Director Li Ruiyi "Hidden Dust Smoke": It is important to understand that people on another land you cannot reach.

Author:Changjiang Daily Time:2022.07.25

"Hidden Dust Smoke" poster.

The Yangtze River Daily Da Wuhan Client July 25 (Reporter Wan Jianhui Correspondent Ye Biao) "Every life is gorgeous and should not be ignored. Everyone's life is worthy of being awesome."

Invited by the Hubei Provincial Filmmakers Association and the Hubei Provincial Literary and Art Network Literature and Art Communication Center, Li Ruiyi, director of the movie "Hidden Dust Smoke", was a guest on the afternoon of July 24: "Hidden Dust Smoke": a love poem to the countryside "online sharing meeting, Share creative experience with industry experts such as Hu Ying, secretary general of Hubei Filmists Association, famous film critic Sha Dan, and Wang Wenbin, a professor of Wuhan University School of Art.

Everyone's life is worth fear

"Hidden Dust Smoke" movie picture.

Directed by Li Ruiyi, the film "Hidden Dust Smoke" starring Wu Renlin and Hai Qing is currently being shown in major theaters. The film "Hidden Dust and Smoke" tells the story of two lonely individuals abandoned by their respective families in the countryside, and they are in the same day after day. This rural theme film reputation first, Douban scored 8.4, and was nominated at the 72nd Berlin International Film Festival.

In the film, Cao Guiying, played by Hai Qing, lives a suspicing life in his brother's house all year round. He lives in a wooden shed with wind and rain. He is cold and cold, and his legs are still lame. She suffers from urinary tract, and she would have urinary incontinence without time. Due to the lack of fertility, the "arrangement" of Gui Yingba brother and sister -in -law was introduced to the older single Hema with iron (Wu Renlin) in the neighboring village.

Li Ruiyi said that the village where the shooting place is located is where he was born and grew up. Except for Hairin, most actors are villagers in the village. He has been shooting some movies around the village or village since 2009 "Old Donkey Head".

The origin of "Hidden Dust and Smoke" is actually seeing groups like Guiying or Ma Youtie in the village where he lives. They seemed to be shielded by the surrounding world, and they could not enjoy the attention of everyone.

"So I want to take a story about such a group. In my opinion, everyone's life is worthy of being awesome. Guiying and Ma have iron. They are realistic individuals with flesh and blood. How to connect with the surrounding world and build yourself, these should be seen. "

Li Ruiyi said that he hopes to make Ma Youtein and Cao Guiying gain the attention of everyone in daily life through the screen. Can be felt.

Very restrained, try to minimize the traces of artificial drama

"Hidden Dust Smoke" movie picture.

In the story, after marrying Cao Guiying, the days of Ma Youtie were full of hope. He did not dislike the disease of Guiying's body, diligent, and even raised a nest of chickens, and wanted to save money to treat Guiying.

The village began to dismantle the empty house in paid. Ma Youtie was determined to build his own house, one brick and tile, and slowly built himself and Guiying to build a bungalow. Essence Guiying gradually trusted and attached to the husband's husband, and her life after marriage was the calmness that she rarely enjoyed in her life. However, the good times did not last long. One day, the sick Guiying went to Tian Tou to send me the tie to the horse, and it was dizzy and drowned into the river. Ma Youtie, who lost his expectations, let go of the donkey who has lived for many years at home, and soon left the world and returned to the dust.

The film selects a very small entry point, watching the protagonist quietly with a fixed lens, adding some small variables, and how to wait for the fate to happen. In the film, a large number of scenes of Cao Guiying and Ma Youtie did the scene of farming in the field. Under the warm light, in the careful composition, on the natural track of natural capture, the busy scene of the farmer was eliminated with the meaning of sweat and suffering, but turned into a frame full of romantic aesthetics.

Li Ruiyi said that in the emotional tone of the film, it has always been restrained. Because they are recording the lives of two people, try to keep the photographer back in a relatively objective record method to present it, including minimizing the traces of artificial dramaticization from the drama, and try to dilute it throughout life. Go in the scene. Those emotions are also a process of constant progressive superposition. It is an emotion that the audience noticed and felt, and should not be artificially made and intentionally manufactured.

"There are still more than 500 million farmers today. In fact, we can see the moment when we really belong to their images. As a video worker, of course, I hope to watch the land through my own lens People who care about them through the camera, and then let more people see through the camera. "

Li Ruizhen said that the image on the screen is sometimes like a window. You pushed it away. You can understand the person on the other land you can't get involved and cannot reach, and see how they start life. This is important. This is why he has been shooting in his hometown.

"I have always joked that if 50%of the movies are in the countryside today, I may go to make science fiction and comedy, because the market needs a variety of movies."