so good!I was shot in my heart again by such a movie again

In the first half of the year, the "Bouquet -like Love" by Sakamoto Yuri has exceeded 90 million in the domestic box office.

This typical Japanese -style love film not only did not cause the soil and water, but instead resonated with many audiences.

In a batch of contemporary Japanese films, the emotional relationship represented by "love" is no longer the sweet sugar water relying on the dream plot, and it has become an alternative "field survey".

It is about youth status, urban expressions, and a bitter social cultivation.

In the new film "Slightly Thinking of some", the story is also about a pair of urban men and women from a strong love story.

It seems to be exactly the same as "Beast -like Love" in the plot.

But in the seemingly casual and sophisticated grasp of emotional relationships, even better than the latter.

Without the blessing of face value, golden sentences, and literary labels, "Think of some" scored 7.7 points in Douban in Douban.

In fact, for a sketch, the lineup of this film is also quite powerful.

The male and female protagonists are Chongliang and Ito Sali, which we are all familiar with.

Even the flashed faces in the film were Guoshimura, Yoshie Masami, and Narita.

Everyone performed their duties and flowed quietly in the situation built by the movie. The opening of the game has been 40 minutes, and the male and female protagonists have not met yet.

We have dumb mystery in the urban space. The mysterious eyes are seven "July 26" on the calendar.

Following this day, the director passed through the thousand sails after a few years, and to the first time you saw the electric light, and patiently described the love process of a pair of men and women.

"Backfremented" means that the memories of love are bitter and sweet, and only the evidence of July 26 means the fragmentation of memory.

This structure is also the first to take off the stickiness of the emotion and heavy spiritual baggage.

The so -called "a little bit" is so light, even free and easy.

In the years after the breakup, the leaf of the taxi was driving a taxi, on July 26 -her boyfriend's birthday, just a birthday passenger.

It was also on the morning of July 26, and cleaned up the cat's overturge cabinet in Zhaosheng, and suddenly discovered the gift that the ex -girlfriend had given him.

So they suddenly remembered something, and there were only some.

Those birthday memories rushed into their minds.

The film does not develop linearly, like a fluid floating in the air.

Let us ignore many details of the inheritance and turn, and directly witness the two climax memories of quarrels, companionship, ambiguous, and first encounter.

The floating sense in another physical space comes from the work of the heroine Xiaoye -a taxi driver, which is born from Jia Mu's "The Night of the Earth".

"Earth Night"

The driver and passengers made a brief interchange in the small space. The taxi shell like the leaflet was slowly sneaking on the road.

This sketch that talks about love is a kind of liquidity -the flow of time, the flow of people, and the flow of space, and there is nothing stable.

Behind the flow is an atomic individual, and it is also a kind of sorrow and no loneliness that modernization must bear.

This is a kind of contextual relationship that is intended to pass in the forty minutes before the male and female protagonists in the same frame.

Whenever the screen appears on July 26, the lens will slowly look around in the bedroom in the birthday.

The sunlight and layout in the room always show small differences.

Those posters, green plants, and empty beer cans are clearly revealed.

Looking at the process of giving up a cat, pouring flowers, and laziness, it seems that the love story has not yet begun. We have previewed first and have feelings for the space.

The "major memories" of the two in the film appear in a specific space.

Quarrel on a taxi, embraced each other in the unmanned aquarium, danced in the streets late at night, and looked forward to proposal in a small house ...

More intoxicated than the fierce and numb plot, which is more intoxicating.

The memory of love is broken, but the Ji Guang film feathers remain in the space and collide with lingering.

Among the publicity of the aquarium, taxi, theater, etc., the memories of the leafy and Zhaosheng "think of some" are not the self -pity of "lover is not there", but a kind of dedication to re -examining the current.

The delicate urban experience just reflects the texture of the film, which is also the demand of many contemporary Japanese movies.

A pure current nature, under different social environment and cultural background, hidden in hand with us.

Without doing the fierce fierce words of anger, there is no ruminity or accusation of the diseaseless moaning, but just observes quietly.

The insignificance of admitting fatigue, admitting feelings, and acknowledging some of them floating in the city are worthy of being special.

"Your Birds Singing"

There is a very important clue in the film to identify whether the leaflets and Zhaosheng break up.

Song Ju Dawu did not deliberately marked the epidemic as a node, nor did he avoid its impact.

It was just a daily life, which was the most authentic life at the moment.

At the beginning, Xiaofe was not skilled in a taxi curtain, and gradually became accustomed to masks.

