wenli)

[China for the first time in China to conduct archeological excavations on the East Temple of Susbashfo Temple in Xinjiang] Recently, the archeological team of Renmin University of China conducts archeological excavations on the East Temple of the Susbashfo Temple in the Xinjiang Kuqi Market. East Temple's maintenance and reinforcement and cultural relics provides a scientific basis. This is also the first archeological excavation of the East Temple of the Susbashfo Temple.

The site of the Subashaver Temple, also known as the Da Temple of Zhaoyi, is located in the southern foot of the Lotagi Mountains in the northeast of Kuromi City. It is the fourth batch of national key cultural relics protection units. In 2014, the "World Cultural Heritage List" was listed. The entire site is divided into two Buddhist temples in the Cocahar River, which is divided into two Buddhist temples in East Temple and West Temple, with a distributed area of ​​about 20 hectares. It consists of a pagoda, temple, caves, temples, monks and other buildings. The west temple site is relatively intact.

Since the founding of New China, the state and autonomous regions have carried out many scientific archeological excavations on West Temple, and many physical evidence of high academic value and historical value has been unearthed. East Temple was built on the mountain, and the entire adobe was built. For thousands of years, due to wind erosion and rain, the ruins were severely damaged, and it was urgent to reinforce and protect. This time, archeological excavations of Dongti will be measured and drawn by measurement and drawing plane layout maps to investigate the relationships between urban, walls, towers and other buildings, and natural and human destructive factors. Provide evidence for academic research.

Archaeological scene (source: zero distance from the car market)

[Yingguanshan Site will apply for the National Archeological Site Park] Recently, the Chengdu Cultural Relics and Archaeological Research Institute Ancient Construction Study Center has formed the "Yingpanshan Site Cultural Relics Protection Planning Project" to go to the Panshan site in Maoxian, Aba Prefecture for preliminary investigation of cultural relics protection planning. This marks the formal launch of the cultural relics protection planning planning of the Shinshi New Stone Times Site in Yingguanshan, Maoxian.

It is understood that the unearthed cultural relics of the Shinshi New Stone Times Site in Yingguanshan include the earliest ceramic sculpture artwork discovered in Sichuan, the earliest artificial use of cinnabar relics in the country, the earliest and largest pottery discovered in the upper reaches of the Yangtze River area. Kiln site, etc., the number of landslides unearthed is the largest in Sichuan, and it is also a major breakthrough in the archeology of the upper reaches of the Minjiang River and even northwest of Sichuan. Essence

According to Cai Qing, the director of the Maoxian Museum of China, the "Protection Plan of Yingpan Shan" was compiled to lay a solid foundation for protecting the Panshan site; on the other hand, it also used the good and displayed the site of the Yingguanshan site to create a demonstration demonstration of cultural tourism integration. Points to build a distinctive national archeological site park provides basic conditions.

In addition, the planning team also investigated the roads, infrastructure, public service facilities, and existing buildings around the site, focusing on the detailed assessment and records of surrounding buildings. The recorded data include the number of buildings, quality, and coordination of the building. This detailed research data will be used as an important basis for preparation of protection.

Next, archaeological researchers will conduct a large number of cases, put forward better protection measures on the reflection of the cultural relics of Yingguanshan site, and plan a planning plan that can reasonably protect the use of Yingguanshan ruins.

[The University of Sydney Museum allows color -blind visitors to experience collections] Recently, the Chau Chak Wing Museum of the University of Sydney, Australia, cooperated with the color blind glasses "Enchroma" to see the bright colors of the collections. Red -green blind ginseng viewers can rent Enchroma glasses from the museum to clearly see the bright colors of the exhibition in the exhibition. Enchroma's lens technology uses special optical filters to let red and green blind people see more colors. The museum has also become the first museum providing this technology in the country, which has taken another step in improving social tolerance. Every 12 of men have one color blindness, one of the 200s of women, and the total number of color blindness in the world is about 350 million. Compared with normal people, patients with color blindness can only see about 10%of colors. The color will be dim and difficult to identify in them. Many visitors said they were happy to visit in a new way, and they could see the color levels of the Sydney Port Beach and Sky in the paintings, as well as gorgeous Egyptian cultural relics. Some audiences have seen the artist's technique from the subtle difference between color. Visitors wearing special glasses visit the university of sydney in the museum

