Summer nostalgic express delivery!Listen to the sound from the depth of memory

Recently, high -temperature warnings are frequently in various places. The weather at ultra -high temperature is really hot and unable to sing, lying flat on the tree. (It requires a comic book to cool down the summer

Lian Yu didn't know the spring, and the sun was deep in the summer. In the summer, the hot summer attack made people have nowhere to escape.

Go to the beach to step on the water, drink a balcony feeding mosquito on the balcony, the old popsicle with five cents, the watermelon piled up in a tricycle in the tricycle, knock on the west, lying on the bed with the kitten, and Jay Chou in the headset Singing ...

We can no longer return to those moments in the past, but there are always "keys" to take us back to the depths of memory, and then nostalgia in Ji Guang Shi Yu. The cartoonist Lao Ge's "Strolling in the 1980s: Old Beijing Pickup" and Yu Gu's "Born to Slave" is a good example.

"Walking in the 1980s" is a picture of the old Beijing, personal memories of the old Beijing, personal memories, and unique small objects in the 1980s.

Click to enter the old Beijing in memory!

Open the book, the popsicles filled with snacks, watermelon stalls with large umbrellas, Nintendo red and white machines, etc. We remember the small objects in the corner of the corner, which was spread out of the eyes by a brain, and became a real and specific little joy.

Yu Gu's "Born to Slave" is full of records that he serves as the top "cat slave" to serve his three "cats" -Chihiro, Opium and Thirteen's joy and sorrow .... joy everyday.

From doing comic editors, company founders, to returning to personal creation, Yu Gu insisted on doing the same thing during this period -drawing cats. I believe that the book "Cat Slave" to the "Cat Slave" can evoke the resonance of many cat raised people, and think of some interesting memories that may already be a little blurred!

Click to watch "Cat Slave Record"

Two cartoonists want to enter the corner of memory in the creation of these two books, and touched them carefully. Today we invite everyone to enter the corner of Lao Ge and Yugu's life, explore memories related to their creative career, listen to the self -proclaims of the two teachers Speaking of self -painting, and the masters who have influenced them deeply.

"Master of the Master"

Photo / Lao Ge ("The 1980s")

1

When the French Cultural Center was first completed in Beijing, it was probably in 2005. I once went to watch the French animation show, and by the way, I gave my graduation collection of "Dark Flow" to the library chief of the library at the time. He is a particularly good old gentleman. He came to study in Beijing in the 1980s. He knew that I liked comics and recommended a lot of Ou Man.

Mr. Mili held my collection and said that the book should be given to the real creators, so he took me to the Shinshi Hall and introduced me to the guests of the conference -Ou Mianist Shiqidon and Peter.

This ... everything happened! After a while of blank mind, I was excitedly handed over the book. The two teachers really turned them around and asked about how the comic market in China was in China. The answer given by an interns who just graduated from the magazine is obviously not good.

I remember that the two teachers were very interested in the short story "Dark Night Dancer", maybe the style of Chinese prints attracted them. Before the beginning of Zhan Shi, I had the courage to take the courage, holding the comics just bought at the cultural center bookstore, and obtained the precious signing of the two teachers.

Later, I learned that the French France at that time was happy for a night, because he had harvested several very rare exclusive signatures, and was still far away from Beijing.

2

"Lao Ge, there is a comic course, which is very suitable for you ... I will invite a heavy big coffee ..." The sender is Teacher Wang Ning, who is a panoramic view. Later, he made a name with the mentality of trying it. After receiving the notice of qualification, he learned that the full name of the course- "National Art Fund 2016 Art Talent Training Project: Chinese Comics Outside Art Talent Training Course".

The most impressive and inspiration is Teacher Edmond Polton's creation lesson. Rather than class, it is better to tell everyone about his creative philosophy and ideas. The spiritual imprint is more lasting than any technique inheritance.

When commenting on the student's work, the teacher read my draft of "Houhai Travel" and said: "You can feel your deep emotions to your hometown. The most precious quality in these paintings is sincere. At present, the publisher may think that such a book cannot Attract the public readers, but sooner or later will be appreciated by the publisher.

We can't paint people from the beginning, but we must take out our best level to create, and to maintain our work sincerely. "

With the encouragement of Teacher Polton, I started the creation of "Walking in the 1980s: Old Beijing Pickling" at the end of 17 years.

Teacher Polton's journey of China was also created as a book, and it was introduced and published by the panoramic view of Tianshi. I was fortunate to pay tribute to the master to interpret the master. This is also a close contact.

3

When I read the "Everything" of Yanus Hader in 15 years, I was stunned, and I couldn't help sighing that the boundaries of the comics were too wide. Unexpectedly, at the comics workshop organized by Goette College and Houlang Publishing Company in 2019, there was a chance to listen to Had himself.

