Creation is life twice

Lin Bai's writing was "searching" of the world in "A Men's War" to find the "search" of "Northern Come", showing the differences between the two worlds. The psychology of different people and different generations in the world searches and builds, and inquire about the past and present of Beiliu people. In the meantime, the character Li Yuedou and the writer Lin Bai also had a process of "identifying" each other, and the possibility and condition of interaction.

Author: Liu Haitao

Figure: Tuwa Creative

"When I missed everything irregularly, when I became more and more empty, the more I saw myself decades ago. A distant blur, and it was clearly clear."

"At that time, I solemnly recorded a lot of news that was the best, now it seems to be a joke."

I picked up two sentences from Lin Bai's "Beiliu". In my opinion, these words were wrapped in two vectors that sneaked in life: time and my heart. The two constitute the other side of the author and the reader. Camus: "Creation is life twice". He believes that like Prove, "detailed depiction of flowers, carpets, and fear" is "life twice." Based on this, I think it may be based on a kind of feeling based on a kind of feeling, but it may be a kind of courage. When life grows from the text, there is no doubt that the behavior itself is a kind of resurrection beyond the resurrection. "Creation". As far as "Beiliu" is concerned, Lin Bai borrowed Li Yuedou's image (writer identity), "in a way in one era ... the meaning of labor"; interpretation of Lai Feng's name is also "two times of life." In Lin Bai said, "Everything coming from time", in this direction, those later "time" became the "killer" of the previous time, and the previous time became the "mirror" of the later time. As far as the principle of mirror is concerned, "time supports us", "we must also support time."

Lin Bai's writing was "searching" of the world in "A Men's War" to find the "search" of "Northern Come", showing the differences between the two worlds. The psychology of different people and different generations in the world searches and builds, and inquire about the past and present of Beiliu people. In the meantime, the character Li Yuedou and the writer Lin Bai also had a process of "identifying" each other, and the possibility and condition of interaction.

Take a stabbing through the flow of time

In the novel, Li Yuezhuang claimed that he was "a fishing fish in the distance". For her, the new waters and the old waters of her hometown were difficult to communicate with each other. The sorrow; she was "tired of chastity and depression, but she couldn't find the object of degeneration with it." Although in a broad sense, each work is an autobiography of the author, but it is still difficult to connect Li Yuedou with Lin Bai. What is the reason to promote the author and the protagonist to have so many potential entanglements?

The last poem of "Preface: Plants" seems to provide us with answers.

"On the top of the mountains and the stars on the top of the mountain

Endless plants, endless years

The cross -strait of the endless river water is eternal

Beiliuhe

And the 以及 以及 in my blood "

的 The meaning in the Northliu dialect is a thorn.

The text is based on the itinerary of Li Yuedou's "Writer Return to Hometown" as the geographical and psychological path. (Wait), the growth and changes of childhood playmates (Ze Hong, Ze Fresh, Mingwu, etc.). In the original intention and tone of looking back, the dazzling and dazzling, desolation, and vastness of the social, cultural, and group consciousness of the backlight. The novel mainly describes the following stories for us: 1. The love story of Luo Shiro and Cheng Manqing; 2. Li Yuezhuang is upset for his uncle Mi Dou's uncle because of "injustice"; Fresh and Mingwu's elopement story. The three generations of northern streams, including Li Yuedou, in the rapids of time, seem to be independent, the fate of independence is "簕 -thorn".

Beiliu, as the background color of Lin Bai's writing and the genes that develop its growth, form a world of suffering and pain, joy and sorrow, depression and bravery, dreams and reality in the world of suffering. Essence Perhaps "Going North" is the watershed of this world. Lin Bai tells us that "the world is separated from the abyss." Unlike, the former depicts the differences between the two regions, and the world in "North Stream" is still the north stream, but the same place is very different.

The author chose elements such as songs, dreams, sex, poems, language (Guining Dialect and Mandarin), and other elements and other elements to transport each character into the field where he deserves, bringing readers and characters to swim in the unique and far away of Beiliuhe. In stenosis.