[China] Shanghai Fengxian District Museum: July 15, 2022, guided by Shaanxi Provincial Cultural Relics Bureau, Shanghai Cultural and Tourism Bureau (Shanghai Cultural Relics Bureau), Shaanxi History Museum, Emperor Qin Shi Mausoleum, Shanghai Museum, Shanghai Museum, Shanghai Museum Co -sponsored by the Fengxian District Cultural and Tourism Bureau, hosted by the Fengxian Museum, the "Wuxeji -Shaanxi Zhou, Qin, Han and Tang Dynasties Essence Exhibition" was strongly supported by many literary units in Shaanxi Province in Shaanxi Province. Essence

Shaanxi is located in the hinterland and middle reaches of the Yellow River. The unique natural environment provides unique conditions for the evolution and social development of ancient civilization in Shaanxi. Shaanxi has long been the center of ancient Chinese history. "Qinzhong has been emperor since the ancient emperor". There have been 14 dynasties established here for more than 1,100 years.

In particular, the four unified dynasties of the Zhou Qin, Han and Tang dynasties, created a highly developed material civilization and spiritual civilization, composed the most colorful movements of Chinese civilization, made important contributions to the development of world civilization, and influenced the modern China across time and space. Political economy, ideological culture, and social life.

This exhibition is divided into four units: "Hehezong Zhou", "Oriental Empire", "Great Han Xiongfeng" and "Sheng Tang Meteorology"; a total of more than 150 (group) cultural relics are displayed, which has gathered the essence of the cultural relics of Zhou, Qinhan, Tang and Tang Dynasty in recent years. Selection, condensing the most gorgeous memories of ancient China in ancient times, showing the cultural self -confidence of the Huaxia nation's hard work, tolerance and generosity.

The exhibition will last until September 15, 2022.

Exhibition poster (source: Museum of Fengxian District)

[China] Beijing Xiaoshan Gallery: Recently, the double -group exhibition "ERROR · Restart" and "Fables and Radio" sponsored by the Beijing Gallery display.

This group exhibition exhibited 13 works of 13 and 6 artists in the two spaces. The curator used art as a carrier to propose a response to real life or romance or irony in the digital age. "Fables and radio waves" put forward alternative interpretations of art and narratives, respectively. The exhibition devices of cutting and horizontal gallery space created a natural interoperability in the two fields that echoed each other.

Under the historical process of increasingly complicated and multi -dimensional development, real life gradually breaks away from actual experience and physical experience, turning to virtual space and indirect space shouting, so can art still take the role of criticism and comfort, how art has associated with the historical process to connect with the historical process Intersection ERROR highlights the increasingly accumulated internal contradictions and confusion. At this moment we will focus on the artistic works itself, focusing on the characteristics of the creative materials, the significance of creative themes, and the inherent aesthetic logic of the works. The historical and cultural context of the creation also liberated the reasonableness of the existence of art works from the obligation to reflect the truth of reality. The answer to the wrong answer is hidden in the art itself; Cute, restore the true narrative. The theme of the two exhibitions hints that in the background of the digital age, it has a completely different perspective of real life.

The group exhibition will last until August 13, 2022.

Exhibition poster (source: Xiaoshan Gallery)

[China] Dongguan Guancheng Art Museum: Recently, the "Crescent Different Sun -Wuhan Art Museum Collection Industrial Printmaking Works Exhibition · Dongguan Station" jointly hosted by Wuhan Art Museum and Wancheng Art Museum continues to extinguish the exhibition hall on the first floor of the Guancheng Art Museum out.

This exhibition mainly presented 50 industrial prints collected by Wuhan Art Museum, which combined with the presentation of literature and images to sort out the development of modern industrial and industrial prints in Wuhan to discover the unique cultural value and historical value of industrial prints. Let the audience understand and feel the brilliant history and achievements of industrial construction since the founding of New China.

The exhibition will last until August 18, 2022.