The world is really worth it. The theme in the class is "Comic Reality", which can return to the essence of listening and painting again, moved and happy. During the spatial exchanges, I gave the basic "Walking 1980s" to Teacher Hard. I wanted to ask many questions, but I wouldn't say it, it was extremely embarrassing.

Instead of watching the picture, Teacher Hard asked me a lot of questions.

"The composition of this diagram is very interesting. Why do you put the subject here?" Teacher Su Ya of the college, we communicated well, and deeply appreciated this "German rigor" from one side, and at the same time grateful for the recognition and encouragement of Mr. Had.

Before the publishing of "Strolling in the 1980s", the editor -in -chief said mysteriously: "Teacher Hard is glad to learn that your book is about to publish, and take the initiative to write something." Later The recommendation of the words makes me feel complicated and nothing to say: excitement, ashamed, gratitude, encouragement ...

4

Since resigning in 2017, I have been pondering, exploring, practical painting creation and image stories, and the process is painful and slow. From time to time, I think of some unprecedented things I encountered on the road, and the valuable people have become a self -wake -up: I write about it, insist on drawing everything you want to draw, maybe there are still a hundred that may be waiting for you.

"Painting"

Photo / Yu Valley ("Born for Slave")

Recently, I made a small attempt to decorate comics with the mounting method of Chinese painting. I hope that it will add a little "interest" and a classic Chinese flavor without affecting reading.

In recent years, I have been trying to draw comics with ink. However, they are all essays, and they dare not paint comic works with a larger amount of body. There are still places to be confirmed in ink performance.

Chinese painting itself has a good narrative tradition, and its main form of mounting — scrolls, volumes, and scrolls in the screen. There are many similarities between the reading methods and visual directions as today's "bars".

How to combine Chinese paintings and comics just to make the tradition of Chinese painting is a very interesting issue for comics narrative.

The earliest ink and ink told stories in modern times was the predecessors of the comic compete. In the 1960s and 1980s, a large number of top Chinese painting talents entered the field of comic painting. They were dissatisfied with the expression of traditional comic paintings based on line drawing. "Book" This place.

He Duoling's acrylic comic "Snowy Goose", You Jindong's color comic "People to Middle -aged", Yang Keshan's gouache comic "Little Drummer", Shen Yaoyi's print style comic "Red Ribbon on the Earth", Li Bin's oil painting The comic comic "Maple" and other works are still dazzling art treasures now, which is amazing.

And the most commendable of this is the ink and ink comic. Its representatives include Wang Hongli, Dun Dunbang, Gu Bingxin, He Youzhi, Liu Danzhai, Huang Quanchang, Shi Fei, Han Shuo, Liu Guohui and so on. Representative works include "Zhao Yiman", "Qiu Jin", "White Light", "Li Shizhen", "Yang Zhi Selling Knife", "Seeing Qian Nu", "Promoting Weaving" and so on.

During that period, the predecessors made various attempts, realistic, freehand, black and white, and color ink, which can be described as full of flowers. Whenever I excavated or reviewed the people and works during that period, I felt like entering Baoshan, and there were always unexpected harvests.

Unfortunately, the comic comics began in the early 1990s, and a large number of main authors left the comic industry. The comics market is gradually being seized by the day. The ink -and -ink episode also disappeared, hidden in the old paper pile of a collector.

It is now a period of first blooming. After many years of immersion after many years, some domestic authors have begun to explore some different visual images.

More and more comic authors began to use ink painting, which created several great ink comics gods. Their works are amazing. I have to say: the future is available!

Speaking of ink and ink comics creation, share three experiences:

First, choose the ink style according to the overall tone of the story. Chinese painting has a unique set of image symbolic language, and is divided into various genres and branches. After the Republic of China, Xu Beihong and Jiang Zhaohe introduced Western paintings into Chinese paintings and produced modern ink.

So the current ink and wash can be salt and sweet, which can be magnificent and dignified, and it can also be fresh and elegant. In terms of style selection, it is necessary to fit the comic stories so that they can complement each other and complete each other.

Second, dazzling skills are cautious and do not paint for painting. Comics, everything serves the story. The picture should be incorporated into the story, and the reader cannot be divided into a certain grid.

Third, the style of ink, ink and traditional shapes must be kept selectively in order to draw ink. The brush and ink and the Chinese painting pigment may not be painted in Chinese painting, or it may be watercolor painting.

Finally, the biggest influence on me was Zheng Wen, "Asian Treasure". When I saw his work in junior high school, I never forget. His "Heroes of the Eastern Zhou Dynasty" has been placed in the case, and he can pick it up to receive a baptism at any time. I hope to see such amazing works and authors in the near future.

Summer comfort can be drawn from air conditioning, iced watermelon and livehouse. Lazy lying on the bed, letting go in a daze, or a few pages of comics at will also be a good recipe. Summer is when you are reading, and you are lazy to avoid the summer with us with us!

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