Among them, different characters often hum in the plot of different period songs at different times. Now people often say that songs will be branded or songs will expose your age. Pray, all your former and unprepared. In the text, it is like an invisible hand with magical power. It strokes everyone, wraps everyone, and provides a hidden explanation for character activities (physical/psychological). In the same way, the slogans, books, and movies will have a specific scene in specific scenes. Under the blessing of time distance, we will feel a "absurd" beauty; a beauty that can only be experienced in the field of text; the beauty that can be obtained from a distance. Thanks to this distance, it allows us to clearly see how an invisible "thorn" takes root and grow, and often disturb us body and mind. Socrates once said: It is not worth a life that has not been examined. The busyness of life and our inertia often cause people to ignore this. Dreams will reflect our "deep thinking" mirror when we "sleep" and projected into our thoughts and emotions. Lin Bai has captured a lot of dreams and completed a different reflection on life. With a clear dream, a piece of big white rabbit toffee peels out the rubber rubbing; Luo Shiro's unrealized mathematical dream; Yue Dou dreams of becoming a weird stone lion ... These dreams are more or less Psychological imbalance and squeeze of life. In the real and virtual confrontation, the "thorn" and the metaphor of the "thorn" itself slowly bred, germinate, and form a overall "thorn" outline, rolling and walking in the text.

In addition to dreams, sex is also a tool for Lin Bai's novels to explore the world and talk to him.

Woody Allen's movie "Bullets Through Broadway" has a dialogue: "Love is very profound, and sex is only a few inches." "In a sense, it can form cause and effect -it is because of the shallow sex that the deep love must be stimulated. Lin Bai's book was full of hot emotions in the book that Luo Shiro was regulated and avoided by his mind, self -catalyzed into a burning flame, near the Shiro and approaching that era, it was the match that ignited his own. This may be the feeling of flame burning to us that sex and sex. We live in the journey of desire and get rid of desire. We are vulgar for love.

Love and love are the mirrors of the times. In Lin Bai's works, Tianxin looked at Yuan Zhao's body and became homosexuality with Luo Shiro. Why did Luo Shiro develop gay? The author did not explain the reason. A man with twenty -one women; a man who conquered Pang Tianxin (male) only relying on the infinite far away. The complexity of human nature and the "complexity" of the nature of society. Perhaps there are really Freud's "original desires", but deeper, it is a dual lack of spiritual and material.同 同, unbearable hopes to support "us" to a far -reaching world. The description of many related sexual and sexual things and even homosexuality in "Beiliu" is a low degree and real excavation of human nature. There, Ren Fengchen portrayed his bones. The "thorn" at this moment is acquired and growing inward.

The innate cause of the innate "thorn" or "thorn" is "language". Language, whether in real life or a text, is "soil". She carries the dual weight and strength of the author and the characters, and is polished by time to predict the fate of the characters. In "Beiliu", Li Yuezhuang faced with intellectuals and literary people who could not speak Cantonese. Only her Cantonese could only be smooth. Is this the manifestation of Li Yuedou's inferiority? The deeper level is the difference between equality and the class. If the timidity of Li's past and the current Musta simply attributed to the "foster care" since childhood, then she must be well -behaved and unconfident. I am not confident to try to forget and discard my "native language". The intriguing thing is that her speech and even poetry recitation will be as smooth as the so -called native language -Cantonese (Guining local language).

As far as Li Yuezhuang is concerned, although she is a small and famous writer, she may not live out of herself. Nor did not recognize the world from rationality, and did not fully agree with the identity of his north. Throughout the novel, Li seems to only play the role of the plot of the stories in series and spreading the story. Her existence seems to confirm another "form greater than content." She lived in the shadow of "hatred" she thought. It is uneven for rice beans. Although there are so -called modern consciousness, legal awareness, and human rights consciousness, they still cannot cover up the revenge psychology deep in their hearts. And the ubiquitous dictionary of the so -called dictionary, although it is an expression of the awareness of the worries of the hometown, ("The so -called dictionary is just a visual, it is a derivative text of the novel, and it has never completed it"). Its fragmented appearance is more like a childhood injury, patching under the crotch of childhood.