Exhibition poster (source: map of life art)

[China] Henan Museum: On July 8, 2022, hosted by the Henan Museum, the "Wind array horse, the pen is carried by the Capital Museum, the Shanghai Museum, the China Museum, etc. The Calligraphy Art Exhibition was officially exhibited at the Henan Museum No. 16 exhibition hall (eastward exhibition). The exhibition carefully selected nearly 80 (set) exhibits of 20 literary and bloggers, covering Wang Duo's representative calligraphy works and handed down books, as well as some works of friends in the early three periods, and part of the work. According to the four parts of the four parts of "French Gagu", "Detective Finding themselves", "Dazhongs and Equipment", "Wenyou Books", not only reflect the specific era style and aesthetic orientation, but also show the artistic pursuit of the calligrapher's persistent art pursuit of art. And the clear subject spirit.

Wang Duo's calligraphy works not only left a profound brand of the times, but also recorded his undulating vicissitudes of life. As the most individual calligrapher in the late Ming Dynasty, Wang Duo advocated and practiced the lingering scriptures, unique in the evening book. Wang Duo's calligraphy aesthetics was placed at the time, forming a wonderful contrast and balance with Gao Xiuyuan's style represented by Dong Qichang; placed in later generations, reflecting the aesthetic trend of the era of the past century; The reason why the classics can last for a long time will inevitably contain the eternal beauty, eternal feelings, and mighty qi. The exhibition will continue to the exhibition until September 12, 2022.

Exhibition poster (source: Henan Museum)

[China] Hubei Yimei Space: Recently, the first exhibition of the "Food Theater" series of "Food Theater" hosted by Yumei Space -Artist Shi Jin Song Solo Exhibition "Food Scene" continues to continue to start a business in Hongshan District, Wuhan City, Hubei Province Exit.

As the opening exhibition of the "Food Theater" project, the artist has created a scene of investigating food from the perspective of art and explaining art through the language of food. A food and art ecosystem, a "new Chu cuisine" production platform.

Shi Jinzheng performed a drama about gourmet art in the seven exhibition halls of Yimei Space. The exhibition line is like a traditional "tourist garden". Participants move their shapes and shadow, with the heart movement, from rice culture to the sublimation of wine culture, from the Jingchu Fisheries Laboratory in the smoke, from the display of biological science engineering to the stage The food interpretation of the food, the participants in the art exhibition and the beauty of the beauty, from the realm to the mood of the artistic arts in the traditional garden, the gardening, the distance, and the fast rhythm. Philosophy, thereby reaching the food and human things.

The exhibition project is the resonance of art and food. The organizer also used the "Food Theater" to make the concept of "New Chu Cai". "New Chu Cai" takes the ingredients of Jingchu land, and the cooking treatment of various methods will combine naturalism with the spiritual spirit of the experiment to fully interpret the beauty of food.

The exhibition will continue until September 16, 2022.

Exhibition poster (source: art exhibition Hubei)

[Britain | University of London University of London] The Courtault, the University of London, held an exhibition "Traces: Traces for Frand Print" from June 18 to September 25th from June 18th to September 25th. : Renaissance Drawings for Flemish Prints). This exhibition exhibited some paper works hidden in the college, exploring the production of Frand's printmaking in the 16th century, especially highlighting the print design of the famous Neidland artist at the time, including Pieter Bruegel de OUDE) and Maerten Van Heemskerck. The college's well -known collections can meet the audience this time. Visitors can in -depth explore the imprints left by the artists and craftsmen of the year. Paper Art Center. The exquisite art of art produces the finished product, while the professional version of the painter has transformed the pattern into a copper version, and the publisher is printed in large quantities, which is optimistic about the economic value of cheap printing. As a result, artistic thought and exquisite patterns have been widely spread, affecting art development, and their influence is even exceeded in Europe.

Pieter Bruegel de Oude/"Kermis at Hoboken/1559/Courtault Institute, London/Lee Collection

[Lecture Trailer | "The understanding and shaping of nature ': dialogue and strategy in the same question group of paintings"] On July 30, 2022, "Shuimu Zhan Qinghua: Chinese painting in Chinese painting in the Ministry of Public Education of Tsinghua University "Nature" series of special lectures on Lectures 155 "'Nature' understanding and shaping: dialogue and strategy in the same question group" will be held online. The lecturer of the lecture was Gu Qing, an associate researcher and deputy director of the China Institute of Culture of the Chinese Academy of Arts.

