The affectionate chanting of the song of the Chizi

In my impression, for the first time, Guo Jinshi appeared with poets for the first time. In 2019, his first collection of poems "Bronze Tree" was published -he said on the title page of the collection of poems that this was dedicated to his father. After reading the feeling of "Bronze Tree", one was shocked. The guy was silent and suddenly came out of a collection of poems; the other was to read the rare purity from the poetry. This kind of purely derived from his nature, his emotions, his human. Shortly, Jin Shi and me, and a group of poets and writers in Guangxi had a long forest's style. Longlin is the hometown of Jin Shi. He took us to Deri to catch up and drink buds. I really experience the enthusiasm and sincerity of the Lao Gao and Miao compatriots.

Jin Shi wrote poems, of course, not only in 2019. Like many writers and poets in Guangxi, he is from the Acacia Lake and is a member of the Acacia Lake Writer Group. In other words, Jin Shi's writing should begin in the late 1980s. We are the brothers of the Chinese Department of Guangxi University for Nationalities. He has been self -employed for three sessions. He was very engaged and responsible, and was well received by teachers and students. In Acacia Lake, he was promoted as a fish, and he was promoted quickly, holding a leader position, and the busy work can be imagined.

For more than two decades when I graduated from Jin Shi, I rarely saw his work in newspapers. It was his "wine name", and he heard from time to time -Jin Shi is a gangster, and he grew up in the influence of Baogu wine. There are massive, plus people's sincerity, the title of "Desert" is called.

But it is clear that we are all "cheated" by Jin Shi. After work, drinking is just a small part of his life. The rest of the time is studying and writing. And this writing is completely non -utilitarian -he just wrote, and did not consider the works he wrote, whether the publications could be published. He only follows his heart without catering anyone. So when he suddenly took out the newly published poems "Bronze Tree", we were surprised: It turned out that in his "desert", everything has been growing.

In "Bronze Tree", he wrote his father and a cottage buried in his life, tolerance and perseverance, and inherited the spirit of the gangsters.

If "Bronze Tree" is writing a family poem, then "Sun River" is writing nostalgia+affection. "Floating Clouds and Wandering, the Hosts of the Suns", affection, nostalgia, and love are the eternal theme of Chinese and foreign poetry in ancient and modern Chinese and foreign poetry. On the one hand, it is "easy to write", because everyone has a physical fitness and does not require rich experience; on the other hand, it is "difficult to write" because it is difficult to write well. It is necessary to write and feel the unique discovery and feelings in the hearts of everyone's hearts, which requires a keen observation and subtle experience. The most important point of writing family love (of course also includes love) is to have true feelings, the full, kind of thing, and the true love of fireworks with fireworks. From "Bronze Tree" to "Sun River", the poet Guo Jinshi's emotions are consistent. What is even more rare is that his emotions are not cheap "lyrics", but restraint and restrained, and sometimes even write bitterness with laughter and make people read.

In the "Sun River", two place names Guo Jinshi repeatedly mentioned: Laoyaozhai, Ninety -nine Forts. In fact, the Zaoyaozhai has a name, called "Pinglin", but Guo Jinshi is more willing to call it "仡 其实 其实". From the perspective of poetry management, this is a very smart approach. Although "Pinglin" is specific, it can only be single finger, which is an ordinary place name. "则 而 而" is much rich. The same is true of "ninety -nine castles", with distinctive images. In my hometown (Zhuang area), there is also a place called "ninety ninety pings" ("pier" is transliteration). It is said that it is an excellent Feng Shui treasure. Everyone knows where the "ninety -nine -nine pier" is, but the legendary Feng Shui treasure land has passed thousands of years, and no one has found it to this day. This expression is "real" and real "virtual". In fact, there are virtuality, virtuality, and reality. It is the way of poetry.

From the beginning of writing poems, to the first poem collection, Guo Jinshi has used it for nearly 30 years. After a lapse of two years, the second poem collection of personal poems was launched to write the hometown and affection. This is not only possible to rely on courage. Like Jin Shi, I walked from the countryside to the city, from the children of farmers to people in the city. There are also many people in my work, but I haven't thought about it. I used a collection of poems to write my new peach in Zhuang Village, because this is a very difficult writing. But Jin Shi did it, and it was good. The whole was full of emotions and strokes. This was a great ability.

If "Bronze Tree" is a stunning appearance of Guo Jinshi, then "Sun River" has established his unique position as a contemporary poet in the new era. On the one hand, this "unique" is due to his girlfriend identity, and on the other hand, because of the distinctive personality and spiritual temperament of his works.

The total population of the Gelao people is less than 600,000, and most of them are concentrated in Guizhou Province. The Gelao people in Guangxi are mainly distributed in the autonomous counties and Xilin County of Longlin, northwest of Gui, with a population of only more than 3,000 people. They are the least populated among the twelve vocal people in Guangxi. So far, Guangxi's literary works in the form of writing are only Guo Jinshi's "Bronze Tree" and "Sun River". Guo Jinshi has also become the only girlfriend and poet in Guangxi and not many nationwide. I understand that Guo Jinshi has a consciousness of the nation. He knows that his creation is not only his personal, but also from the Gelao. The firmness of faith overflowing between the words in his work, the deep emotion, and the warmth of love have the most reasonable interpretation.