Li Yuezhuang was tired of chastity and did not have the courage to fall. This was her "confession". From this, we can see that her understanding of herself is still very clear. In the novel, the poem of "elopement" she wrote seems to be a kind of obscenity, weak call sign, no sound, and even the poem has no power to complete. But she still completed her self -conscious mission as a "fish that strives to travel to the distance", at least among the many characters walking in the text field, she is relatively successful. Just like the poem "Take a piercing through the sea", she completed the strengthening and transformation of the energy of the thorns, and then crossed the northern stream -as the birthplace of the collection of civilization and cultural symbols, but she did not have the heart of the thorns. For water. So I think she didn't even live her mother. It is also "editing stories", "living for life", or even survival. The death of Tianxin has made a small goal in the consciousness of Yuanzhao. The story of the exciting life of the mother (Yuan Su) is still a dream story in a broad sense. This dream is away from reality and self. Perhaps this is also a kind of strength that you have not realized. In contrast, Ze Hong, Zexian, and Lu Juewu's sister Ming Wu directly or indirectly experienced elopement. They did not understand the elope of the elopement and poetic, but took the most firm step of the children of Beiliu. They stabbed the time and spiritually gifted by the form and spirit. Out of the blockade of Guining.

Let the "small" hidden in life grow

In the text, the most intriguing is the description of the symbol "∞" (representing infinite: infinite: infinite, infinite, infinite, no boundary). In mathematics, there is always another boundary existence outside the border; in philosophy, a limited amount is infinitely divided; the infinite energy of God is used on unconstrained. Regardless of the classics, "∞" in broadly point out the possibility of freedom, light and transcendence. This symbol appears repeatedly in the new life. Happy and sorrowful, intentionally and unintentional, they will "draw a puppet in the air. This ∞ is from the disappeared father, from his notebook, from Yuanzhao Aunt and Yue Dou." Tianxin's description of a mouse and dependence on each other, forming a small irony and absurdity, and an invisible resistance.

Among them, years always maintain her calm silence and calmness. What we can grow from it is what we grow, that is our ability. Lin Bai's seemingly inadvertently inserted willow writing, exuding her life self -true and independent temperament, perhaps a word of Calvino, "I can’t find any appropriate position to explain to others what to do and what does not do what does not do. The only thing I can do is to give the past a meaning that may make today the continuation of the past. "

Lin Bai's novel creation is closely related to memory. It is "a posture", a kind of imagination that is obtained by personal memory ". This posture -literary and artistic writing method may still avoid pain to the greatest extent to avoid pain to the greatest extent The discomfort brought by it provides a guarantee for the beauty of the distant view; or it can be said to be easier to integrate text life and generate its own value judgment service for readers. On this basis, whether it is "a real thing that happened in practice in practice "; Still" what happened only in the imagination of 'I' ", it just constituted the past and present of time, space, and spiritual level. It should be with a law: interconnection of all things. Literary and artistic works and literary works are all one The seeds should be trembling with themselves, standing together, moving forward, and liberating the power entity. During the writing process, the text forms a new creation and forms a "second life".

From the 1950s to the present, the novel "Beiliu" connects the past and present how to liberate the future by liberating the past is a hidden language of the text. In the novel, Li Yuedou "often has a dream and dreams of getting lost." The development of the story of other characters has been unified. Although everyone has traveled through the northern stream in its own unique way, the overall emotions and complexes are generally in the search for the future. A problem in a direction is involved here. German poet and critic Hans Magnus Enstebegel said, "Every time the direction is determined by the direction is based on the premise of losing direction." Since the loss is the prerequisite, how to treat the loss is also a reason for the time to provide us time.