The ancient landscape and flower theme paintings with "things" are mostly containing knowledge, ideas and ideas about "nature", paintings and their postscripts constitute the "picture-text" system, expanding the single tailor and what they can express can be expressed. Content. Multiple questions about the same paintings, or appreciate the objects from different angles, or extend the painting meaning according to different positions, reflect the various methods and methods of understanding and shaping "nature", and analyze the questions and outside of the question outside of such texts. The relationship, and the relationship between these texts will undoubtedly help the historical background and cultural meaning of painting paintings in a three -dimensional and deeply cognitive painting. Lecture poster (source: Museum of Art of Tsinghua University)

[Thinking of "Thinking of Art Anthropology Multi -modal Studies" Lecture] On June 30, 2022, the theoretical and practical research group of Chinese art anthropology and the "China China Institute of Art Anthropology and Sociology, Southeast University The second lecture of theoretical and Practical Research Research of Art Anthropology "" Thinking of the Research on Artistic Anthropology Multi -modal Studies "is held online. The lecturer of this lecture was Wang Jianmin, executive vice president of the Academy of Ethnic Art of the Central University for Nationalities.

The lecture mentioned that the multi -mode state, as an innovative direction of artistic anthropology research, constantly reflects and critical of rigidity and arbitrary dual splitting concepts, and through various media presents and people's sensory perception The connection system re -cuts the previous modes that have been cut with each other, and even often ignored or omitted. The understanding may become a theoretical academic output channel in the academic practice of reflection. Multi -mode artistic research involves the issue of the ethnic history of anthropology fields, and new thinking in the relationship treatment of methodology, quality research and quantitative research, etc. Combining is the research method and methodology of multi -mode anthropological research. From the research orientation to the use of tools and innovative perspectives, the multi -modal state needs to be placed in the thinking framework. The tension between multiple different methods that fail to integrate properly.

Lecture poster (source: Society of Chinese Art Anthropology)

[Forbidden City Scholars Lecture Lecture 1 Lecture 1 "The Emperor Ziyi -the Emperor of the Qing Dynasty" was officially held] On June 30, 2022, the "Forbidden City of the Forbidden City, hosted by the Palace Museum of the Palace Museum, and hosted by the Research Office of the Palace Museum Speaking of the Palace of the Forbidden City, the first lecture on the "Emperor Ziyi — the treasure seal of the emperor of the Qing Dynasty" officially held online lectures. The lecturer of the lecture was Guo Fuxiang, deputy director of the History of the Palace of the Palace Museum.

The emperor Baoxi started from Qin Shihuang's "Six Seal of the Public". It has a history of more than 2,000 years. The number of Baoxi is different, but there are very few relics. There are more relics of the emperor Baoxi of the Ming and Qing dynasties, especially the Emperor's Emperor Baoxi is stored in a complete preservation. In addition to a few people and overseas due to the loss of the war, most of them are still collected in the Palace Museum and become the Palace Museum. Features of collections. The important historical system, as small as the emperor's words and deeds, is mostly reflected in Baoxi. It has extremely important historical value for studying the politics, ideas and culture under the centralized system of the Qing Dynasty.

The lecture is based on the collection of the Forbidden City, and traces back to the early historical conditions of the emperor's treasure seal, and the basic laws of the emperor's treasure seal. Through the introduction of these collections, the basic situation of the emperor's treasure seal of the Qing Dynasty can be understood, such as the number of treasures, production procedures, preservation methods, usage conditions, etc.; For the thought of politics, the emperor's personal journey; better understanding the context of the Chinese affairs of the emperor's court, the changes in the rise and fall of the palace garden of the tiritaryness of the palace garden.

Lecture poster (source: Forbidden City Museum)

[New Book Published: "Full of Tianxing Dou: Su Bingqi on Ancient China"] Recently, the book "Full Tianxing Dou: Su Bingqi on Ancient China" written by Zhao Tingyang and Wang Xing selected by Su Bingqi has been officially lived by life, reading · Xinzhi Sanlian Bookstore. publishing.

