Zhao Fanchun, the inheritor of the traditional painting skills of the paint: a colorful paint gorgeous one paint

Zhao Fanchun paint porcelain

After polishing, the lacquerware shows the colorful color

Works "Large Paint Sinking Golden Maple Leaf Plate"

What is the paint? It can be used to make the crickets of buying beads and beads, Qu Shui Liu, and the case of the crime ... It is a paint -like paint, from lacquer trees, also known as national lacquer and raw paint. The surface of various utensils is made into daily appliances, crafts, art, etc.

"The beauty of lacquer lies in its appearance -firmly in quality, glory in the text; It carries the soul of the 5,000 -year -old cultural culture of Huaxia. "On July 8th, the reporter saw the painter of the traditional painting technique Zhao Fanchun in the ancient painting city of Texas, and he was making lacquer wares.

Thousand -year -old painting paint

Large lacquer decoration is a traditional non -heritage art that uses natural paint as the basic decoration: using lacquer, "髹"; "decoration" means "decoration". The traditional lacquer traditional decorative skills have a history of more than 7,000 years in China. As early as the period of Hemudu culture, the lacquerware existed.

32 -year -old Zhao Fanchun has been engaged in lacquerware for nearly 8 years. When he was in college, he accidentally saw a teacher making lacquerware. Must -like.

After graduating from the Haidu College of Qingdao Agricultural University in July 2014, Zhao Fanchun recommended that he went to Beijing to follow the master of the traditional rhino skin skills of the large lacquer and the master of the Chinese modern lacquer painting pioneer Qiao Shiguang. After 4 years of study, Zhao Fanchun returned to his hometown of Texas to create his own studio and engage in the traditional lacquer traditional decoration work.

"The compatibility of large paint is very strong, which can be coated on wood, bamboo, cloth, leather, porcelain and other materials. It has a subtle and gentle luster after polishing and polishing." Seven thousand years ago method: Painted the tree bark with a special knife, waiting for the juice to fall down.

The paint is difficult, and since ancient times, there has been a saying that "a hundred miles and a pound of paint". The production process of large lacquer crafts is also slow. A lacquerware requires dozens of paint, and a layer of lacquer needs to be placed in an environment of constant humidity and temperature for a week to dry. Therefore, each piece of lacquerware products must be baptized by long time, and the production process is even calculated in the annual calculation.

There are many lacquer wares in the studio, and all kinds of colors are blended with each other, flowing wanton, noble, beautiful and energetic. "If the manufacturer is a man, there are no thousands of polished, how can it be aware?" Zhao Fanchun said that the path of the paint in the lacquerware will not be repeated, so each piece is an isphana.

Extremely polishing lacquer lottery

The lacquer bowl displayed by Zhao Fanchun used the traditional lacquer traditional decorative craftsmanship craftsmanship. At that time, in order to learn this craft, Zhao Fanchun had to sleep abandoned, and painted, coloring, and trying and error; he was not afraid of suffering, and the paint caused allergies. Until the skin is "anti -allergic" ... suffering from suffering, and now, the near -lost process has gained a new life, and his lacquerware works are in short supply.

The large paint grows in black, but it is shorter than the color. In order to enrich the color of the lacquerware, the craftsmen grind the turquoise, cinnabar, etc. into powder and lacquer, showing green, red and other colors. How many colors can a lacquerware have? After receiving a black gold lacquer bowl from Zhao Fanchun, I saw that the nail cover size area had 50 textures, and each texture was different. Each color was gorgeous. Brown, pale purple, light green ... colorful layers, staggered.

Where does the color come from? The answer lies in the craftsman's hand: Zhao Fanchun took out the fetal bone (mold when the utensil was not painted) after the yin was dried, and applied it with a brush. I saw a few brushes down. Fiber.

"'Lacquer clothes' pay attention to ultra -thin, and then apply another color paint after drying. This is repeated, 4 layers of paint is less than a piece of paper, and one piece of lacquerware has to be applied to more than 20 layers." The lacquerware production was finally polished and polished. The craftsman needed to wipe the vegetable oil. The palm and fingertips were on the upstream of the painted semi -finished products. It was rubbed for more than ten minutes to replace the part.

"The most repeated polishing in the slightest test is the most tested technology. It is light, and the layered texture cannot come out; if it is heavy, the texture may be grinded." Zhao Fanchun introduced that after all polishing %, Continue to polish, after several months, polished dozens of times until the paint surface is smooth and transparent, and the paint is shining.

Golden Mochi Skill

By the beloved porcelain, pottery, and jade, can you only say "broken peace"? However, Zhao Fanchun can use the traditional golden technique. After a set of wonderful hand operations such as lacquer, paint, and gold, the damaged utensils will be renovated.

"The so -called golden crickets are repaired by gold, which refers to a craft technique that uses natural large paint as a adhesive to adhesive and lack of damaged pottery and porcelain fragments, and apply gold powder or gold foil decoration on the seams. "Zhao Fanchun introduced that the damage utensils such as porcelain, purple sand, jade, Jianzhan, ivory, etc., can be reinstated after careful repair such as polishing, leakage, and polishing.

The raw materials required by Jin Yong include natural paint, flour, tiles, peanut oil, etc. The tools used include horn scraper, hook pen, glass plate, and various color paint. "Natural large paint is different from the current chemical paint, non -toxic high temperature resistance, and strong adhesive and bacteriostatic characteristics." Zhao Fanchun introduced that after adjusting the raw material to a suitable state, it was applied to the fault of the utensil damage. After the dryness, it has a good fixed effect. The process of Jin Yong is relatively complicated. After a variety of steps such as adhesion, paint, paint, paint, flattening, paint, and gold, etc., the production cycle is less than one or two months, as many as half a year. In particular, it is time -consuming and laborious. Because the gold foil and gold powder are very light, the craftsmen need to hold their breath to ensure that the gold foil and gold powder are perfectly attached to the repair office.

"Paste gold is the last step of Jin Yong. It is modified by applying gold powder or gold foil by the lines described to allow the utensils to reach a more perfect state." Zhao Fanchun introduced The material, decoration, and color of itself are different, and the aesthetics present also have their own feelings.

The slender golden lines flowed along the cracks of the ancient utensils, outlined the golden gold, and brought a strong impact. "This craft can be repaired through the skills, allowing the precious ancient utensils to protect, glowing with new glory, and giving it a new life." Zhao Fanchun said.

□ Reporter Wang Depeng Guo Qingping Correspondent Yang Yujuan Yang Zhen Haoran

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