Xu Lingjun, the protagonist of Zhang Xianliang's novel "Spirit and Meat", said: "All experiences are culture." I think this is home. "Human situation is a public place of all literature. There are both the most basic absurdity and unavoidable greatness here." The book mentioned that "adults say hello:‘ 屌 契 契 契 ’’ ‘‘ 吃 吃 吃 吃 吃 吃 书 书 书 书 书 书 ”; in fact, in reality, such things happen from time to time. Their vulgarity will be castrated by the "killer" of time, but they must not help but say; the "music life" of the young "one piano" in the town, as a symbol of "ideal and civilized romance and dreams", that is "I" and The happiness and freedom of "us"; (north stream) people who like to write autobiography and give people, as a custom, may also be regarded as a kind of civilization and culture. All these are the burden of accumulation. But in the novel, it looks beautiful. Novel, as a literary form, is to show us a beauty and badness we are accustomed to, goodness and badness, or even small, and sublimate it to a art -level beauty, extract the essence of the above -relections and then feed the reality. We and our lives in life. Remind us that even if it is the "small" in life, it must grow it. How do we think of this small and how to view the time that time gives us -"spiritual pain" is a kind of cultivation. When we looked at a plane, we always felt that it was so slow and slow that we couldn't fly out of our sight. As everyone knows, when we are really close to it, its huge body can install all of us. Its roar roar can destroy our ears, and its speed is enough to throw us on the side of death. Isn't this a signs of life?

"Time" is also my heart

Time is dimension and hierarchical. The time of ordinary people must be different from the time of big characters. "Beiliu" embeds the time of ordinary people into a long characteristic time. Looking back at the experience of everyone in a big family, it is serious and absurd, and the strangeness and five light are both colorful. Milan Kundera said that one of the four summoners of the novel is the call of time. In "North Stream", not only has many years of historical time, but also the two -way physical and psychological bidirection. With physical time and psychological time, there are also physical elopement and psychological elopement. "Elopement is utopia, the source of passion and inspiration, the ideal of never exhausted, it is time outside of time." Similarly, the "hometown" in the text is equivalent to other hometown, and it is also composed of geographical hometown and psychological hometown. It seems to have nothing to do with time, but it is actually the "masterpiece" of the "culprit" of time.

Because of the role of time, Li Yuedou was a layer of shells from Lin Bai. "The world she trusts is the world of" 100,000 why ". Compared with the text in the text, "The square dance is more refreshing, everyone is not afraid of ugliness, and the nature is liberated" and the world, her thoughts still stay in a "fear of ugly time and the world". The break of the world is to break from ideology. The solid world will only be slaves of time.

Go to Zexian's house, so that Yue Doudou has new contacts with Hyundai. Ze Hong's experience (elopement) has a more exciting life than her. Defining wonderful does not mean that everything is smooth, and it may be the opposite. But this is exactly the greatest freedom and respect of time on the basis of fairness, and awaken the vitality of life.

Time is the killer of time, and time is also the child of time. One way to make time eternal Perhaps, like Luo Shiro in the novel, the year of the letter should be painted. This is to get rid of time entanglement and "create yourself". From another perspective, the action of "painting" is "new life", and it can also be regarded as a conscious "suicide" all specific time will become "temporary" because of the long time of time; "At a time", "all stamps of our hearts are eye -catching.

Conclusion

Back to this article, the two sentences of "Beiliu" began to quote, whether it is far away to become a "moment" or "joke" not far away. The species is a journey of spiritual soul completed by the author. "Literature is a means to constantly understand self" (Handek), and it is also a means to correct themselves. This "understanding" and "correction" is undoubtedly the "creation" or even "liberation" of self, which makes the author cross the other side. The reading of the reader and the author's creation together completed the correction of time, and completed the mutual conversion, correction, and benefit of each other on the other side of the other side and the shore. Expansion, life is created in itself. Creation itself is also life. The reflection while writing is to be more sober self, but also for a wider creation.

Disassembling the Shandong Economic Semi -annual Report: The upward chassis, kinetic energy, and fixed force are reduced for one year.

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