On the basis of a large number of solid archeological practice, Mr. Su Bingqi proposed the theory of regional types, thinking that the Central Plains region is only one of the six major district departments that develop independently but affect each other. The traditional concept of the dynasty center put forward challenges, and described the state of Chinese civilization in the Neolithic period as "full star fight".

The collection of this article not only contains research works such as "Millions of Millions of Chinese Culture", "Culture and Civilization", but also income from articles such as "Research on" Geometry Printing Pottery "and" Research on Waves ". It makes it easier for readers to understand. The basic theory of governing Chinese archeology, the regional type of archeology culture founded by Mr. Su Bing, and the multi -centered or diversified theory of the origin and formation of ancient Chinese civilization and the unity of the regime and the cultural diversity of culture (that is On the basis of what methodology, it appears on the basis of how many practical materials accumulated and how long analysis and exploration it has passed.

"Full Tianxing Dou: Su Bingqi on Ancient China" (Picture Source: Archaeological Bookstore)

[New Book Publishing: "China Gold and Silver Instrument (Total Five Volume)"] Recently, "China Gold and Silver Ware (Total Five Volume)" written by Yang Zhishui will be by life, reading · Xinzhi Sanlian Bookstore (Life Bookstore Publishing Co., Ltd.) Formally published. "China Gold and Silver (a total of five volumes)" mainly includes the volume of "Far Far Maps -Pre -Qin, Han, Wei, Jin, Northern and Southern Dynasties"; —The Songs and Golden Yuan; Volume Four "Busty to the end -Ming Dynasty"; Volume 5 "Quick Variation -the Qing Dynasty", and the adverse picture sources with high data value.

This book has a detailed exhibition of nearly 4,000 gold and silver instruments, back to the history of gold and silver instruments from Shang Dynasty to Qing Dynasty. During the period, there are representative related gold and silver artifacts.

"China Gold and Silver Instrument" is the first great book in my country to display the changes in the field of arts and crafts in the field of arts and crafts. It is also a history of human life on paper. In shape and decoration, the relationship between art and craftsmanship, aesthetics and life. According to the function of the historical dynasty and utensils, the whole book, within two thousand pages, put the western and western wind and silver instruments in the process of landing, fusion, and integration of the glory of China. One note. The author has been committed to the systemic research of ancient Chinese gold and silver instruments for many years. Rebuilding links, or intuitive reproduction, this is also the essence of famous object research.

"China Gold and Silver (a total of five volumes)" (picture source: archeological bookstore)

[New Book Release: "Chinese Grottoes Art Essentials"] Recently, the book "Chinese Grottoes Art Essence" written by Chang Qing, a professor of the School of Art of Sichuan University, will be officially published by the Oriental Publishing Center.

China's grotto is extensive and profound, and it is an important cultural heritage. In order to thoroughly excavate the rich connotation of Chinese Grottoes and the historical context of systematically explaining the art of Grottoes, this book brings Xinjiang, Gansu, Shanxi, Henan, Hebei, Shaanxi, Sichuan, Zhejiang, Yunnan and other places in the form of 24 lectures. The content includes the overview of the caves, the background of the excavation, the continuation age, and the specific analysis of the artistic achievements of representative caves, the explanation of the image meaning and the stories of the extension, etc., so that readers can fully understand these glorious blooming in the long river of history in the long river of history The philosophical thought, human spirit and artistic value behind the relic.

"Chinese Grottoes Art Essence" (picture source: art history and archeology)

Bronze Kui Xing

Kui Xing is a mythical figure in ancient Chinese legends, dominating cultural movements, so in the minds of ancient students in my country, Kui Xing has the supreme position. The image is 22 cm high, and the whole body is gold. In June 1976, it was discovered in Wenfeng Tower, Nantong City. Please see the shape of the copper Kui Xing: He holds a Zhu pen in his right hand and picks a golden bucket with his left foot. This action is called Kui Xing Dou; It is called Ao, so the top champion is called the lead. Kui Xing also became the spiritual sustenance of the scholars at that time, so she was worshiped in the Tiangong of the Wensing Tower.

Source: Museum Daily

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