He said to his passengers that "I really hope that the epidemic will end soon." Watching the street scene outside the window lamented, "I didn't expect to do the Olympic Games."

In the theater where the student works, the darkness under the stage only exposed the eyes, and the temperature was measured before entering the door.

A faint, public depression is also covered in our hearts, and only memories can barely flashed in the light of love. When the little leaf took off the mask at no one, we had a sigh of relief, and we followed the similar depression.

It is this eye that the film has made the overall depression of the post -epidemic era.

Because I thought about how to go with the memories before the epidemic, I finally let his love push himself and others -see each other in the world, and see everyone behind each other.

From this, we can make the sigh that "everyone is alive!"

The big era hidden in Xiaoyu has always been the most difficult to grasp, which is also the amazing point of Songju Daming.

Born in 1985, young film geniuses show their creative power in several works.

Songju Dawu

In the pre -work of the Japanese drama "Byplayers" and "Ice Cream and Rain", he has been discussing the boundaries of reality and fiction.

Let performances, theaters, and reality interspersed the theme, and further constitute a self -countermeasure with the movie itself.

Therefore, there are always some stage drama -style lens languages ​​in the Songju Dawu's movies, which are interspersed with a daily framework to generate a destructive power.

When the movie is working hard to imitate daily life, the theater thought of the theater deliberately arranged by Da Wu, but there is a kind of sincerity like a little boy, questioning the authenticity of people communicating with people.

"Ice Cream and Rain"

In "Think of some", he became "converged", but it was more sophisticated.

Those fictional and reality boundaries are sewn into daily life without trace.

Due to injuries, the career from the studio changed from the theater dancer to the lighting master.

In the conversion of the protagonist and bystanders, he also gained two performance experiences -one is the C -position of the rehearsal room forever, and the other is the inconspicuous staff behind the protagonist.

In the small tavern, in order to take a photo with friends, he instinctively tested the interior lighting.

This action also meant the boundary between theater and reality.

The seemingly unable to accept the transformation of identity conversion has long changed unknowingly and began to shine for his "stage of life".

In addition, the film also repeatedly referred to Venona Raye in "The Night of the Earth", and even reworked the lines of the movie in a taxi.

Xiaoye danced twice in daily "non -stage" venues.

In contrast, the life as a dancer has never officially performed.

What is a performance? What is true? What is a fictional stage?

When we look at the love between men and women, from you to me, to the sorrow, a false "real" is also desperate.

We are the most ordinary ordinary people in our love sketches.

Here, the so -called "performance" is not a derogatory word, but a cute "performance desire". A kind of insightful word is unsatisfactory, but also wants to show the passion of "I" to "you".

Therefore, there is no need to explain and spread too much.

The mood of crying and laughing, the suddenly rising anger, the thoughts that could not help but spoken and inspired, they were naturally revealing, and they were also original.

Knowing that it is "fake", it is also real.

In this sense, the male and female protagonists in this film also helped the realization of this subtle feeling.

In the film, the leaf and Ito Sali of the movie star coincide together.

The avoidance of the avoidance of personality and self -esteem has the small movement of Chi Songzhuang.

They are almost deliberately distinguished from each other, like the most common and unusual sentient beings.

So, when the raw showed the hoarse voice of the leafy leaf, he definitely said, "You can be a movie star."

In fact, it has always played a supporting role, which is not a "standard beauty" Ito Sali, and it has really become the heroine of the movie.

And when Zhaosheng sat at the subway entrance, raised his head from his frustration.

Seeing all kinds of pedestrians, all kinds of thoughts.

There are middle -aged men who pretend to be a mature female Gao Sheng, who are unwilling to go home after dinner, a tramp hidden under the lamp.

This kind of eye escape is also Chisong's strong eyes.

As a result, a speechless limit was eliminated in the air, and the actors and pedestrians at the subway entrance were not essentially different.

The clips in those memories have become credible and touching.

They do not come from the arrangement behind the camera, but the beautiful moment caused by free will.

You know that the real stage is unfolding at no one. When the movie is over, countless spaces, countless situations will be staged in a wave.

This is also a moving place with contemporary Japanese movies similar to this film.

There is no need for painful love, nor is it a romantic template from one to the end.

The story leaves a lot of gaps. Maybe they have their own love, each has their own unforgettable emotional experience, or they get married.

But it was not salty or light, and mourned without hurting "a little bit."

First think of bitter quarrels, then think of sweet memories, and finally go back to yourself, think of dreams, regret, and then miss the self at the time.

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