The midsummer in ancient paintings

Midsummer is midsummer, the hottest time in summer. The Tang Dynasty poet Fan Ye described in "Jiangnan · Midsummer": "In the midsummer of Jiangnan, the rain is like Sichuan. Lu Ruku gold bomb, Ganna spit white lotus." What kind of scenery is the ancient midsummer? How does the ancients cool down? We can see from ancient paintings.

Summer scenery

"The green trees are long and strong in the summer, and the platform is filled into the pond. The crystal curtain moves the breeze, and the fragrance of the rose courtyard is full." In summer, everything is full of things, the mountains and rivers are beautiful, and the scenery is beautiful. Qiu Ying's "Summer Map" depicts the landscape scenery of Qingfeng stacks, waterfalls, and vibrant. Dong Bangda's "Xia Shan's Desire Rain Map" depicts the scene of smoke and clouds before the wind and rain coming, the trees are rushing to fly, and the ship will collect and fish.

Northern Song painter Zhao Lingzhang in the three years (1100 years) created by Yuanfu was set up with color paintings "Lake Zhuang Qingxia Map", which was 19.1 cm and 161.3 cm in horizontal. It is now collected in the Boston Art Museum in the United States. The picture depicts the small scenery of the rivers and lakes. The opening of the rolling is the shore of the lake. A small bridge connects the fields in the field to the depths. The green trees are lined with a few houses. There is a piece of forest behind the house. Under the smoke, it stretchs horizontally. Full of dream -like poetry. At the end of the roll, the three large trees with different shapes are depicted, echoing the head of the rolling head. "Lake Zhuzhuang Qingxia Map" shows the cool interest on the lake at the beginning of the rain at the beginning of the rain. The style of painting, the pen and ink are soft, the cigarette trees are blurred, beautiful and quiet, like a dream, a pleasant scenery.

Wang Meng's "Xiashan Gao Yin Map"

The "Xia Shan Gao Yin Tu" created by the Yuan Dynasty painter Wang Meng is another kind of scenery. This is a color -set painting, with 149 cm long and 63.5 cm. It is now collected in the Beijing Palace Museum. The upper part of the painting is mountainous mountains, the mountains are stacked, the waterfall is lonely, and the wooden wood is 峥. The forests in the middle of the mountain are green, and the branches are lush. The mountains under the mountains are lush, the forest is dense, the cottage and the cottage are staggered from the left and right, and the two houses are connected above the mountain. The grass eaves on the right side of the house, a hidden man in the room holding a feather fan on the couch, a boy holding the plate to serve the left and right, and an outdoor boy is taming the crane; the left side is a farmhouse, the door is hanging bamboo curtains, and there are two furnishings inside the house. A stool, a woman sitting in the house seemed to be making a needle line. A man outside the house took the pot to take the water in the stream. A dog was lying quietly in front of the stone bench in the courtyard, and his life was strong. On the mountain road, a person in a hurry, seemed to come from the villa on it. You may go to the mountains to meet the tall people, or go to the cottage to visit friends and friends. "Xiashan Gao Yin Tu" skills, ink and ink Tsinghua, the brushwork is free, the pen and ink are moist, and the brushwork of the work is used to portray the finely paint and the ink is thick and thick; The method is arranged in an orderly manner. A magnificent momentum, a quiet and quiet mood, is really a good scene that can be traveled. The top right of the right: "Xia Shan Gao Yin, from April 17th, the 25th year of the 25th, the Wang Meng of Huanghe Mountain was painted in Wumen's house for Yan Ming." Twenty -five years of Zhengmeng, Wang Meng was 57 years old. At this time, it was the peak period of his creation. During this period, he painted a lot of works with seclusion.

Summer flower fruit fruit

Lu Zonggui "Xia Hui 芳 Fangtu"

In summer, the temperature is high, the water is sufficient, and the various flowers and trees grow strong and vibrant. The glory, Lingxiao flower, lily flower and other in the fields are furious and fighting. The "Xia Hui Fangtu" of the Southern Song Dynasty painter Lu Zonggui concentratedly depicts several kinds of flowers. This picture of silk is color, fans, 23.7 cm long, horizontal 25.2 cm, hidden in the Palace Museum in Beijing. The picture draws three kinds of common flowers in summer: pink and bright Hollyhip, white and flawless gardenia, and tender yellow and elegant Xuanhua. In the warm wind in summer, the colorful red, the group is gorgeous, or the stamens bloom, or the buds are desired, the fragrance is rich, the fragrance strikes, and the spleen is refreshing. The flowers and leaves are full of attitude, colorful and colorful, interspersed back and forth, looking forward to covering up, beautiful and harmoniously merged in a clear and frank, adding color to the hot summer day, and also sent people's fragrance and refreshing. Clear heart. Emperor Qianlong of the Qing Dynasty specifically made a picture of the five -character poems of the imperial topic: "Xia Huifu's name, but it is reasonable. White and red, Huang Wangyou is happy.

