What is the potential of the city of building a museum in Beijing?How does the public participate in cultural heritage inheritance?Experts in multiple fields talk about the development of cultural undertakings

Beijing's deep historical and cultural accumulation

Wang Wei has been engaged in archeological work for forty years and participated in the major scientific research projects of the "China Civilization Source Project" and archeology of the Liuli River site. He believes that in the world's major cities, Beijing's historical and cultural accumulation is premier. "In Beijing 700,000 years ago, there was a human life. The earliest cultivation of China appeared at the Donghulin site in Mentougou today. The carbonized millet grains proved this. This has been about 10,000 years away." The river site has witnessed the history of built the city for more than 3,000 years in Beijing.

The museum that is closely related to archeology is the soul of a city culture. According to Anlun, the number of Chinese museums has increased at the forefront of the world in recent years. Specific to Beijing, there are more than 5 million mobile cultural relics, 204 museums, 7 world cultural heritage, and more than 3,800 cultural relics It may be built in the museum in the future. As many museums in my country have established institutional cooperation with foreign museums, the inheritance of the central axis is stable, and the potential of the city's city of building a museum is unlimited.

On the rich cultural heritage, it is the so -called "under the gate of Zhengyang Gate, by the Jinshui Bridge", there are 356 non -mobile cultural relics in Dongcheng District, Beijing, 43%of the city's city, and 63%of the city's city. Protect these valuable heritage of historical information? Sun Xinjun mentioned that first of all, we must be in awe of history. If it is destroyed or changed, then the context of Beijing will be broken. "In addition, the old city must revive," the old city woven, rods, and cure chaos can become the old city of fairy wind, old and immortal old town . "It took 5 years to carry out the renovation of the streets and alleys in Dongcheng District, the overhead lines, and the governance of the sky, so that the texture, background, and temperament of the old city can be preserved. Unchanged, but modern functions are implicitly embedded in the latter layout. For example, in convergence and innovation of ancient construction concerts and ancient construction performances, and use ancient construction; using various types of retreating spaces, Dongcheng District has also formed a group of historical Hutong Museum, "Nanyang · Sharing" drama workshop, and other batchs. Features of urban public cultural space.

Culture and the public connection

In addition to the efforts of professionals and government departments, the participation of the public is a way to "live" cultural heritage. Wang Wei discovered that in recent years, people have deepened their understanding and interest in archeology. Young people's understanding of archeology is no longer limited to novels such as "Tomb Raider". Archeology as a scientific research is well known by more people. He also tried to promote the culture of Sanxingdui culture and introduce Sanxingdui archeology through the network live broadcast. The total number of network clicks reached billions.

"This makes us very happy. Archeology is entering millions of households." Wang Wei said that archeology cannot "like the new and hate the old". The Buliang River National Archaeological Site Park, which is about to be completed, helps the public understand and perceive history. He has a wish, hoping that Beijing can build a "theme park with the glory of Chinese civilization and rich connotation".

An Lushun suggested to mobilize more social forces to participate in the city of building a museum: "Social power not only helps solve some problems such as some of the museum's funds and staff shortages. Respect and recognition. By then, ordinary people will feel that this is not a museum or government museum in the industry, but our own museum. "

On the other hand, science and technology are helping cultural heritage to take the express trains spread by the public. Zhang Nan mentioned that Douyin participated in the promotion of the "big show watching Beijing". Through the combination of 12 colleges and literary and art agencies, 79 projects were launched on Douyin platform for 81 projects, which received many praise. "Many young people see such good performances through live broadcasts, and they leave a message on the barrage, saying that waiting for the epidemic to improve, they must enter the theater to experience these traditional culture." In order to drive the line online, Douyin is also some lines for some lines. The corresponding offline ticket purchase service was staged, and the audience could easily purchase tickets through the Douyin applet.

It is worth mentioning that technology has also become a shortcut for many non -heritage projects. Zhang Nan introduced that Douyin previously released the "non -legacy partner plan" and "seeing the craft plan", inviting more than 1,200 inheritors of non -heritage projects to settle in the Douyin platform, allowing many endangered non -heritage projects to re -"re -" short video platform " "Seeing", it has also helped many non -heritage products to broaden sales channels.

Liang Xiaosheng talks about the creation of Beijing life and "The World"

Liang Xiaosheng, who has lived in Beijing for more than half a century, looked back at the city's change with his personal experience: "I first lived in Beiying Factory for 12 years, and I lived a life of three o'clock. . "Later, he was transferred to the Chinese children's film studio, lived on the small street of Jian'an West Road, and then moved to the north of Mudan Garden. These two streets were originally in Beijing." In summer , Walking on the soles of the shoes, on rainy days, all kinds of oil flowers on the ground black water, children wearing plastic sandals, have to wash their feet with soap when they go home. "Today, these two streets have already become a civilized street, and the watch -watching civilized community has proposed the watching civilized community. "The environment is good, everyone's temper is also good, and can accept the advocacy of civilization and politeness. Therefore, the premise of the capital of civilization is that the environment is good."

Recent , Pretending to be deeply thought, and when I created "The World", I abandoned these thoughts from my mind, and writing became more pure, just like the painting sketch of the figures that the painter was familiar with. " Liang Xiaosheng often thought of the novel "Xu Mao and his daughters" created by the writer Zhou Keqin. When he wrote the young people in "The World", he imagined himself as an old Xu Mao. A warm vision to see the "disadvantages" on them; when writing the elderly, he used the eyes of Xu Mao to see the old Xu Mao, which gave the work another temperature. "Now I have more understanding of realism." Liang Xiaosheng said, "It's not just a mirror, not just about what people are in reality. Excellent realist writers are conveying people through their own works. What should I do, can we do better? I think this is a relationship between literary works and real society and people. I understand this, and creativity will make small progress. "

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Author: this newspaper reporter Peng Dan in Beijing

Picture: Peng Dan/Photo

Edit: Lu Zhengming

Editor in charge: Jiang Shengxin

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