I once joked that the poems in the world can be divided into two types: I can understand and do not understand. Some people are proud of writing poems that make people "unclear", and they are happy to play text games, and they are intoxicated in the maze of words. The editor -in -chief of many publications is also willing to leave the layout of such a poem, for fear that it is not so "not understanding poetry". My attitude has always been. Of course, Jin Shi's poems belong to "understanding". There is a saying in painting: "Painting ghosts is easy to draw people", because no one has seen what the ghost looks like, and it looks like it is. People are different. Everyone can judge. The same is true for writing poems. It is not easy to make people understand and poetic, and it can touch the heart of the reader. Take "Return to my hometown in the summer" as an example: another summer, I sit on the roof and browse 仡 以 寨 以

Ama sitting on the sun, a person quietly

Holding the combing comb on the teeth in my hand

Sworing the twilight years, the days pass peacefully from the sun and rivers

Each silver hair has its own place

Or flutter in the sky, or reproduce in the soil

Many chickens look for bugs in the forest

That cat is still dozing on the stove, drunk and dreaming

Different from previous years, this summer is very transparent

Ama's waist pole faded down, it was much easier

Dr. Liu's medicine played a role and applied to the lumbar spine

Two months, rheumatism dropped one place

Whether it is hundreds of kilometers away from my hometown, my heart

Always dragged in the hands of Ama, very close

The sound of the two heart collisions is closely attached together

Old house, fire smoke is still slowly climbing to the ladder

Sitting on the roof and watching the sun, sitting on the sun

Looking at the roof, two people have one wish, in the wind

The long -lasting eyes are holding hands with each other, and the heart is getting closer and closer

Summer is so brilliant, the familiar song comes from the sky

The latest collection of poet Guo Jinshi, the Poet of the Gelao, published by Qinghai People's Publishing House

In the first quarter, "I" browsed on the roof, and "Ama" combed her hair on the sun. In just four sentences, the character picture jumped. Combing her mother as "combing the twilight years" is a realistic writing, and she made a pavement for the following expansion.

The first two sentences in the second quarter are the poems: "Each silver hair has its own places/or shake in the sky, or it is reproduced in the soil." Poetry needs to have soda and good sentences, but such a sentence should be natural, not deliberately. As Liu Xizai's "Arts" stated: "The poem must be subtle, but the language is subtle, it is not subtle. It must be easy to touch all the way. This way.

In the third quarter, the summer is transparent, and the mother's waist disease, Dr. Liu is very specific. Whether it is writing scenery or expressing emotions, it is necessary to fall into specific people and things. This is the key to the poem "back to the ground". When talking about the new poem, there is a saying: "Every good poem is specific. The more specific, the more poetic and poetry." Use abstract writing. "

In the fourth quarter, the distance between "I" and my mother cannot be opened. The words are straightforward and the expression is very clear. Some people may think that this writing is shallow. In fact, no matter the poems or prose, "righteousness" is the first, and the language needs to obey the content it carries. "Those who taste people who are people are also words. Those who say that they must also belong to morality, Tao and righteousness, and they are in the future. (Song Su Shun Qin) "Not carving to harm the right" is a major feature of the language of "Sun River".

In the last quarter, it is easy to see the shadow of Bian Zhilin's "Broken Charter", but Jin Shihua uses nature. "I" and my mother's look at the most moving scenery in that summer.

In this poem, the author mentioned the Zaoyaozhai, Sun River, and Mother, which just interpreted the theme of "Hometown+Family" in "Sun River". The language of the whole poem is clear, and the thoughts are not profound, but this does not prevent it from becoming a good poem. In "Sun River", there are many good poems.

In terms of form, the works of "Sun River" mostly use four lines, five, and six lines, and the number of words in each line is almost the same. This makes the whole book open, with a solemn sense of ritual, reminiscent of some mysteries of the Gelao culture. This may be the author's unconsciousness or intention. In short, "The Sun River" finally presented is the rich and hot feelings of a Chizi to his hometown and loved ones, and it is also a affectionate praise of a gangster nation.

"Poetry is out of character. The character of the character is the best." (Liu Xizai's "Arts") Jin Shi is the "悃 悃“ “". We look forward to his more good works.

It is for preface.

(Author brief introduction: Shi Caifu, pen name Takura, member and vice chairman of the Guangxi Literary Federation, member of the ninth and tenth of the China Writers Association, famous writers, poets)

Source: Guangxi Ethnic Daily | Author: Shi Caifu | Capture: Pan Xiaoxia

Responsible editor: Huang Haoyun | Audit: Wei Yingchen | Review: Liang Qing | Supervision: Wei Xiuan

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