The most common in summer is the lotus. The Ming Dynasty painter Chen Hongzhang's "Lotus Puppet Axis" was 183 cm, 98.3 cm, and is now hidden in the Taipei Palace Museum. The four lotus flowers in the painting, the flowers are beautiful, or the buds are to be placed, or the flower buds are blooming, or the sun is exposed, or the virgin is full, and the image shows the different forms of lotus opening. Different, some look like jasper trays, some are as big as umbrellas, some float on the water, and the crystal dew is rolled on it, colorful; lakes and rocks are quaint and dignified; The lotus room broke the tranquility of a pond of the blue water; a frog was ambush on the lotus leaf behind the stone, and seemed to find a nearby mosquito, who wanted to wait for the opportunity to prey, adding a few vitality and interest to the picture; One danced in the air, one fell on the flowers. It can be seen that the painter is good at observing the careful and subtle ingenuity. Chen Hongzhang loved lotus and also loved to paint lotus. Yuan Jiang's "Page of Girls and Fruit Fruit Fruit"

In the summer, various fruits and fruits are mature and rich in patterns. The "Pages of the Pages and Fruit Fruits" of the painter Yuan Jiang of the Qing Dynasty show a variety of fruits and vegetables. This picture is set with color, 32 cm long, and 22 cm in horizontal. There are two paintings in "Sketching Vegetables and Fruit Pages", one page of cooked watermelon, green skin and red crickets, and all kinds of souls are mouthwatering. The yellowing in the greenness of the melon is the signs of cooked thoroughly. Picking melon people keep melon fresh, leaving a melon vine and a few slices of melon leaves. The other page is painted with purple eggplant, white eggplant, and green green pods. The vines are white and white, green leaves, look elegant and fresh. These sketch works are drawn in the boneless method. They are lifelike and realistic, especially some details are dyed in place. It can be seen that the author observes the delicate and uniqueness of life.

Go to the summer in nature

Anonymous "Lotus Leaf Map"

How can the ancients cool in the hot season? At that time, there were also summer villas, ice ice or cold drinks, but these were enjoyed by the royal and dignitaries. Most of the people still walked into the mountains and rivers with the help of nature, listening to the flowing water in the spring, and incorporating the green trees and green bamboo. Among them, the heart is quiet and cold. Its cooling method is not only environmentally friendly and low -carbon, but also full of interest, full of poetic and painting. For example, Tang Yin's "Shilin Summer Map" and Wen Zhengming's "Liang Liang Map" are all through the environment of nature to calm down and remove the annoyance. The Song of the Song Dynasty and the "Liu Yin Gao Shitu" are under the shade of the tree, lying on the coat, or sitting on the mat, bare chest, close their eyes, or lazily look at it. Books in your hand, or drink a few glasses of wine, and send the heat of summer.

The Palace Palace of the Song Dynasty, Su Hanchen's "The Map of the Lotus Pond" depicts the beautiful women who are cool by the lotus pond. The ripples of the lotus ponds in the painting, lotus leaf fields, hibiscus blooming, red lotus burning, white lotus brilliant, pink lotus profits; yangliu on the shore, branches and water surfaces, pavilions standing, brilliant eaves, carved jade building, scenery, scenery, scenery, scenery pleasant. The two ladies are elegant, watching the lotus with the column, while getting cold, they feel the lotus character "out of the mud without dyeing, the clear lotus without demon". "The lotus deep water wind is wide, the rain is overly fragrant." A burst of hot wind blows through the lotus pond from the water surface, and it becomes very cool, and is accompanied by the incense of the lotus, which is refreshing. On the day of the hot summer, it can be cool and watch the lotus by the side of the lotus pond. Yang Wanli said in the poem "The Lotus on the Pond of the Summer": "The fine grass shakes his head and suddenly reports, the placket is blown to the west. Not only are people afraid of heat, but also the lotus is also afraid of heat, hiding under the lotus leaves like a blue umbrella. Qin Guan, the poet of the Northern Song Dynasty, found a good summer residence in the summer, which was located by the lotus pond on the south bank of the painting bridge. He went to bed, lying obliquely on it, and enjoying the leisureness of the coolness. The flute sound of the boat girl lingered up and down on the surface, and the blooming lotus was fragrant in the wind, refreshing. He couldn't help writing a poem "Liang Liang": "Take the cricket to chase the willow, and the southside of the bridge lean on the bed.

The Ming Dynasty painter Qiu Ying's "The Gazebo Summer Map" depicts the summer scene in the gazebo in the mountains. On the screen, the mountains are long, the green peaks are stacked, and the white clouds are surrounded by a fairyland. The mountain waterfall is flying, and the spring water is stunned. Under the cover of the green pine and green bamboo and dense trees, there is a luxurious villa. The carving raily jade, or pecking the spine, hooking heart. Above the gazebo, the two people in the official uniform were sitting on the column and talked about it. They seemed to listen to the pines in the mountains, and they seemed to watch the blue water in front of them, and a boy was standing aside. "The Gazebos Map" is mainly based on the green and cold colors. From the perspective of the title, this painting was on July 26th in the year of the Ming Dynasty (1531). Yong Qinglian. Outside of wild lonely clouds, the moss falls before the moss. How many vulgar dreams, here is a leisurely. "

Source: Art Newspaper: Zheng Xuefu

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